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spring 2023 - shit I don't know very well > everything pt 2 > Flashcards

everything pt 2 Flashcards

1
Q

what are tension

A

non chord tones a 7th 9th 11th and 13th above the root of a chord

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2
Q

characteristics of melodic tensions

A

any NCT longer than a beat
notes of any duration followed by a leap and not a part of a delayed resolution

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3
Q

harmonic tensions

A

part of a vertical structure of a chord

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4
Q

what tensions are available on a chord

A

any note that is a whole step above a chord tone is an available tension

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5
Q

what is not an available tension

A

any note a half step above a chord tone

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6
Q

what tensions should you avoid combining on dominant chords

A

t9 with tb9 or t#9
t13 with b13
5 with b13
5 with b5

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7
Q

what tensions can be on a major triad

A

T6 TM7 T9 T#11 T13

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8
Q

what are passing tones

A

NTC that fill the space between two chord tones by step

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9
Q

passing tones on the strong part of the beat

A

accented passing tones

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10
Q

double passing tones

A

two passing tones between two chord tones

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11
Q

neighboring tones

A

NCT that embellishes a single tone by upper or lower neighbor and back

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12
Q

Appoggiatura

A

leaps away(approached by) from a chord tone and then moves to a chord tone by step diatonically or chromatically

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13
Q

escape tone

A

moves away (approached by) step and moves to a chord tone by a leap

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14
Q

neighboring group
cambiata and changing tones

A

two consecutive non chord tones surrounding both sides of the previous chord tones and then resolving to the original chord tone

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15
Q

anticipation

A

rhythmically anticipates a chord tone.
tones of the upcoming chord.
may be tied sustained or followed by a rest

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16
Q

suspensions

A

hold a chord tone over despite moving chords.
prep, sus, and resolved a second below the suspended note

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17
Q

how are suspensions named

A

harmonic interval created above the bass note

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18
Q

bass suspension

A

2-3 sus down stepwise

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19
Q

sus with change of bass

A

suspension and change in bass

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20
Q

embellished suspension

A

the sus has added notes prior to resolution

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21
Q

chain of suspensions

A

the res starts the new prep

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22
Q

retardations

A

the same as a suspension however they move up a 2nd

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23
Q

what is a pedal point

A

a sustained tone over three or more chords
begin and end as a chord tone
a NCT in at least one chord

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24
Q

inverted pedal point

A

pedal in soprano

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25
Q

internal pedal

A

pedal in alto or tenor

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26
Q

what is a secondary dominant

A

momentary V to I of another key

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27
Q

what is the secondary dominant technique known as

A

tonacization

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28
Q

characteristics of a secondary dominant

A

atleast one pitch from foreign key

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29
Q

how to construct a secondary dominant

A

identify tonicized chord
go up a perfect 5th

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30
Q

how do secondary dominants resolve

A

leading tones resolve up and 7ths resolve down

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31
Q

what is a tritone substitution

A

a dominant resolution where instead of a V7 to one you have b27 to 1. A tritone above the V.
labeled subV7

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32
Q

what is similar between a V7 and subV7

A

they have the same tendency tones

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33
Q

tritone subs can be used in

A

secondary dominants

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34
Q

secondary leading tone chords

A

vii diminished chords that tonicize a note.

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35
Q

what are borrowed chords

A

mode mixture: chords taken from a parallel key

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36
Q

what are common tone diminished chords?

A

chromatic non functional chords that are passing or neighbor harmony.
fully diminished chord that shares one note with the chord it precedes

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37
Q

what is a Neopolitan 6 chord

A

N or N6 is a major chord built on the lowered supertonic

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38
Q

N chords usually has what function

A

subdominant

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39
Q

what is an aug 6 chord

A

the b6 and #4. they smoothly voice lead to dominant

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40
Q

Italian aug 6 chord

A

adds tonic

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41
Q

French aug 6 chord

A

adds supertonic and tonic

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42
Q

German aug 6 adds

A

Lowered mediant and tonic

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43
Q

swiss aug 6 adds

A

raised super tonic and tonic

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44
Q

what is simple modulation

A

moving to closely related key. relative major and minor. adding and subtracting one flat or sharp major and minor.

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45
Q

what is a pivot chord

A

links two tonal centers

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46
Q

diatonic pivot chord

A

common chord

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47
Q

when can modulations occur

A

after a few bars fully established by V to I

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48
Q

diatonic to chromatic modulation

A

diatonic in old key
chromatic in new key

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49
Q

what does a solid arrow identify

A

dominant resolution

50
Q

what does a bracket identify

A

ii7 to V7

51
Q

what kind of commands are given with the mace

A

non verbal communication

52
Q

parts of the mace

A

ball, staff, chain, and ferrule

53
Q

attention position

A

ferrule inwards towards right foot

54
Q

alt attention

A

mace straight up and down

55
Q

parade rest

A

mace straight up and down in the middle of the legs two hands

56
Q

alt parade rest

A

mace remains on deck on two hands

57
Q

carry

A

ball visible over left shoulder

58
Q

when does the in instruments up happen during the cadence

A

measures 5th and 6th

59
Q

during the roll off when does the instruments up occur

A

the first and second measure

60
Q

when does the cease play happen

A

the last 8 counts of music

61
Q

difference between full wind vs winds cease play

A

full band both arms out
wind only one arm out

62
Q

march tempo

A

108 120

63
Q

who establishes step size

A

24-26 inch step

64
Q

where is band alignment

A

center

65
Q

who is the guide file and what if there is an even or odd number

A

center file with odd number of files. right of center if even

66
Q

what does the guide file do

A

maintains two paces between ranks in the band.

67
Q

what is the distance between the drum major and the band

A

usually 5-6 paces and a distance of one more pace than the number of files from the drum major

68
Q

who is the first pivot musician in a turn

A

the pivot musician is the first one in the flanking file

69
Q

where is the conductor located next to the band

A

two paces to the right on line with the first rank

70
Q

what is a motive

A

the smallest musical idea. atleast one distinct interval or rhythm. 2 to 12 notes.

71
Q

what is a phrase

A

an independent musical idea concluded by a cadence.

72
Q

what is a sub phrase

A

solely a melodic event without a cadence

73
Q

what are the two types of phrases

A

antecedent weaker cadence
consequent stronger cadence

74
Q

what is a period

A

two phrases in succession

75
Q

what is a parallel period

A

when phrases begin with similar or identical material

76
Q

contrasting period

A

when two phrases begin different

77
Q

three period phrases

A

ant cons ant
ant ant cons

78
Q

what is a double period

A

4 phrases in two pairs. 2 phrases

79
Q

parallel double periods

A

first and third identical
a a’ a a’’
a a’ a b

80
Q

contrasting parallel periods

A

first and third not identical

81
Q

common march key signatures

A

no more than 4 flats

82
Q

traditional American march form

A

I - AA - BB - C (trio) - Br - C (grandioso)

83
Q

trio key change

A

flat added to original key

84
Q

most common meter in ceremonial music

A

4/4

85
Q

how many measures of the national anthem have tonic in the melody

A

21

86
Q

what part of the beat is note 27 of the general march and where are the conductors hands

A

beat 2

87
Q

what meter is anchors aweigh in

A

cut time

88
Q

number of measures in anchors aweigh

A

32

89
Q

year and tempo mark of anchors

A

lively march tempo and 1907

90
Q

when was eternal father written

A

1860

91
Q

eternal Father Time signature

A

4/4

92
Q

eternal Father measure numbers

A

12

93
Q

where are the fermatas in eternal father

A

beat 3 measure 2 (G)
beat 3 measure 4 (G)
beat 3 measure 8 (E)
beat 3 measure 10 (G)

94
Q

eternal Father Tempo

A

slowly

95
Q

flag officer march meter

A

cut time

96
Q

flag officer march tempo

A

120

97
Q

flag officer measure numbers

A

8

98
Q

sportzando of flag officers march

A

beat 3 measure 6

99
Q

slurs on flag officers march

A

beat 2-3 of measure 4
beat 1 of measure 7

100
Q

flag officer march key

A

Ab

101
Q

generals march tempo

A

brisk march tempo

102
Q

general march meter

A

Common time

103
Q

general march key signature

A

Bb

104
Q

staccatos in general march

A

meas 1 beat 4
meas 2 beat 4
meas 4 beat 4
meas 7 beat 1 and 4
meas 8 beat 4
meas 10 beat 4

105
Q

hail columbia tempo

A

marcato 116

106
Q

hail columbia key

A

Ab

107
Q

hail to the chief slurs

A

measure 2 beat 3-4
measure 6 beat 3-4

108
Q

hail to the chief tempo

A

majestically 104

109
Q

hail to the chief key

A

Bb

110
Q

honors march “Stars and Stripes” key

A

F

111
Q

honors march “Stars and Stripes” dynamics

A

F measure 1-16
FF measure 17-32

112
Q

marking at the end of honors march “Stars and Stripes”

A

fine

113
Q

marines hymn tempo

A

march

114
Q

marines hymn bar number

A

32

115
Q

form of marines hymn

A

A A B A

116
Q

national anthem breath marks melody

A

measure 4 beat 2
measure 12 beat 2
measure 16 beat 2
measure 20 beat 2
measure 24 beat 2

117
Q

national anthem tenutos melody

A

first note of pickup and on the repeat
2+3+ of measure27
1 of measure 28

118
Q

national anthem staccato melody

A

second note of pickup and on the repeat

119
Q

national anthem crescendo melody

A

bar 4 of the B section

120
Q

national anthem fermatas

A

bar 28 beat 2
bar 30 beat 1
bar 32 beat 1

121
Q

caesura located on national anthem

A

measure 30 beat 2

122
Q

tenutos in the baseline of the national anthem

A

pick up beat one and on the repeat.
2+3+ measure 27
beat 1 measure 28

spring 2023 - shit I don't know very well (2 decks)

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