Evaluation Flashcards

1
Q

Technical weakness

A

Ankle strength

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2
Q

Technical strength

A

Turnout

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3
Q

What makes ur weakness a weakness

A

Causes retirés to suffer and relevés on pointe hard. pirouettes
Causes pain and discomfort
Ankle buckles and can’t hold relevés long

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4
Q

Training programme (not pointe)

A

20 ankles circles, relevés and flex and points. Twice on each foot
After 2 weeks make 30 of each, 3 times on each foot

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5
Q

Training programme (pointe)

A

10 rises, relevés in fifth and relevés to retiré. Twice on each foot
After 2 weeks. 20 each, three times on each

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6
Q

How to re-evaluate

A

Video pirouettes and pointe, see if stable and on balance
Time how long can hold retirés
Feel if as difficult and uncomfortable as before training programme started

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7
Q

Technical weakness effect on higher solo after training programme

A

Pirouettes, held positions and rises would be stronger
Jumps powerful and high
Make overall more precise and powerful

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8
Q

Why is ur strength a strength

A

strong turnout from hips to feet. Key need for ballet and lays foundation for other steps e.g. rands de jambes, arabesque, pliés
Makes me able to focus on other aspects

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9
Q

Technical strength effect on higher solo

A

Helped to hold deep pliés in contemporary solo and open positions including rise into retiré very turned out leg.

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10
Q

Who is model performer

A

Misty Copeland

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11
Q

What performance did model performer do

A

Arsenio Hall Show

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12
Q

What was the solo and what did it include

A

Contemporary on pointe. Had pirouettes, high kicks and relevés

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13
Q

What was good about the model performer technically

A

Strong ankles, no wobbles. Turns on balance (chaines and pirouettes). Rises were controlled and fluid

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14
Q

What was good about model performers dynamics

A

High kick- fast up, slow down. More impactful.

Dynamics were varied and made movements more exciting and interesting

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15
Q

What was good about model performers musicality

A

Moves on beat eg clicked fingers

moved though music at times too

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16
Q

What was good about model performers spacing

A

Used it all. Extended all lines.

Floor use and standing use eg splits and leaps

17
Q

What was good about model performers expression

A

Extended lines and reaches to show emotion and pain through body

18
Q

What performance elements to comment on from misty copeland

A

Musicality
Spacing
Dynamics
Expression