everything pt 2 Flashcards
what are tension
non chord tones a 7th 9th 11th and 13th above the root of a chord
characteristics of melodic tensions
any NCT longer than a beat
notes of any duration followed by a leap and not a part of a delayed resolution
harmonic tensions
part of a vertical structure of a chord
what tensions are available on a chord
any note that is a whole step above a chord tone is an available tension
what is not an available tension
any note a half step above a chord tone
what tensions should you avoid combining on dominant chords
t9 with tb9 or t#9
t13 with b13
5 with b13
5 with b5
what tensions can be on a major triad
T6 TM7 T9 T#11 T13
what are passing tones
NTC that fill the space between two chord tones by step
passing tones on the strong part of the beat
accented passing tones
double passing tones
two passing tones between two chord tones
neighboring tones
NCT that embellishes a single tone by upper or lower neighbor and back
Appoggiatura
leaps away(approached by) from a chord tone and then moves to a chord tone by step diatonically or chromatically
escape tone
moves away (approached by) step and moves to a chord tone by a leap
neighboring group
cambiata and changing tones
two consecutive non chord tones surrounding both sides of the previous chord tones and then resolving to the original chord tone
anticipation
rhythmically anticipates a chord tone.
tones of the upcoming chord.
may be tied sustained or followed by a rest
suspensions
hold a chord tone over despite moving chords.
prep, sus, and resolved a second below the suspended note
how are suspensions named
harmonic interval created above the bass note
bass suspension
2-3 sus down stepwise
sus with change of bass
suspension and change in bass
embellished suspension
the sus has added notes prior to resolution
chain of suspensions
the res starts the new prep
retardations
the same as a suspension however they move up a 2nd
what is a pedal point
a sustained tone over three or more chords
begin and end as a chord tone
a NCT in at least one chord
inverted pedal point
pedal in soprano
internal pedal
pedal in alto or tenor
what is a secondary dominant
momentary V to I of another key
what is the secondary dominant technique known as
tonacization
characteristics of a secondary dominant
atleast one pitch from foreign key
how to construct a secondary dominant
identify tonicized chord
go up a perfect 5th
how do secondary dominants resolve
leading tones resolve up and 7ths resolve down
what is a tritone substitution
a dominant resolution where instead of a V7 to one you have b27 to 1. A tritone above the V.
labeled subV7
what is similar between a V7 and subV7
they have the same tendency tones
tritone subs can be used in
secondary dominants
secondary leading tone chords
vii diminished chords that tonicize a note.
what are borrowed chords
mode mixture: chords taken from a parallel key
what are common tone diminished chords?
chromatic non functional chords that are passing or neighbor harmony.
fully diminished chord that shares one note with the chord it precedes
what is a Neopolitan 6 chord
N or N6 is a major chord built on the lowered supertonic
N chords usually has what function
subdominant
what is an aug 6 chord
the b6 and #4. they smoothly voice lead to dominant
Italian aug 6 chord
adds tonic
French aug 6 chord
adds supertonic and tonic
German aug 6 adds
Lowered mediant and tonic
swiss aug 6 adds
raised super tonic and tonic
what is simple modulation
moving to closely related key. relative major and minor. adding and subtracting one flat or sharp major and minor.
what is a pivot chord
links two tonal centers
diatonic pivot chord
common chord
when can modulations occur
after a few bars fully established by V to I
diatonic to chromatic modulation
diatonic in old key
chromatic in new key
what does a solid arrow identify
dominant resolution
what does a bracket identify
ii7 to V7
what kind of commands are given with the mace
non verbal communication
parts of the mace
ball, staff, chain, and ferrule
attention position
ferrule inwards towards right foot
alt attention
mace straight up and down
parade rest
mace straight up and down in the middle of the legs two hands
alt parade rest
mace remains on deck on two hands
carry
ball visible over left shoulder
when does the in instruments up happen during the cadence
measures 5th and 6th
during the roll off when does the instruments up occur
the first and second measure
when does the cease play happen
the last 8 counts of music
difference between full wind vs winds cease play
full band both arms out
wind only one arm out
march tempo
108 120
who establishes step size
24-26 inch step
where is band alignment
center
who is the guide file and what if there is an even or odd number
center file with odd number of files. right of center if even
what does the guide file do
maintains two paces between ranks in the band.
what is the distance between the drum major and the band
usually 5-6 paces and a distance of one more pace than the number of files from the drum major
who is the first pivot musician in a turn
the pivot musician is the first one in the flanking file
where is the conductor located next to the band
two paces to the right on line with the first rank
what is a motive
the smallest musical idea. atleast one distinct interval or rhythm. 2 to 12 notes.
what is a phrase
an independent musical idea concluded by a cadence.
what is a sub phrase
solely a melodic event without a cadence
what are the two types of phrases
antecedent weaker cadence
consequent stronger cadence
what is a period
two phrases in succession
what is a parallel period
when phrases begin with similar or identical material
contrasting period
when two phrases begin different
three period phrases
ant cons ant
ant ant cons
what is a double period
4 phrases in two pairs. 2 phrases
parallel double periods
first and third identical
a a’ a a’’
a a’ a b
contrasting parallel periods
first and third not identical
common march key signatures
no more than 4 flats
traditional American march form
I - AA - BB - C (trio) - Br - C (grandioso)
trio key change
flat added to original key
most common meter in ceremonial music
4/4
how many measures of the national anthem have tonic in the melody
21
what part of the beat is note 27 of the general march and where are the conductors hands
beat 2
what meter is anchors aweigh in
cut time
number of measures in anchors aweigh
32
year and tempo mark of anchors
lively march tempo and 1907
when was eternal father written
1860
eternal Father Time signature
4/4
eternal Father measure numbers
12
where are the fermatas in eternal father
beat 3 measure 2 (G)
beat 3 measure 4 (G)
beat 3 measure 8 (E)
beat 3 measure 10 (G)
eternal Father Tempo
slowly
flag officer march meter
cut time
flag officer march tempo
120
flag officer measure numbers
8
sportzando of flag officers march
beat 3 measure 6
slurs on flag officers march
beat 2-3 of measure 4
beat 1 of measure 7
flag officer march key
Ab
generals march tempo
brisk march tempo
general march meter
Common time
general march key signature
Bb
staccatos in general march
meas 1 beat 4
meas 2 beat 4
meas 4 beat 4
meas 7 beat 1 and 4
meas 8 beat 4
meas 10 beat 4
hail columbia tempo
marcato 116
hail columbia key
Ab
hail to the chief slurs
measure 2 beat 3-4
measure 6 beat 3-4
hail to the chief tempo
majestically 104
hail to the chief key
Bb
honors march “Stars and Stripes” key
F
honors march “Stars and Stripes” dynamics
F measure 1-16
FF measure 17-32
marking at the end of honors march “Stars and Stripes”
fine
marines hymn tempo
march
marines hymn bar number
32
form of marines hymn
A A B A
national anthem breath marks melody
measure 4 beat 2
measure 12 beat 2
measure 16 beat 2
measure 20 beat 2
measure 24 beat 2
national anthem tenutos melody
first note of pickup and on the repeat
2+3+ of measure27
1 of measure 28
national anthem staccato melody
second note of pickup and on the repeat
national anthem crescendo melody
bar 4 of the B section
national anthem fermatas
bar 28 beat 2
bar 30 beat 1
bar 32 beat 1
caesura located on national anthem
measure 30 beat 2
tenutos in the baseline of the national anthem
pick up beat one and on the repeat.
2+3+ measure 27
beat 1 measure 28
