African Martial Arts in the Diaspora Flashcards

1
Q

There are several forms of African Martial Arts which can be found

A

in different countries on the continent

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2
Q

Dambe

A

which entails boxing and kicking techniques, is practised by the Hausa people of Nigeria

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3
Q

In South Africa

A

Nguni and Zulu stick-fighting involve the use of sticks

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4
Q

the same stick-fighting technique can also be found in

A

Egypt but there it is called Tahti

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5
Q

T&T

A

Two forms of African martial arts which have been retained and are practised here are capoeira and stickfighting

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6
Q

Capoeira can trace its roots to

A

Angola

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7
Q

Capoeira was developed and is still widely practised in

A

Brazil and has a growing number of practitioners in TT

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8
Q

During the period of enslavement in Brazil,

A

maroon communities called quilombos became safe havens for Africans to practise and pass on their culture and it is out of these communities capoeira emerged

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9
Q

Capoeira is best described as

A

dance like movements between two opponents engaging in combat in a roda or a circle of capoeiristas (practitioners)

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10
Q

Capoeira includes

A

graceful acrobatic movements such as somersaults, swinging the legs high, hand stands and back flips

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11
Q

In capoeira’s very early forms

A

it also involved weapons such as blades or knives strapped to the ankle or held between the toes

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12
Q

What plays an integral part in the practice of capoeira

A

Music

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13
Q

An ensemble consisting of what are typical of capoeira combats

A

-1 to 3 berimbaus (stringed musical bows)
-1 or 2 atabaques (single-headed, standing conical drums)
-a pandeiro (Tamborine)
-an agogô (double bell)
-sometimes a reco-reco (Scraped bamboo tube)
-accompanied by call and response chants

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14
Q

According to who, how many types of capoeira are there

A

According to the Capoeira Association of Trinidad and Tobago, there are 3 types of capoeira

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15
Q

what are the 3 types

A

Angola (original)
Regional (restructuring the martial side)
Contemporânea, the most common in TT

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16
Q

What does contemporânea do

A

mixes styles from both regional and Angola and is notably more acrobatic

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17
Q

when and who returned to Trinidad and what did he decide to teach

A

In 1997, Sekhet Neb Amunwah, one of the leading exponents of capoeira in TT… and decided to teach Capoeira, the martial art and its culture

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18
Q

Amunwah acknowledges that

A

Mr Brian Jara was initially involved in introducing capoeira to TT when he held small workshops and practised the Angola tradition, the very ritualistic form of Capoeira

19
Q

In addition to teaching, Amunwah has

A

performed at numerous events and martial art tournaments where he repeatedly proved the validity of the martial arts concepts of capoeira in academy and self-defence situations

20
Q

What did Amunwah do in 1998

A

he opened and registered the first Capoeira Academy in TT

21
Q

Amunwah was also responsible for

A

introducing capoeira demonstrations on the Brian Lara Promenade on Emancipation Day, August 1st

22
Q

These demonstrations would be viewd by

A

hundreds of persons who would have gathered to participate in the Emancipation Day Kambule (Street Procession)

23
Q

In order to continue the tradition and share it among our young people, Amunwah

A

conducts capoeira workshops for young persons as part of the annual Youth Day activities at LidjYau Omowale Emancipation Village

24
Q

What is a popular form of African martial arts in TT

A

stick fighting/ Calinda/ Kalinda- it is also a mainstay event in the annual Carnival celebrations

25
Q

Calinda’s origins can be traced back to

A

the period of enslavement where enslaved Africans would practise traditional fighting methods in their pass time and as a means of defence

26
Q

Historians have linked stick fighting to

A

communities in Central and West Africa and the Oromo people of Ethiopia

27
Q

The kalinda is the word used to refer to

A

the stick-fight, the dance, the songs and other elements associated with the African martial art

28
Q

In Kalinda, opponents use

A

sticks called a bois made from the yellow poui tree

29
Q

the bois are typically

A

about three and a half to four feet long and one inch in diameter

30
Q

Combatants aka

A

Boismen

31
Q

Boismen engage in

A

dance like motions with a bois held in hand in a ring called a gayelle

32
Q

Kalinda fights are accompanied by

A

drumming and chantuelles often singing patois

33
Q

In Kalinda, before the commencement of a fight, the

A

gayelle is spiritually ‘sealed’ with camphor and white rum, typically puncheon

34
Q

step 2, a Boisman would

A

through his bois into the gayelle to signal his willingness to engage in combat and dance the carray

35
Q

step 3 (calinda), an opponent would

A

enter the gayelle waving his bois to indicate his acceptance of the challenge

36
Q

What was also part of the calinda fight

A

Engaging in mockery and picong, and it was well enjoyed by the spectators

37
Q

Historically a boisman’s costume typically consisted of

A

coloured satin, decorated with beads, swansdown (duck feathers) and tiny mirrors, heart-shaped mirrors or decorations on the chest and back, a head tie with two long ends hanging on either side, stockings and alpargatas (sandals)

38
Q

The heart shaped mirror worn on the chest is called the

A

fol

39
Q

the knee length pants (calinda) is called the

A

kandal and according to Maureen Warner-Lewis, originated from the African word kandalala meaning death shroud

40
Q

In preparation for a fight, boismen will

A

engage in prayer, self-isolation, meditation, spiritual baths and abstinence from carnal pleasures
special rituals are also done for the preparation of the bois

41
Q

Each village has its own

A

chantuelle and drummers to support their boismen in fights

42
Q

(calinda) one example of a chant is

A

“Mooma Mooma, yuh son in the grave already,/ Take a towel, ban yuh belly”

43
Q

Some famous boismen include

A

Acid/King David; Kali; king Tony; King Stokely; Mother Marva; Congo Bara

44
Q

In what year during the Camboulay Riots, stick fighters played

A

In 1881… a crucial role in defending Africans from the colonial authorities and they continue to hold a special place in the African community today