Equine Terminology - PATH Flashcards

1
Q

Balanced Seat

A

The position of the mounted rider which requires the minimum of muscular effort to remain in the saddle and that interferes least with the horse’s movement and equilibrium.

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2
Q

Bight of the Reins

A

The bight of the reins (the connected end portion) is off the right side of the horse’s neck – underneath your right rein. Each hand will hold a single rein. This is similar to how you would see a jockey hold the reins. Again, the pinkies can be on the outside of the reins or on the inside, grasping like a fist.
The part of the reins passing between thumb and fingers and out the top of the hand.

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3
Q

Blemish

A

A defect that hurts an equine’s appearance but does not hurt its working ability (e.g., a scar).

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4
Q

Bolting

A

An animal breaking out of control or trying to run away.

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5
Q

Broke

A
  1. Tamed and trained to a particular function, as halter-broke. 2. To leave or alter gait (e.g., the trotter broke stride).
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6
Q

Canter or Lope

A

A three-beat gait in which the first and third beats are made by two legs striking the ground independently and the second beat is made by two limbs striking the ground simultaneously. In the left lead, the sequence of beats is (1) right hind leg, (2) left hind leg and right foreleg, and (3) left foreleg. The reverse applies for the right lead.

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7
Q

Cavesson

A

Headstall with a noseband (often quite large) used for exercising and training horse

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8
Q

Change of Lead

A

Change of leading leg at the canter

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9
Q

Cinch

A

Girth of a Western saddle

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10
Q

Cold-Backed

A

Describes a horse that humps its back and does not settle down until the saddle has been on a few minutes. Some “cold-backed” horses will merely tuck their tails and arch their backs when first mounted, but others will take a few crow hops until warmed up.

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11
Q

Collected Gait

A

Remaining on the bit, the horse moves forward with its neck raised and arched as a result of energetic impulsion. Lightness of forehand, engagement of hindquarters are called for. Shorter strides but lighter and more mobile.

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12
Q

Conformation

A

is the way a horse is put together, its physique. Good conformation is beautiful, but more important, it makes a horse able to work well and stay sound even with hard work. Conformation defects can make a horse weak in a particular part or they can just make a horse less handsome.

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13
Q

Counter Canter

A

A suppling movement deliberately asking for the opposite of a normal lead, such as right lead on a circle to the left

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14
Q

Crest Release

A

A way in which riders in the jumping position can maintain balance and control by placing each hand firmly on top other crest approximately one-third of the way up the horse’s neck

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15
Q

Crop

A

a riding whip with a short, straight stock and loop

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16
Q

Cross-Firing

A

A gait defect that occurs when the inside of the hind foot strikes the diagonal foreleg

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17
Q

Curb Bit

A

type of bit designed to exert a leverage type of action in the horse’s mouth

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18
Q

Direct Rein Steering

A

the direct rein puts pressure on the bit, directly back toward the rider. It works in opposition to the horses’ forward motion. The direct rein makes the horse shorten its stride for the turn, so it works best where you need more control or a tight turn

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19
Q

Dressage

A

A time-tested, methodical progression of exercises designed to increase a horse’s muscular capabilities and degree of suppleness, allowing it to perform increasingly difficult movements under saddle

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20
Q

Equine-assisted activities (EAA)

A

Treatments conducted by appropriately licensed medical professionals. PATH Intl. provides standards of professionalism and safety for all these EAAT professionals

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21
Q

Equitation

A

The act or art of riding horseback

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22
Q

Footfall Pattern

A

The sequence in which the legs move in a gait, such as the walk, trot or canter

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23
Q

Forehand

A

The front of the horse, including head, neck, shoulders, and forelegs; in other words, that portion of the horse in front of the center of gravity.

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24
Q

Forward Seat

A

Style of riding that permits the rider to sit closer to the forehand and permits adjustment of the center of gravity forward to negotiate obstacles and remove the weight (seat) from the saddle when necessary

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25
Q

Free Walk

A

A relaxed gait in which the horse is allowed complete freedom to stretch hour and lower its head and neck

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26
Q

Girth

A

the strap of webbing that holds the saddle in place

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27
Q

Half-Pass

A

A variation of travers, executed on the diagonal instead of along the wall. The horse, slightly bent round the inside leg of the rider, should be as close as possible parallel to the long sides of the arena, the forehand slightly in advance of the quarters

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28
Q

Hand Gallop

A

An extended canter, but the horse remains collected, unlike the flat-out run when the horse’s gait almost returns to a four-beat status

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29
Q

Head Carriage

A

Refers to the position in which the head and neck are carried relative to the parallel. An ideal head carriage should have the neck parallel to the ground to slightly above the parallel

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30
Q

Headset

A

refers to the amount of flexion at the poll. An ideal headset should be perpendicular to the ground to slightly forward of the vertical

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31
Q

Horse Leader

A

or horse handler is the person responsible for controlling the horse during an EAA lesson/session

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32
Q

Impulsion

A

Engagement of the hind legs and rounding of the back, allowing the horse to move forward with greater energy

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33
Q

Lateral Bend

A

refers to the horse’s ability to curve or “bend” its body from head to tail

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34
Q

Lateral Movement

A

Work on 2 tracks, in which the horse is bent uniformly from poll to tail and moves with the forehand and quarters on 2 different tracks. Shoulder-in, haunches-in (travers), haunches-out (renvers), and half-passes are lateral movements

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35
Q

Lead

A

the leading foot (leg) of a horse. When cantering circularly, the foot to the inner arc of the circle clockwise, a right foot lead; and counterclockwise, a left foot lead

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36
Q

Leg Yield

A

A suppling exercise designed to make a horse responsive to unilateral aids

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37
Q

Medium Gait

A

is between the collected and extended

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38
Q

Natural Aids

A

A part of your body. Each natural aid has a certain way of signaling the horse. There are 4 natural aids: 1) hands 2) voice 3) legs 4) weight(seat)

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39
Q

Nearside

A

The left side of the horse

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40
Q

Offside

A

The right side of the horse

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41
Q

Overreach

A

The hitting of the forefoot with the hind foot

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42
Q

Pace

A

A 2-beat gait in which the lateral limbs strike the ground simultaneously. There is a lateral base of support and a period of suspension with all 4 feet off the ground occurring between each beat.

43
Q

Participant

A

A general description of the persons who take part in equine assisted activities and therapies at a PATH Intl. Center for their benefit; also called riders, drivers, vaulters, students, or clients. There will be varied usage depending on the discipline. For instance, in a therapy setting, it is appropriate to use client; in a school setting, one may use the term student.

44
Q

Posting Diagonal

A

When traveling on the rail in the arena or when working in a curved line, the rider rises (posts) when the horse’s outside shoulder moves forward.

45
Q

Postural corrections

A

Corrections made by the CTRI to the position in which the rider’s body is aligned while riding. Posture is habitual; therefore, ongoing corrections are essential to riding skill development.

46
Q

Rein Back

A

Backward movement in which hooves are raised and set down almost simultaneously by diagonal

47
Q

Rhythm

A

The regularity of footfalls within each gait

48
Q

Rollback

A

A series of movements that blend together to look like one movement; incorporates a run or lope, a balanced stop, a fast, smooth 180-degree pivot and a fast break out of the rollback into a run or lope on the proper lead

49
Q

Serpentine

A

Series of equal curves from one line of the centerline to the other, changing the direction of the turn each time the horse passes over the centerline

50
Q

Shoulder-in

A

The horse is slightly bent round the inside leg of the rider, and its inside legs pass and cross in front of the outside legs. The horse is looking away from the direction in which it is moving

51
Q

Side Pass

A

A movement in which the horse goes straight and sideways; the horse’s outside leg should cross over in front of the supporting leg. This movement has a slight degree of forward motion. Side passing lets you move the horse over to open and close a gate easily when mounted, helps in suppling and in preparing for flying changes.

52
Q

Trappy

A

A short, quick, choppy stride usually seen in horses that have short and steep pasterns and straight shoulders

53
Q

The position of the mounted rider which requires the minimum of muscular effort to remain in the saddle and that interferes least with the horse’s movement and equilibrium.

A

Balanced Seat

54
Q

The bight of the reins (the connected end portion) is off the right side of the horse’s neck – underneath your right rein. Each hand will hold a single rein. This is similar to how you would see a jockey hold the reins. Again, the pinkies can be on the outside of the reins or on the inside, grasping like a fist.
The part of the reins passing between thumb and fingers and out the top of the hand.

A

Bight of the Reins

55
Q

A defect that hurts an equine’s appearance but does not hurt its working ability (e.g., a scar).

A

Blemish

56
Q

An animal breaking out of control or trying to run away.

A

Bolting

57
Q
  1. Tamed and trained to a particular function, as halter-broke. 2. To leave or alter gait (e.g., the trotter broke stride).
A

Broke

58
Q

A three-beat gait in which the first and third beats are made by two legs striking the ground independently and the second beat is made by two limbs striking the ground simultaneously. In the left lead, the sequence of beats is (1) right hind leg, (2) left hind leg and right foreleg, and (3) left foreleg. The reverse applies for the right lead.

A

Canter or Lope

59
Q

Headstall with a noseband (often quite large) used for exercising and training horse

A

Cavesson

60
Q

Change of leading leg at the canter

A

Change of Lead

61
Q

Girth of a Western saddle

A

Cinch

62
Q

Describes a horse that humps its back and does not settle down until the saddle has been on a few minutes. Some “cold-backed” horses will merely tuck their tails and arch their backs when first mounted, but others will take a few crow hops until warmed up.

A

Cold-Backed

63
Q

Remaining on the bit, the horse moves forward with its neck raised and arched as a result of energetic impulsion. Lightness of forehand, engagement of hindquarters are called for. Shorter strides but lighter and more mobile.

A

Collected Gait

64
Q

is the way a horse is put together, its physique. Good conformation is beautiful, but more important, it makes a horse able to work well and stay sound even with hard work. Conformation defects can make a horse weak in a particular part or they can just make a horse less handsome.

A

Conformation

65
Q

A suppling movement deliberately asking for the opposite of a normal lead, such as right lead on a circle to the left

A

Counter Canter

66
Q

A way in which riders in the jumping position can maintain balance and control by placing each hand firmly on top other crest approximately one-third of the way up the horse’s neck

A

Crest Release

67
Q

a riding whip with a short, straight stock and loop

A

Crop

68
Q

A gait defect that occurs when the inside of the hind foot strikes the diagonal foreleg

A

Cross-Firing

69
Q

type of bit designed to exert a leverage type of action in the horse’s mouth

A

Curb Bit

70
Q

the direct rein puts pressure on the bit, directly back toward the rider. It works in opposition to the horses’ forward motion. The direct rein makes the horse shorten its stride for the turn, so it works best where you need more control or a tight turn

A

Direct Rein Steering

71
Q

A time-tested, methodical progression of exercises designed to increase a horse’s muscular capabilities and degree of suppleness, allowing it to perform increasingly difficult movements under saddle

A

Dressage

72
Q

Treatments conducted by appropriately licensed medical professionals. PATH Intl. provides standards of professionalism and safety for all these EAAT professionals

A

Equine-assisted activities (EAA)

73
Q

The act or art of riding horseback

A

Equitation

74
Q

The sequence in which the legs move in a gait, such as the walk, trot or canter

A

Footfall Pattern

75
Q

The front of the horse, including head, neck, shoulders, and forelegs; in other words, that portion of the horse in front of the center of gravity.

A

Forehand

76
Q

Style of riding that permits the rider to sit closer to the forehand and permits adjustment of the center of gravity forward to negotiate obstacles and remove the weight (seat) from the saddle when necessary

A

Forward Seat

77
Q

A relaxed gait in which the horse is allowed complete freedom to stretch hour and lower its head and neck

A

Free Walk

78
Q

the strap of webbing that holds the saddle in place

A

Girth

79
Q

A variation of travers, executed on the diagonal instead of along the wall. The horse, slightly bent round the inside leg of the rider, should be as close as possible parallel to the long sides of the arena, the forehand slightly in advance of the quarters

A

Half-Pass

80
Q

An extended canter, but the horse remains collected, unlike the flat-out run when the horse’s gait almost returns to a four-beat status

A

Hand Gallop

81
Q

Refers to the position in which the head and neck are carried relative to the parallel. An ideal head carriage should have the neck parallel to the ground to slightly above the parallel

A

Head Carriage

82
Q

refers to the amount of flexion at the poll. An ideal headset should be perpendicular to the ground to slightly forward of the vertical

A

Headset

83
Q

or horse handler is the person responsible for controlling the horse during an EAA lesson/session

A

Horse Leader

84
Q

Engagement of the hind legs and rounding of the back, allowing the horse to move forward with greater energy

A

Impulsion

85
Q

refers to the horse’s ability to curve or “bend” its body from head to tail

A

Lateral Bend

86
Q

Work on 2 tracks, in which the horse is bent uniformly from poll to tail and moves with the forehand and quarters on 2 different tracks. Shoulder-in, haunches-in (travers), haunches-out (renvers), and half-passes are lateral movements

A

Lateral Movement

87
Q

the leading foot (leg) of a horse. When cantering circularly, the foot to the inner arc of the circle clockwise, a right foot lead; and counterclockwise, a left foot lead

A

Lead

88
Q

A suppling exercise designed to make a horse responsive to unilateral aids

A

Leg Yield

89
Q

is between the collected and extended

A

Medium Gait

90
Q

A part of your body. Each natural aid has a certain way of signaling the horse. There are 4 natural aids: 1) hands 2) voice 3) legs 4) weight(seat)

A

Natural Aids

91
Q

The left side of the horse

A

Nearside

92
Q

The right side of the horse

A

Offside

93
Q

The hitting of the forefoot with the hind foot

A

Overreach

94
Q

A 2-beat gait in which the lateral limbs strike the ground simultaneously. There is a lateral base of support and a period of suspension with all 4 feet off the ground occurring between each beat.

A

Pace

95
Q

A general description of the persons who take part in equine assisted activities and therapies at a PATH Intl. Center for their benefit; also called riders, drivers, vaulters, students, or clients. There will be varied usage depending on the discipline. For instance, in a therapy setting, it is appropriate to use client; in a school setting, one may use the term student.

A

Participant

96
Q

When traveling on the rail in the arena or when working in a curved line, the rider rises (posts) when the horse’s outside shoulder moves forward.

A

Posting Diagonal

97
Q

Corrections made by the CTRI to the position in which the rider’s body is aligned while riding. Posture is habitual; therefore, ongoing corrections are essential to riding skill development.

A

Postural corrections

98
Q

Backward movement in which hooves are raised and set down almost simultaneously by diagonal

A

Rein Back

99
Q

The regularity of footfalls within each gait

A

Rhythm

100
Q

A series of movements that blend together to look like one movement; incorporates a run or lope, a balanced stop, a fast, smooth 180-degree pivot and a fast break out of the rollback into a run or lope on the proper lead

A

Rollback

101
Q

Series of equal curves from one line of the centerline to the other, changing the direction of the turn each time the horse passes over the centerline

A

Serpentine

102
Q

The horse is slightly bent round the inside leg of the rider, and its inside legs pass and cross in front of the outside legs. The horse is looking away from the direction in which it is moving

A

Shoulder-in

103
Q

A movement in which the horse goes straight and sideways; the horse’s outside leg should cross over in front of the supporting leg. This movement has a slight degree of forward motion. Side passing lets you move the horse over to open and close a gate easily when mounted, helps in suppling and in preparing for flying changes.

A

Side Pass

104
Q

A short, quick, choppy stride usually seen in horses that have short and steep pasterns and straight shoulders

A

Trappy