everything pt 2 Flashcards

(122 cards)

1
Q

what are tension

A

non chord tones a 7th 9th 11th and 13th above the root of a chord

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2
Q

characteristics of melodic tensions

A

any NCT longer than a beat
notes of any duration followed by a leap and not a part of a delayed resolution

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3
Q

harmonic tensions

A

part of a vertical structure of a chord

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4
Q

what tensions are available on a chord

A

any note that is a whole step above a chord tone is an available tension

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5
Q

what is not an available tension

A

any note a half step above a chord tone

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6
Q

what tensions should you avoid combining on dominant chords

A

t9 with tb9 or t#9
t13 with b13
5 with b13
5 with b5

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7
Q

what tensions can be on a major triad

A

T6 TM7 T9 T#11 T13

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8
Q

what are passing tones

A

NTC that fill the space between two chord tones by step

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9
Q

passing tones on the strong part of the beat

A

accented passing tones

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10
Q

double passing tones

A

two passing tones between two chord tones

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11
Q

neighboring tones

A

NCT that embellishes a single tone by upper or lower neighbor and back

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12
Q

Appoggiatura

A

leaps away(approached by) from a chord tone and then moves to a chord tone by step diatonically or chromatically

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13
Q

escape tone

A

moves away (approached by) step and moves to a chord tone by a leap

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14
Q

neighboring group
cambiata and changing tones

A

two consecutive non chord tones surrounding both sides of the previous chord tones and then resolving to the original chord tone

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15
Q

anticipation

A

rhythmically anticipates a chord tone.
tones of the upcoming chord.
may be tied sustained or followed by a rest

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16
Q

suspensions

A

hold a chord tone over despite moving chords.
prep, sus, and resolved a second below the suspended note

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17
Q

how are suspensions named

A

harmonic interval created above the bass note

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18
Q

bass suspension

A

2-3 sus down stepwise

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19
Q

sus with change of bass

A

suspension and change in bass

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20
Q

embellished suspension

A

the sus has added notes prior to resolution

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21
Q

chain of suspensions

A

the res starts the new prep

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22
Q

retardations

A

the same as a suspension however they move up a 2nd

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23
Q

what is a pedal point

A

a sustained tone over three or more chords
begin and end as a chord tone
a NCT in at least one chord

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24
Q

inverted pedal point

A

pedal in soprano

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25
internal pedal
pedal in alto or tenor
26
what is a secondary dominant
momentary V to I of another key
27
what is the secondary dominant technique known as
tonacization
28
characteristics of a secondary dominant
atleast one pitch from foreign key
29
how to construct a secondary dominant
identify tonicized chord go up a perfect 5th
30
how do secondary dominants resolve
leading tones resolve up and 7ths resolve down
31
what is a tritone substitution
a dominant resolution where instead of a V7 to one you have b27 to 1. A tritone above the V. labeled subV7
32
what is similar between a V7 and subV7
they have the same tendency tones
33
tritone subs can be used in
secondary dominants
34
secondary leading tone chords
vii diminished chords that tonicize a note.
35
what are borrowed chords
mode mixture: chords taken from a parallel key
36
what are common tone diminished chords?
chromatic non functional chords that are passing or neighbor harmony. fully diminished chord that shares one note with the chord it precedes
37
what is a Neopolitan 6 chord
N or N6 is a major chord built on the lowered supertonic
38
N chords usually has what function
subdominant
39
what is an aug 6 chord
the b6 and #4. they smoothly voice lead to dominant
40
Italian aug 6 chord
adds tonic
41
French aug 6 chord
adds supertonic and tonic
42
German aug 6 adds
Lowered mediant and tonic
43
swiss aug 6 adds
raised super tonic and tonic
44
what is simple modulation
moving to closely related key. relative major and minor. adding and subtracting one flat or sharp major and minor.
45
what is a pivot chord
links two tonal centers
46
diatonic pivot chord
common chord
47
when can modulations occur
after a few bars fully established by V to I
48
diatonic to chromatic modulation
diatonic in old key chromatic in new key
49
what does a solid arrow identify
dominant resolution
50
what does a bracket identify
ii7 to V7
51
what kind of commands are given with the mace
non verbal communication
52
parts of the mace
ball, staff, chain, and ferrule
53
attention position
ferrule inwards towards right foot
54
alt attention
mace straight up and down
55
parade rest
mace straight up and down in the middle of the legs two hands
56
alt parade rest
mace remains on deck on two hands
57
carry
ball visible over left shoulder
58
when does the in instruments up happen during the cadence
measures 5th and 6th
59
during the roll off when does the instruments up occur
the first and second measure
60
when does the cease play happen
the last 8 counts of music
61
difference between full wind vs winds cease play
full band both arms out wind only one arm out
62
march tempo
108 120
63
who establishes step size
24-26 inch step
64
where is band alignment
center
65
who is the guide file and what if there is an even or odd number
center file with odd number of files. right of center if even
66
what does the guide file do
maintains two paces between ranks in the band.
67
what is the distance between the drum major and the band
usually 5-6 paces and a distance of one more pace than the number of files from the drum major
68
who is the first pivot musician in a turn
the pivot musician is the first one in the flanking file
69
where is the conductor located next to the band
two paces to the right on line with the first rank
70
what is a motive
the smallest musical idea. atleast one distinct interval or rhythm. 2 to 12 notes.
71
what is a phrase
an independent musical idea concluded by a cadence.
72
what is a sub phrase
solely a melodic event without a cadence
73
what are the two types of phrases
antecedent weaker cadence consequent stronger cadence
74
what is a period
two phrases in succession
75
what is a parallel period
when phrases begin with similar or identical material
76
contrasting period
when two phrases begin different
77
three period phrases
ant cons ant ant ant cons
78
what is a double period
4 phrases in two pairs. 2 phrases
79
parallel double periods
first and third identical a a' a a'' a a' a b
80
contrasting parallel periods
first and third not identical
81
common march key signatures
no more than 4 flats
82
traditional American march form
I - AA - BB - C (trio) - Br - C (grandioso)
83
trio key change
flat added to original key
84
most common meter in ceremonial music
4/4
85
how many measures of the national anthem have tonic in the melody
21
86
what part of the beat is note 27 of the general march and where are the conductors hands
beat 2
87
what meter is anchors aweigh in
cut time
88
number of measures in anchors aweigh
32
89
year and tempo mark of anchors
lively march tempo and 1907
90
when was eternal father written
1860
91
eternal Father Time signature
4/4
92
eternal Father measure numbers
12
93
where are the fermatas in eternal father
beat 3 measure 2 (G) beat 3 measure 4 (G) beat 3 measure 8 (E) beat 3 measure 10 (G)
94
eternal Father Tempo
slowly
95
flag officer march meter
cut time
96
flag officer march tempo
120
97
flag officer measure numbers
8
98
sportzando of flag officers march
beat 3 measure 6
99
slurs on flag officers march
beat 2-3 of measure 4 beat 1 of measure 7
100
flag officer march key
Ab
101
generals march tempo
brisk march tempo
102
general march meter
Common time
103
general march key signature
Bb
104
staccatos in general march
meas 1 beat 4 meas 2 beat 4 meas 4 beat 4 meas 7 beat 1 and 4 meas 8 beat 4 meas 10 beat 4
105
hail columbia tempo
marcato 116
106
hail columbia key
Ab
107
hail to the chief slurs
measure 2 beat 3-4 measure 6 beat 3-4
108
hail to the chief tempo
majestically 104
109
hail to the chief key
Bb
110
honors march "Stars and Stripes" key
F
111
honors march "Stars and Stripes" dynamics
F measure 1-16 FF measure 17-32
112
marking at the end of honors march "Stars and Stripes"
fine
113
marines hymn tempo
march
114
marines hymn bar number
32
115
form of marines hymn
A A B A
116
national anthem breath marks melody
measure 4 beat 2 measure 12 beat 2 measure 16 beat 2 measure 20 beat 2 measure 24 beat 2
117
national anthem tenutos melody
first note of pickup and on the repeat 2+3+ of measure27 1 of measure 28
118
national anthem staccato melody
second note of pickup and on the repeat
119
national anthem crescendo melody
bar 4 of the B section
120
national anthem fermatas
bar 28 beat 2 bar 30 beat 1 bar 32 beat 1
121
caesura located on national anthem
measure 30 beat 2
122
tenutos in the baseline of the national anthem
pick up beat one and on the repeat. 2+3+ measure 27 beat 1 measure 28