ENHANCING PARTNERING SKILLS THROUGH INTERNATIONAL STANDARD AND LATIN DANCES Flashcards

1
Q

During the 19th century, there was a special formal event called “____”, which was intended mostly for dancing. And the dances were held in a large room called a “_________”.

A

ball and ballroom

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2
Q

The term “ballroom dance” literally referred to a ____ ?

A

dance in a ballroom.

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3
Q

It is a competitive ballroom dancing, is basically couples assembled on a dance floor being compared with other couples by qualified judges, on relative performance and execution.

A

DANCESPORT

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4
Q

These are also know as European, Modern and Modern Ballroom Dance.

A

INTERNATIONAL STANDARD DANCES

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5
Q

It is a formal dance, wherein partners should always be in a “Closed Position” in performing all figures, while moving together as one unit at all times.

A

INTERNATIONAL STANDARD DANCE

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6
Q

It is originated in LATIN AMERICA.

A

INTERNATIONAL LATIN DANCES

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7
Q

More on sexy dances feature loads of hip action, long expressive legs and arms, and long beautiful lines

A

INTERNATIONAL LATIN DANCES

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8
Q
  • uses a closed frame in all of its dances
  • more formal and elegant
A

INTERNATIONAL STANDARD

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9
Q
  • moves faster to match its more high-energy music.
A

LATIN DANCES

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10
Q
  • alternate between several dance positions
A

LATIN DANCES

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11
Q

more passionate, sexy dancing

A

LATIN DANCES

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12
Q

First waltzes were danced in the location of today’s Germany and Austria, back in 13th century

A

WALTZ

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13
Q

Derived from old German word “walzen”, means?

A

“to turn, to roll, or glide”

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14
Q
  • originated in Buenos Aires, Argentina
  • Danced 4/4 time signature
A

TANGO

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15
Q

It was called “Baile con Corte” means “____________”, due to its dramatic, passionate, sharp, flexing steps.

A

“a dances with the rest”

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16
Q

Created by an actor named Harry
Fox in the United States 1914.

A

FOXTROT

(FOXTROT)

17
Q
  • are walking steps and side steps.
  • Danced in 4/4 time signature
A

FOXTROT

18
Q

it is characterized by longer, smooth, gliding steps, demanding ease of movement and control

A

SLOW FOXTROT

19
Q
  • It is originated in the suburbs of New York during World War 1.
A

QUICK STEP

20
Q

It is an energetic, fast-paced dance combined with jumps and kicks with quick steps.

A

QUICK STEP

21
Q

has the fastest tempo.

has a 4/4 time signature, providing a steady and predictable rhythm for dancers.

A

QUICK STEP

22
Q
  • It is notably faster than that of the standard Waltz
A

VIENNESE WALTZ

23
Q

Also known as Wiener Walzer in german

A

VIENNESE WALTZ

24
Q

It was inspired by a slow version of mambo called “triple mambo” or a mambo with guiro (a percussion instrument).

A

CHA-CHA

25
Q

with an emphasis on the first beat of each measure, creating a distinctive “one-two-three”

it is typically in a 3/4 time signature

A

VIENNESE WALTZ

26
Q
  • Originated from Cuba, it is a lively and energetic ballroom dance.
  • It is characterized by its lively 4/4 time signature.
A

CHA-CHA

27
Q
  • Originated in Brazil during 19th century.
A

SAMBA

28
Q

characterized by its lively and energetic movements.

  • 2/4 time signature, with a strong emphasis on the second beat.
A

SAMBA

29
Q
  • It is originated in Cuba during the 19th century, but its roots are African.
A

RUMBA

30
Q

typically set in a 4/4 time signature, providing a steady beat, and it has a slow tempo.

A

RUMBA

31
Q

It is known for its sensual movements, romantic feel, and rhythmic patterns.

A

RUMBA

32
Q

It’s often referred to as the ________ in the ballroom community, and emphasis on hip action.

A

“DANCE OF LOVE”

33
Q

It’s often referred to as the “dance of love” in the ballroom community, and emphasis on hip action

A

RUMBA

34
Q
  • This dance portrays the Spanish bullfight, where the male represents matador and the women as the matador’s cape.
  • Danced in 2/4 time signature.
A

PASO DOBLE

35
Q

It is described by high lift of the knees, upbeat steps, and swings hip motion.

A

jive

36
Q

It is the music iswritten in 2/4 or 4/4 time with the musical accents occurring on the even beats (the “twos”) of each measure.

A

jive