EPIC THEATRE Flashcards

1
Q

dates (1)

A

1920s -1950s

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2
Q

key figures and origins

A

-Bertolt brecht the german playwrite
-he was deeply influenced by his experiences as a medical ordeal in WW1 and his Marxist ideoligies

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3
Q

SOPOCO (5)

A

-the rize of nazism in germany
-the great deression
-ww2
-ww1
-the devision of germany

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4
Q

discuss the aims and intentions of the movement with three points and then expand on them (5)

A

-SOCIAL ACTION AND CHANGE: provoked critical thinking and social action. He believed that theatre should not just engage audiences intellectually but also inspire them to challenge societal injustices
-MARXIST IDEAOLOGY: exposed inequalities/contradictions of capitalism and advocated for a classless society
-DIDACTIC: conveyed moral lesson and promoted Marxist ideologies

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5
Q

what is the Verfremdungseffekt (V-effekt) and its role in epic theatre (4)

A

the alienation effect was used to distance audiences emotionally and encourage critical detachment this was done through the following.
- directly addressing the audience by breaking the 4th wall
-episodic structure
-placards and projections
breaking illusion of reality

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6
Q

discuss episodic structure and montage in epic theatre (4)

A

Epic Theatre plays are structured as a series of loosely
connected episodes or scenes, rather than following a traditional linear narrative.31 This allows for
the presentation of multiple perspectives, highlighting the complexities of social issues.

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7
Q

discuss historification (4)

A

Brecht often set his plays in a different historical period to encourage audiences to
draw parallelsbetween the past and their own present, highlighting the recurring patterns of social
injustice and the potential for change

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8
Q

discuss gestus (5)

A

Brecht emphasized the use of gestus, which encompasses a character’s physical
gestures, vocal tone, and overall demeanor.This technique aimed to reveal the character’ssocial attitude and relationships, emphasizing their social and political function rather than their
individual psychology.

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9
Q

why did epic theatre incorporate elements of humor, comedy and entertainment? (3)

A

-makeexperience more engaging for
audiences
- to prevent them from becoming overly emotionally invested in the
characters and losing their critical detachment.

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10
Q

discuss the production elements.

A

-NON-ILLUSIONISTIC STAGING: brecht rejected realistic set?props in favour of symbolic and suggestive elements. machines were often exposed to remind audience that they were watching a constructed performance.

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11
Q

how were actors encouraged to approach their characters? (4)

A

present characters
rather than fully embodying them. They often spoke in the third person or directly addressed
the audience, further breaking the illusion of realism.

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