English/British Literature Flashcards

1
Q

O soft embalmer of the still midnight, Shutting, with careful fingers and benign,Our gloom-pleas’d eyes, embower’d from the light, Enshaded in forgetfulness divine:O soothest Sleep! if so it please thee, close In midst of this thine hymn my willing eyes,Or wait the “Amen,” ere thy poppy throws Around my bed its lulling charities.Then save me, or the passed day will shineUpon my pillow, breeding many woes,— Save me from curious Conscience, that still lordsIts strength for darkness, burrowing like a mole; Turn the key deftly in the oiled wards,And seal the hushed Casket of my Soul.

A

To Sleep

B Y J O H N K E A T S

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2
Q

And what is love? It is a doll dress’d up
For idleness to cosset, nurse, and dandle;
A thing of soft misnomers, so divine
That silly youth doth think to make itself
Divine by loving, and so goes on
Yawning and doting a whole summer long,
Till Miss’s comb is made a pearl tiara,
And common Wellingtons turn Romeo boots;
Then Cleopatra lives at number seven,
And Antony resides in Brunswick Square.
Fools! if some passions high have warm’d the world,
If Queens and Soldiers have play’d deep for hearts,
It is no reason why such agonies
Should be more common than the growth of weeds.
Fools! make me whole again that weighty pearl
The Queen of Egypt melted, and I’ll say
That ye may love in spite of beaver hats.

A

Modern Love

John Keats

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3
Q

O golden-tongued Romance with serene lute!
Fair plumed Syren! Queen of far away!
Leave melodizing on this wintry day,
Shut up thine olden pages, and be mute:
Adieu! for once again the fierce dispute,
Betwixt damnation and impassion’d clay
Must I burn through; once more humbly assay
The bitter-sweet of this Shakespearian fruit.
Chief Poet! and ye clouds of Albion,
Begetters of our deep eternal theme,
When through the old oak forest I am gone,
Let me not wander in a barren dream,
But when I am consumed in the fire,
Give me new Phoenix wings to fly at my desire.

A

On Sitting Down to Read King Lear Once Again

BY JOHN KEATS

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4
Q

My spirit is too weak—mortality
Weighs heavily on me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet ’tis a gentle luxury to weep
That I have not the cloudy winds to keep
Fresh for the opening of the morning’s eye.
Such dim-conceived glories of the brain
Bring round the heart an undescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old time—with a billowy main—
A sun—a shadow of a magnitude.

A

On Seeing the Elgin Marbles

BY JOHN KEATS

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5
Q

Always the one alone longs for mercy,

the Maker’s mildness, though, troubled in mind,

across the ocean-ways he has long been forced

to stir with his hands the frost-cold sea,

and walk in exile’s paths. Wyrd is fully fixed! (1)

Thus spoke the Wanderer, mindful of troubles,

of cruel slaughters and the fall of dear kinsmen: (2)

“Often alone, every first light of dawn,

I have lamented my sorrows. There is no one living

to whom I would dare to reveal clearly

my deepest thoughts. I know it is true

that it is in the lordly nature of a nobleman

to closely bind his spirit’s coffer,

hold his treasure-hoard, whatever he may think.

The weary mind cannot withstand wyrd,

the troubled heart can offer no help,

and so those eager for fame often bind fast

in their breast-coffers a sorrowing soul,

just as I have had to take my own heart —

often wretched, cut off from my homeland,

far from dear kinsmen — and bind it in fetters,

ever since long ago I hid my gold-giving friend

in the darkness of earth, and went wretched,

winter-sad, over the binding waves,

sought, hall-sick, a treasure-giver,

wherever I might find, far or near,

someone in a meadhall who knew of my people,

or who’d want to comfort me, friendless,

accustom me to joy. He who has come to know

how cruel a companion is sorrow

to one who has few dear protectors, will understand this:

the path of exile claims him, not patterned gold,

a winter-bound spirit, not the wealth of earth.

He remembers hall-holders and treasure-taking,

how in his youth his gold-giving lord

accustomed him to the feast—that joy has all faded.

And so he who has long been forced to forego

his dear lord’s beloved words of counsel will understand:

when sorrow and sleep both together

often bind up the wretched exile,

it seems in his mind that he clasps and kisses

his lord of men, and on his knee lays

hands and head, as he sometimes long ago

in earlier days enjoyed the gift-throne. (3)

But when the friendless man awakens again

and sees before him the fallow waves,

seabirds bathing, spreading their feathers,

frost falling and snow, mingled with hail,

then the heart’s wounds are that much heavier,

pain after pleasure. Sorrow is renewe

when the memory of kinsmen flies through the mind; (4)

he greets them with great joy, greedily surveys

hall-companions — they always swim away;

the floating spirits bring too few

well-known voices. Cares are renewed

for one who must send, over and over,

a weary heart across the binding of the waves. (5)

And so I cannot imagine for all this world

why my spirit should not grow dark

when I think through all this life of men,

how they suddenly gave up the hall-floor,

mighty young retainers. Thus this middle-earth

droops and decays every single day;

and so a man cannot become wise, before he has weathered

his share of winters in this world. A wise man must be patient,

neither too hot-hearted nor too hasty with words,

nor too weak in war nor too unwise in thoughts,

neither fretting nor frivolous nor greedy for wealth,

never eager for boasting before he truly understands;

a man must wait, when he makes a boast,

until the brave spirit understands truly

reflects one commonly-proposed reading.

whither the thoughts of his heart will turn.

The wise man must realize how ghostly it will be

when all the wealth of this world stands waste,

as now here and there throughout this middle-earth

walls stand blasted by wind,

beaten by frost, the buildings crumbling.

The wine halls topple, their rulers lie

deprived of all joys; the proud old troops

all fell by the wall. War carried off some,

sent them on the way, one a bird carried off

over the high seas, one the gray wolf

shared with death—and one a sad-faced man

covered in an earthen grave. The Creator

of men thus wrecked this enclosure,

until the old works of giants stood empty,

without the sounds of their former citizens. (6)

He who deeply considers, with wise thoughts,

this foundation and this dark life,

old in spirit, often remembers

so many ancient slaughters, and says these words:

‘Where has the horse gone? where is the rider? where is the giver of gold?

Where are the seats of the feast? where are the joys of the hall?

O the bright cup! O the brave warrior!

O the glory of princes! How the time passed away,

slipped into nightfall as if it had never been!’

There still stands in the path of the dear warriors

a wall wondrously high, with serpentine stains.

A torrent of spears took away the warriors,

bloodthirsty weapons, wyrd the mighty,

and storms batter these stone walls,

frost falling binds up the earth,

the howl of winter, when blackness comes,

night’s shadow looms, sends down from the north

harsh hailstones in hatred of men.

All is toilsome in the earthly kingdom,

the working of wyrd changes the world under heaven.

Here wealth is fleeting, here friends are fleeting,

here man is fleeting, here woman is fleeting,

all the framework of this earth will stand empty.”

So said the wise one in his mind, sitting apart in meditation.

He is good who keeps his word, (7) and the man who never too quickly

shows the anger in his breast, unless he already knows the remedy,

how a nobleman can bravely bring it about. It will be well for one who seeks mercy,

consolation from the Father in heaven, where for us all stability stands.

A

The Wanderer

Exeter Book Elegies

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6
Q
I wrack this riddle about myself
full miserable, my very own experience.
I can speak it—
what I endured in misery,
after I was grown, both new and old,
none greater than now. Always I suffered
the torment of my wracked ways. (ll. 1-5)
My lord departed at first, from his tribe here
over the tossing of waves—
I watched a sorrow at dawn
wondering where in these lands
my chieftain might be.
Then I departed myself to venture,
seeking his followers, a friendless wayfarer
out of woeful need. (ll. 6-10)

They insinuated, the kinsmen of that man,
by secret thought, to separate us two
so that we two, widest apart in the worldly realm,
should live most hatefully—and it harrowed me. (ll. 11-14)

My lord ordered me to take this grove
for a home — very few dear to me
in this land, almost no loyal friends. (ll. 15-17a)

Therefore my mind so miserable —
than I met a well-suited man for myself
so misfortunate and mind-sorrowing,
thought kept close, plotting a crime. (17b-20)

Keeping cheery, we vowed quite often
that none but death could separate us. (21-23a)

That soon changed…

it’s now as if it had never been —
our friendship. I must, far and near,
endure the feuding of my dearly beloved. (ll. 23b-26)

My husband ordered me anchored
in a woody grove, under an oak-tree
within this earthen cave.
Ancient is the earth-hall:
I am entirely longing— (27-29)

Dark are the valleys, the mountains so lofty,
bitter these hovels, overgrown with thorns.
Shelters without joy. So many times here
the disappearance of my husband
seizes me with a stewing. (ll. 30-33a)

All my friends dwell in the dirt,
I loved them while they lived,
now guarding their graves,
when I go forth alone
in the darkness of daybreak
under the oak-tree
outside this hollowed earth. (ll. 33b-36)
There I may sit a summer-long day,
where I can weep for my exiled path,
my many miseries—therefore I can never
rest from these my mind’s sorrowings,
not from all these longings
that seize me in my living. (ll. 37-41)

A young man must always be sad at heart,
hard in the thoughts inside,
also he must keep a happy bearing —
but also breast-cares, suffering never-ending grief— (ll. 42-45a)

May he depend only upon himself
for all his worldly pleasures.
May he be stained with guilt far and wide,
throughout the lands of distant folk,
so that my once-friend should sit under the stony cliffs,
rimed by storms, my weary-minded ally,
flowed around by waters in his dreary hall. (ll. 42-50a)

My former companion may know a great mind-sorrow—
remembering too often his joyful home. (ll. 50b-52a)

Woe be to that one who must
wait for their beloved with longing. (ll. 52b-53)

A

The Wife’s Lament

Exeter Book Elegies

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7
Q

What I wish to say of the best of dreams,
what came to me in the middle of the night
after the speech-bearers lie biding their rest! (1-3)

It seemed to me that I saw the greatest tree
brought into the sky, bewound in light,
the brightest of beams. That beacon was entirely
garnished with gold. Gemstones
prominent and proud at the corners of the earth—
five more as well blazoned across the span of its shoulders.
Every angel of the Lord warded it there,
a brilliant sight of a universe to come.
Surely it was no longer the gallows of vile crime
in that place—yet there they kept close watch,
holy spirits for all humanity across the earth,
and every part of this widely famous creation. (4-12)

Surpassing was this victory-tree, and me splattered with sins—
struck through with fault. I saw this tree of glory,
well-worthied in its dressing, shining in delights,
geared with gold. Gemstones had
nobly endowed the Sovereign’s tree.
Nevertheless I could perceive through all that gold
a wretched and ancient struggle, where it first started
to sweat blood on its right side. I was entirely perturbed with sorrows—
I was fearful for that lovely sight.
Then I saw that streaking beacon warp its hue, its hangings —
at times it was steamy with bloody wet, stained with coursing gore,
at other times it was glistening with treasure. (13-23)

Yet I, lying there for a long while,
beheld sorrow-chary the tree of the Savior
until I heard that it was speaking.
Then the best of wood said in words: (24-27)

“It happened long ago—I remember it still—
I was hewn down at the holt’s end
stirred from my stock. Strong foes seized me there,
worked in me an awful spectacle, ordered me to heave up their criminals.
Those warriors bore me on their shoulders
until they set me down upon a mountain.
Enemies enough fastened me there.
I saw then the Lord of Mankind
hasten with much courage, willing to mount up upon me. (28-34)

“There I dared not go beyond the Lord’s word
to bow or burst apart—then I saw the corners of the earth
tremor—I could have felled all those foemen,
nevertheless I stood fast. (35-38)

“The young warrior stripped himself then—that was God Almighty—
strong and firm of purpose—he climbed up onto the high gallows,
magnificent in the sight of many. Then he wished to redeem mankind.
I quaked when the warrior embraced me—
yet I dared not bow to the ground, collapse
to earthly regions, but I had to stand there firm.
The rood was reared. I heaved the mighty king,
the Lord of Heaven—I dared not topple or reel. (39-45)

“They skewered me with dark nails, wounds easily seen upon me,
treacherous strokes yawning open. I dared injure none of them.
They shamed us both together. I was besplattered with blood,
sluicing out from the man’s side, after launching forth his soul. (46-49)

“Many vicious deeds have I endured on that hill—
I saw the God of Hosts racked in agony.
Darkness had covered over with clouds
the corpse of the Sovereign, shadows oppressed
the brightest splendor, black under breakers.
All of creation wept, mourning the king’s fall—
Christ was upon the cross. (50-56)

“However people came hurrying from afar
there to that noble man. I witnessed it all.
I was sorely pained with sorrows—yet I sank down
to the hands of those men, humble-minded with much courage.
They took up there Almighty God, lifting up him up
from that ponderous torment. Those war-men left me
to stand, dripping with blood—I was entirely wounded with arrows.
They laid down the limb-weary there, standing at the head of his corpse,
beholding there the Lord of Heaven, and he rested there awhile,
exhausted after those mighty tortures. (57-65a)

“Then they wrought him an earthen hall,
the warriors within sight of his killer. They carved it from the brightest stone,
setting therein the Wielder of Victories. Then they began to sing a mournful song,
miserable in the eventide, after they wished to venture forth,
weary, from the famous Prince. He rested there with a meager host. (65b-69)

“However, weeping there, we lingered a good while in that place,
after the voices of war-men had departed.
The corpse cooled, the fair hall of the spirit.
Then someone felled us both, entirely to the earth.
That was a terrifying event! Someone buried us in a deep pit.
Nevertheless, allies, thanes of the Lord, found me there
and wrapped me up in gold and in silver. (70-77)

“Now you could hear, my dear man,
that I have outlasted the deeds of the baleful,
of painful sorrows. Now the time has come
that men across the earth, broad and wide,
and all this famous creation worthy me,
praying to this beacon. On me the Child of God
suffered awhile. Therefore I triumphant
now tower under the heavens, able to heal
any one of them, those who stand in terror of me.
Long ago I was made into the hardest of torments,
most hateful to men, until I made roomy
the righteous way of life for them,
for those bearing speech. Listen—
the Lord of Glory honored me then
over all forested trees, the Warden of Heaven’s Realm!
Likewise Almighty God exalted his own mother,
Mary herself, before all humanity,
over all the kindred of women. (78-94)

“Now I bid you, my dear man,
to speak of this vision to all men
unwrap it wordfully, that it is the Tree of Glory,
that the Almighty God suffered upon
for the sake of the manifold sins of mankind,
and the ancient deeds of Adam.
Death he tasted there, yet the Lord arose
amid his mighty power, as a help to men.
Then he mounted up into heaven. Hither he will come again,
into this middle-earth, seeking mankind
on the Day of Doom, the Lord himself,
Almighty God, and his angels with him,
wishing to judge them then—he that holds the right to judge
every one of them—upon their deserts
as they have earned previously here in this life. (95-109)

“Nor can any remain unafraid there
before that word that the Wielder will speak.
He will ask before the multitude where that man may be,
who wished to taste in the Lord’s name
the bitterness of death, as he did before on the Cross.
Yet they will fear him then, and few will think
what they should begin to say unto Christ.
There will be no need to be afraid there at that moment
for those who already bear in their breast the best of signs,
yet every soul ought to seek through the Rood
the holy realm from the ways of earth—
those who intend to dwell with their Sovereign.” (110-21)

I prayed to that tree with a blissful heart,
great courage, where I was alone,
with a meager host. My heart’s close was
eager for the forth-way, suffering many
moments of longing. Now my hope for life
is that I am allowed to seek that victorious tree,
more often lonely than all other men,
to worthy it well. The desire to do so
is strong in my heart, and my guardian
is righteous in the Rood. I am not wealthy
with many friends on this earth,
yet they departed from here from the joys of the world,
seeking the King of Glory—now they live
in heaven with the High-Father, dwelling in magnificence,
and I hope for myself upon each and every day
for that moment when the Rood of the Lord,
that I espied here upon the earth,
shall ferry me from this loaned life
and bring me then where there is great bliss,
joys in heaven, where there are the people of the Lord,
seated at the feast, where there is everlasting happiness
and seat me where I will be allowed afterwards
to dwell in glory, brooking joys well amid the sainted.
May the Lord be my friend, who suffered before
here on earth, on the gallows-tree for the sins of man. (122-46)

He redeemed us and gave us life,
a heavenly home. Hope was renewed
with buds and with bliss for those suffered the burning.
The Son was victory-fast upon his journey,
powerful and able, when he came with his multitudes,
the army of souls, into the realm of God,
the Almighty Ruler, as a bliss for the angels
and all of the holy, those who dwelt in glory
before in heaven, when their Sovereign came back,
Almighty God, to where his homeland was. (147-56)

A

Dream of the Rood

Exeter Book Elegies

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8
Q

THIS IS A SUMMARY. READ THE STORY*

King Hrothgar of Denmark, a descendant of the great king Shield Sheafson, enjoys a prosperous and successful reign. He builds a great mead-hall, called Heorot, where his warriors can gather to drink, receive gifts from their lord, and listen to stories sung by the scops, or bards. But the jubilant noise from Heorot angers Grendel, a horrible demon who lives in the swamplands of Hrothgar’s kingdom. Grendel terrorizes the Danes every night, killing them and defeating their efforts to fight back. The Danes suffer many years of fear, danger, and death at the hands of Grendel. Eventually, however, a young Geatish warrior named Beowulf hears of Hrothgar’s plight. Inspired by the challenge, Beowulf sails to Denmark with a small company of men, determined to defeat Grendel.

Hrothgar, who had once done a great favor for Beowulf’s father Ecgtheow, accepts Beowulf’s offer to fight Grendel and holds a feast in the hero’s honor. During the feast, an envious Dane named Unferth taunts Beowulf and accuses him of being unworthy of his reputation. Beowulf responds with a boastful description of some of his past accomplishments. His confidence cheers the Danish warriors, and the feast lasts merrily into the night. At last, however, Grendel arrives. Beowulf fights him unarmed, proving himself stronger than the demon, who is terrified. As Grendel struggles to escape, Beowulf tears the monster’s arm off. Mortally wounded, Grendel slinks back into the swamp to die. The severed arm is hung high in the mead-hall as a trophy of victory.

A

Beowulf

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9
Q

During a New Year’s Eve feast at King Arthur’s court, a strange figure, referred to only as the Green Knight, pays the court an unexpected visit. He challenges the group’s leader or any other brave representative to a game. The Green Knight says that he will allow whomever accepts the challenge to strike him with his own axe, on the condition that the challenger find him in exactly one year to receive a blow in return.

Stunned, Arthur hesitates to respond, but when the Green Knight mocks Arthur’s silence, the king steps forward to take the challenge. As soon as Arthur grips the Green Knight’s axe, Sir Gawain leaps up and asks to take the challenge himself. He takes hold of the axe and, in one deadly blow, cuts off the knight’s head. To the amazement of the court, the now-headless Green Knight picks up his severed head. Before riding away, the head reiterates the terms of the pact, reminding the young Gawain to seek him in a year and a day at the Green Chapel. After the Green Knight leaves, the company goes back to its festival, but Gawain is uneasy.

A

Gawain

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10
Q

Summary:
The pilgrims applaud the Knight’s Tale, and the pleased Host asks the Monk to match it. Before the Monk can utter a word, however, the Miller interrupts. Drunk and belligerent, he promises that he has a “noble” tale that will repay the Knight’s (3126). The Host tries to persuade the Miller to let some “bettre” man tell the next tale (3130). When the Miller threatens to leave, however, the Host acquiesces. After the Miller reminds everyone that he is drunk and therefore shouldn’t be held accountable for anything he says, he introduces his tale as a legend and a life of a carpenter and of his wife, and of how a clerk made a fool of the carpenter, which everyone understands to mean that the clerk slept with the carpenter’s wife (3141–3143). The Reeve shouts out his immediate objection to such ridicule, but the Miller insists on proceeding with his tale. He points out that he is married himself, but doesn’t worry whether some other man is sleeping with his wife, because it is none of his business. The narrator apologizes to us in advance for the tale’s bawdiness, and warns that those who are easily offended should skip to another tale.

A

Prologue to the Miller’s Tale

Chaucer

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11
Q

Summary:
The Miller begins his story: there was once an Oxford student named Nicholas, who studied astrology and was well acquainted with the art of love. Nicholas boarded with a wealthy but ignorant old carpenter named John, who was jealous and highly possessive of his sexy eighteen-year-old wife, Alisoun. One day, the carpenter leaves, and Nicholas and Alisoun begin flirting. Nicholas grabs Alisoun, and she threatens to cry for help. He then begins to cry, and after a few sweet words, she agrees to sleep with him when it is safe to do so. She is worried that John will find out, but Nicholas is confident he can outwit the carpenter.

A

The Miller’s Tale

Chaucer

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12
Q

A broken A L T A R, Lord, thy servant reares,
Made of a heart, and cemented with teares:
Whose parts are as thy hand did frame;
No workmans tool hath touch’d the same.
A H E A R T alone
Is such a stone,
As nothing but
Thy pow’r doth cut.
Wherefore each part
Of my hard heart
Meets in this frame,
To praise thy Name;
That, if I chance to hold my peace,
These stones to praise thee may not cease.
O let thy blessed S A C R I F I C E be mine,
And sanctifie this A L T A R to be thine.

A
George Herbert Poems
The Altar(in Broadview, 693)
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13
Q

Lord, who createdst man in wealth and store,
Though foolishly he lost the same,
Decaying more and more,
Till he became
Most poore:
With thee
Oh let me rise
As larks, harmoniously,
And sing this day thy victories:
Then shall the fall further the flight in me.
My tender age in sorrow did beginne:
And still with sicknesses and shame
Thou didst so punish sinne,
That I became
Most thinne.
With thee
Let me combine
And feel this day thy victorie:
For, if I imp my wing on thine
Affliction shall advance the flight in me.
Herbert Poems 4
Holy Baptism (I)
AS he that sees a dark and shadie grove,
Stays not, but looks beyond it on the skie;
So when I view my sinnes, mine eyes remove
More backward still, and to that water flie,
Which is above the heav’ns, whose spring and vent
Is in my deare Redeemers pierced side.
O blessed streams! either ye do prevent
And stop our sinnes from growing thick and wide,
Or else give tears to drown them, as they grow.
In you Redemption measures all my time,
And spreads the plaister equall to the crime.
You taught the Book of Life my name, that so
What ever future sinnes should me miscall,
Your first acquaintance might discredit all.
Prayer (I) [text, 694]

A

Easter Wings.

George Herbert

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14
Q

AS he that sees a dark and shadie grove,
Stays not, but looks beyond it on the skie;
So when I view my sinnes, mine eyes remove
More backward still, and to that water flie,
Which is above the heav’ns, whose spring and vent
Is in my deare Redeemers pierced side.
O blessed streams! either ye do prevent
And stop our sinnes from growing thick and wide,
Or else give tears to drown them, as they grow.
In you Redemption measures all my time,
And spreads the plaister equall to the crime.
You taught the Book of Life my name, that so
What ever future sinnes should me miscall,
Your first acquaintance might discredit all.

A

Holy Baptism

George Hebert

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15
Q

PRayer the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth;
Engine against th’ Almightie, sinners towre,
Reversed thunder, Christ-side-piercing spear,
The six-daies world transposing in an houre,
A kinde of tune, which all things heare and fear;
Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The Milkie way, the bird of Paradise,
Church-bels beyond the starres heard, the souls bloud,
The land of spices; something understood.

A

Prayer

George Hebert

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16
Q

OH Book! infinite sweetnesse! let my heart
Suck ev’ry letter, and a hony gain,
Precious for any grief in any part;
To cleare the breast, to mollifie all pain.
Thou art all health, health thriving till it make
A full eternitie: thou art a masse
Of strange delights, where we may wish & take.
Ladies, look here; this is the thankfull glasse,
That mends the lookers eyes: this is the well
That washes what it shows. Who can indeare
Thy praise too much? thou art heav’ns Lidger here,
Working against the states of death and hell.
Thou art joyes handsell: heav’n lies flat in thee,
Subject to ev’ry mounters bended knee.

A

Holy Scriptures I

George Hebert

17
Q

OH that I knew how all thy lights combine,
And the configurations of their glorie!
Seeing not onely how each verse doth shine,
But all the constellations of the storie.
This verse marks that, and both do make a motion
Unto a third, that ten leaves off doth lie:
Then as dispersed herbs do watch a potion,
These three make up some Christians destinie:
Such are thy secrets, which my life makes good,
And comments on thee: for in ev’ry thing
Thy words do finde me out, & parallels bring,
And in another make me understood.
Starres are poore books, & oftentimes do misse:
This book of starres lights to eternall blisse.

A

The Holy Scriptures II

George Hebert

18
Q

WHo sayes that fictions onely and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines passe, except they do their dutie
Not to a true, but painted chair?
Is it no verse, except enchanted groves
And sudden arbours shadow course-spunne lines?
Must purling streams refresh a lovers loves?
Must all be vail’d, while he that reades, divines,
Catching the sense at two removes?
Shepherds are honest people; let them sing:
Riddle who list, for me, and pull for Prime:1
I envie no mans nightingale or spring;
Nor let them punish me with losse of rime,
Who plainly say, My God, My King.

A

Jordan I

George Hebert

19
Q

MArk you the floore? that square & speckled stone,
Which looks so firm and strong,
Is Patience:
And th’ other black and grave, where with each one
Is checker’d all along,
Humilitie:
The gentle rising, which on either hand
Leads to the Quire above,
Is Confidence:
But the sweet cement, which in one sure band
Ties the whole frame, is Love
And Charitie.
Hither sometimes Sinne steals, and stains
The marbles neat and curious veins:
But all is cleansed when the marble weeps.
Sometimes Death, puffing at the Doore,
Blows all the dust about the floore:
But while he thinks to spoil the room, he sweeps.
Blest be the Architect, whose art
Could build so strong in a weak heart.

A

The Church-Floore

George Hebert

20
Q

OH glorious spirits, who after all your bands
See the smooth face of God without a frown
Or strict commands;
Where ev’ry one is king, and hath his crown,
If not upon his head, yet in his hands:
Not out of envie or maliciousnesse
So I forbear to crave your speciall aid:
I would addresse
My vows to thee most gladly, Blessed Maid,
And Mother of my God, in my distresse.
Thou art the holy mine, whence came the gold,
The great restorative for all decay
In young and old;
Thou art the cabinet where the jewell lay:
Chiefly to thee would I my soul unfold:
But now, alas, I dare not; for our King,
Whom we do all joyntly adore and praise,
Bids no such thing:
And where his pleasure no injunction layes,
(’Tis your own case) ye never move a wing.
All worship is prerogative, and a flower
Of his rich crown, from whom lyes no appeal
At the last houre:
Therefore we dare not from his garland steal,
To make a posie of inferiour power.
Although then others court you, if ye know
What’s done on earth, we shall not fare the worse,
Who do not so;
Since we are ever ready to disburse,
If any one our Masters hand can show.

A

To All Angels and Saints

George Herbert

21
Q

Our life is hid with Christ in God.
MY words & thoughts do both expresse this notion,
That Life hath with the sun a double motion.
The first Is straight, and our diurnall friend,
The other Hid and doth obliquely bend.
One life is wrapt In flesh, and tends to earth:
The other winds towards Him, whose happie birth
Taught me to live here so, That still one eye
Should aim and shoot at that which Is on high:
Quitting with daily labour all My pleasure,
To gain at harvest an eternall Treasure.
( Colossians 3:3 For ye are dead, and your life is hid with Christ in God. )

A

Coloss. 3.3

George Herbert

22
Q
Vertue
Sweet day, so cool, so calm, so bright,
The bridall of the earth and skie:
The dew shall weep thy fall to night;
 For thou must die.
Sweet rose, whose hue angrie and brave
Bids the rash gazer wipe his eye:
Thy root is ever in its grave
 And thou must die.
Sweet spring, full of sweet dayes and roses,
A box where sweets compacted lie;
My musick shows ye have your closes,1
 And all must die.
Onely a sweet and vertuous soul,
Like season’d timber, never gives;
But though the whole world turn to coal,
 Then chiefly lives
A

Vertue

by George Herbert

23
Q
WHo reads a chapter1 when they rise,
Shall ne’re be troubled with ill eyes.
A poore mans rod, when thou dost ride,
Is both a weapon and a guide. 2
Who shuts his hand, hath lost his gold:
Who opens it, hath it twice told.3
Who goes to bed and does not pray,
Maketh two nights to ev’ry day.4
Who by aspersions throw a stone
At th’ head of others, hit their own.5
Who looks on ground with humble eyes,
Finds himself there, and seeks to rise.6
When th’ hair is sweet through pride or lust,
The powder doth forget the dust.7
Take one from ten, and what remains?
Ten still, if sermons go for gains.8
In shallow waters heav’n doth show:
But who drinks on, to hell may go.9
A

Charms and Knots

George Herbert

24
Q

LOrd, with what glorie wast thou serv’d of old,
When Solomons temple stood and flourished!
Where most things were of purest gold;
The wood was all embellished
With flowers and carvings, mysticall and rare:
All show’d the builders, crav’d the seers care.
Yet all this glorie, all this pomp and state
Did not affect thee much, was not thy aim;
Something there was, that sow’d debate:
Wherefore thou quitt’st thy ancient claim:
And now thy Architecture meets with sinne;
For all thy frame and fabrick is within.
There thou art struggling with a peevish heart,
Which sometimes crosseth thee, thou sometimes it:
The fight is hard on either part.
Great God doth fight, he doth submit.
All Solomons sea of brasse and world of stone
Is not so deare to thee as one good grone.
And truly brasse and stones are heavie things,
Tombes for the dead, not temples fit for thee:
But grones are quick, and full of wings,
And all their motions upward be;
And ever as they mount, like larks they sing;
The note is sad, yet musick for a King.

A

Sion

George Herbert

25
Q

JESU
JESu is in my heart, his sacred name
Is deeply carved there: but th’other week
A great affliction broke the little frame,
Ev’n all to pieces: which I went to seek:
And first I found the corner, where was J,
After, where ES, and next where U was graved,
When I had got these parcels, instantly
I sat me down to spell them, and perceived
That to my broken heart he was I ease you,
And to the whole is J E S U.

A

JESU

George Herbert

26
Q

AS on a window late I cast mine eye,
I saw a vine drop grapes with J and C
Anneal’d on every bunch. One standing by
Ask’d what it meant. I, who am never loth
To spend my judgement, said, It seem’d to me
To be the bodie and the letters both
Of Joy and Charitie. Sir, you have not miss’d,

A

Love-Joy

George Herbert

27
Q
I Bless thee, Lord, because I GROW
Among thy trees, which in a ROW
To thee both fruit and order OW.
What open force, or hidden CHARM
Can blast my fruit, or bring me HARM,
While the inclosure is thine ARM.
Inclose me still for fear I START.
Be to me rather sharp and TART,
Then let me want thy hand and ART.
When thou dost greater judgments SPARE,
And with thy knife but prune and PARE,
Ev’n fruitfull trees more fruitful ARE.
Such sharpnes shows the sweetest FREND:
Such cuttings rather heal then REND:
And such beginnings touch their END.
A

Paradise

George Herbert

28
Q

THou who dost dwell and linger here below,
Since the condition of this world is frail,
Where of all plants afflictions soonest grow,
If troubles overtake thee, do not wail:
For who can look for lesse, that loveth {
Life.
Strife.
But rather turn the pipe and waters course
To serve thy sinnes, and furnish thee with store
Of sov’raigne tears, springing from true remorse:
That so in purenesse thou mayst him adore,
Who gives to man, as he sees fit, {
Salvation.
Damnation

A

The Water-Course

George Herbert

29
Q

O Who will show me those delights on high?
Echo. I.
Thou Echo, thou art mortall, all men know.
Echo. No.
Wert thou not born among the trees and leaves?
Echo. Leaves.
And are there any leaves, that still abide?
Echo. Bide.
What leaves are they? impart the matter wholly.
Echo. Holy.
Are holy leaves the Echo then of blisse?
Echo. Yes.
Then tell me, what is that supreme delight?
Echo. Light.
Light to the minde: what shall the will enjoy?
Echo. Joy.
But are there cares and businesse with the pleasure?
Echo. Leisure.
Light, joy, and leisure; but shall they persever?
Echo. Ever.

A

Heaven

George Herbert

30
Q

LOve bade me welcome: yet my soul drew back,
Guiltie of dust and sinne.
But quick-ey’d Love, observing me grow slack
From my first entrance in,
Drew nearer to me, sweetly questioning,
If I lack’d any thing.
A guest, I answer’d, worthy to be here:
Love said, You shall be he.
I the unkinde, ungratefull? Ah my deare,
I cannot look on thee.
Love took my hand, and smiling did reply,
Who made the eyes but I?
Truth Lord, but I have marr’d them: let my shame
Go where it doth deserve.
And know you not, sayes Love, who bore the blame?
My deare, then I will serve.
You must sit down, sayes Love, and taste my meat:
So I did sit and eat.

A

Love (III)

George Herbert

31
Q

Beowulf: Twenty-One Questions for

  1. Who is Scyld? Where does he come from? Where
    does he go? What does he do? Why does the poem
    begin here, rather than with Hrothgar and Grendel?
  2. What is Grendel’s lineage? What do the characters in
    the poem know about Grendel? How is this different
    from what the audience knows?
  3. Trace the history of the hall Heorot – why was it
    built, what happened within its walls, how and by
    whom was it destroyed?
  4. Who is Unferth, and why is he so hostile to Beowulf?
    Why is he allowed to speak that way?
  5. What do the poets within Beowulf sing about? To
    whom do they sing their songs? What is the purpose
    of their performances?
    Twenty-One Questions https://web.utk.edu/~rliuzza/Beowulf/questions.htm
    1 of 4 1/23/2020, 11:34 AM
  6. Why is the focus of the story on Beowulf as a hero
    rather than as a king? What is the difference?
  7. Where does the dragon come from? Why does he
    attack the Geats? Is the dragon a greater or lesser
    threat than Grendel? Why does Beowulf go to fight
    him?
  8. Who are the Swedes and Frisians? Why are we given
    so much detailed information about the history of
    their quarrels with the Geats?
  9. Trace the history of the Dragon’s hoard from its first
    to its last burial. How is this treasure different from
    other treasures in the poem?
  10. When Beowulf dies, does he go to Heaven?
  11. What are some differences between the poet’s world
    and the world of the characters in the poem? What are
    the continuities or similarities between these worlds?
    Is there irony in our vision of this past age? How does
    the poet create a distance between the characters and
    himself – and how does he express their own sense of
    a distant past?
  12. Is Beowulf an epic? What sort of social order
    produces “epic” poetry? What values does the poem
    promote, and how does it promote them? What sorts
    of conflicts with or resistances to the ideology of epic
    can be expressed? What sorts are found within the
    poem itself?
  13. Look at the religious references in the poem: what are
    the names for God? What biblical events are
    mentioned, and who mentions them? What
    specifically pagan practices (sacrifice, burial, augury,
    etc.) are described? How do the characters see their
    relationship to God (or the gods)? Why would a
    Twenty-One Questions https://web.utk.edu/~rliuzza/Beowulf/questions.htm
    2 of 4 1/23/2020, 11:34 AM
    Christian author write a poem about a pagan hero?
  14. Does the heroic code expressed in Beowulf conflict
    with a Christian sensibility?
  15. Try to construct a relative timeline (without specific
    dates) for the events narrated and alluded to in the
    poem. Include the reigns of the Danish kings
    (Heremod, Scyld, etc.), the Swedish-Geatish wars, the
    life and death of the hero Beowulf, the destruction of
    Heorot, and any other events which seem relevant to
    your understanding of the story. Which plots are told
    in a straightforward narrative, and which are not?
    Why are there so many digressions and allusions?
    Discuss the relation between the plot (what happens)
    and the story (what order things are told in) in
    Beowulf. 16. What is the status of gold and gift-giving in the
    poem? Who gives gifts, who receives them, and why?
    Are the modern concepts of wealth, payment,
    monetary worth and greed appropriate for the world
    of Beowulf?
  16. The manuscript text of Beowulf is divided into fortythree numbered sections (plus an unnumbered
    prologue); most critics, however, view the structure of
    the poem as either two-part (Young Beowulf / Old
    Beowulf) or three-part (Grendel / Grendel’s Mother /
    The Dragon). What grounds do critics have for these
    arguments? what are some of the ways the poem
    suggests its structure? what signals does the reader
    find to indicate endings and beginnings of sections
    and larger units?
  17. Wealhtheow, Hygd, Hildeburh, Grendel’s mother
    – what do the female characters in Beowulf do? How
    do they do it? do they offer alternatives perspectives
    on the heroic world (so seemingly centered around
    Twenty-One Questions https://web.utk.edu/~rliuzza/Beowulf/questions.htm
    3 of 4 1/23/2020, 11:34 AM
    male action) of the poem?
  18. Why are there so many stories-within-the-story in the
    poem? What is the relation between these so-called
    “digressions” and the main narrative in Beowulf?
  19. This is a question about how abstract structures are
    made into narratives. Every culture makes
    distinctions between what is inside the social order
    and what is outside, between the human and the nonhuman (a category which can include animals, plants,
    natural processes, monsters and the miraculous).
    Cultures organize themselves to contain or exclude
    these “outside” things; social organization also works
    to control certain violent human tendencies inside the
    culture (anger, lust, fear, greed, etc.). How does the
    social world depicted in Beowulf do this? That is,
    what does it exclude, and why? What is its attitude
    towards the “outside” of culture? How does it control
    the forces that threaten social stability within the hall?
  20. In between every story and its audience stands a
    narrator who tells the story; the narrator has certain
    attitudes, opinions, interests and objectives which
    direct the audience’s understanding of the story. This
    is one of the most basic, and yet most complex, facts
    of literature. Some narrators are intrusive – think
    Huckleberry Finn – while others are discreet and
    practically invisible. Describe the relationship
    between the narrator and the story, and between the
    narrator and the audience, in Beowulf. Back to the Beowulf Study Guide
    Twenty-One Questions https://web.utk.edu/~rliuzza/Beowulf/questions.htm
    4 of 4 1/23/2020, 11:34 AM
A

Beowulf questions. Maybe type answers or see if you know them.

32
Q

During a New Year’s Eve feast at King Arthur’s court, a strange figure, referred to only as the Green Knight, pays the court an unexpected visit. He challenges the group’s leader or any other brave representative to a game. The Green Knight says that he will allow whomever accepts the challenge to strike him with his own axe, on the condition that the challenger find him in exactly one year to receive a blow in return.

Stunned, Arthur hesitates to respond, but when the Green Knight mocks Arthur’s silence, the king steps forward to take the challenge. As soon as Arthur grips the Green Knight’s axe, Sir Gawain leaps up and asks to take the challenge himself. He takes hold of the axe and, in one deadly blow, cuts off the knight’s head. To the amazement of the court, the now-headless Green Knight picks up his severed head. Before riding away, the head reiterates the terms of the pact, reminding the young Gawain to seek him in a year and a day at the Green Chapel. After the Green Knight leaves, the company goes back to its festival, but Gawain is uneasy.

XVideo SparkNotes: Aldous Huxley’s Brave New World summary
Video SparkNotes: Aldous Huxley’s Brave New World summary
Time passes, and autumn arrives. On the Day of All Saints, Gawain prepares to leave Camelot and find the Green Knight. He puts on his best armor, mounts his horse, Gringolet, and starts off toward North Wales, traveling through the wilderness of northwest Britain. Gawain encounters all sorts of beasts, suffers from hunger and cold, and grows more desperate as the days pass. On Christmas Day, he prays to find a place to hear Mass, then looks up to see a castle shimmering in the distance. The lord of the castle welcomes Gawain warmly, introducing him to his lady and to the old woman who sits beside her. For sport, the host (whose name is later revealed to be Bertilak) strikes a deal with Gawain: the host will go out hunting with his men every day, and when he returns in the evening, he will exchange his winnings for anything Gawain has managed to acquire by staying behind at the castle. Gawain happily agrees to the pact, and goes to bed.

The first day, the lord hunts a herd of does, while Gawain sleeps late in his bedchambers. On the morning of the first day, the lord’s wife sneaks into Gawain’s chambers and attempts to seduce him. Gawain puts her off, but before she leaves she steals one kiss from him. That evening, when the host gives Gawain the venison he has captured, Gawain kisses him, since he has won one kiss from the lady. The second day, the lord hunts a wild boar. The lady again enters Gawain’s chambers, and this time she kisses Gawain twice. That evening Gawain gives the host the two kisses in exchange for the boar’s head.

The third day, the lord hunts a fox, and the lady kisses Gawain three times. She also asks him for a love token, such as a ring or a glove. Gawain refuses to give her anything and refuses to take anything from her, until the lady mentions her girdle. The green silk girdle she wears around her waist is no ordinary piece of cloth, the lady claims, but possesses the magical ability to protect the person who wears it from death. Intrigued, Gawain accepts the cloth, but when it comes time to exchange his winnings with the host, Gawain gives the three kisses but does not mention the lady’s green girdle. The host gives Gawain the fox skin he won that day, and they all go to bed happy, but weighed down with the fact that Gawain must leave for the Green Chapel the following morning to find the Green Knight.

New Year’s Day arrives, and Gawain dons his armor, including the girdle, then sets off with Gringolet to seek the Green Knight. A guide accompanies him out of the estate grounds. When they reach the border of the forest, the guide promises not to tell anyone if Gawain decides to give up the quest. Gawain refuses, determined to meet his fate head-on. Eventually, he comes to a kind of crevice in a rock, visible through the tall grasses. He hears the whirring of a grindstone, confirming his suspicion that this strange cavern is in fact the Green Chapel. Gawain calls out, and the Green Knight emerges to greet him. Intent on fulfilling the terms of the contract, Gawain presents his neck to the Green Knight, who proceeds to feign two blows. On the third feint, the Green Knight nicks Gawain’s neck, barely drawing blood. Angered, Gawain shouts that their contract has been met, but the Green Knight merely laughs.

The Green Knight reveals his name, Bertilak, and explains that he is the lord of the castle where Gawain recently stayed. Because Gawain did not honestly exchange all of his winnings on the third day, Bertilak drew blood on his third blow. Nevertheless, Gawain has proven himself a worthy knight, without equal in all the land. When Gawain questions Bertilak further, Bertilak explains that the old woman at the castle is really Morgan le Faye, Gawain’s aunt and King Arthur’s half sister. She sent the Green Knight on his original errand and used her magic to change Bertilak’s appearance. Relieved to be alive but extremely guilty about his sinful failure to tell the whole truth, Gawain wears the girdle on his arm as a reminder of his own failure. He returns to Arthur’s court, where all the knights join Gawain, wearing girdles on their arms to show their support.

A

Gawain and The Green night

Find out this stuff for everything:

title and author identification, [2 points]
a formal description of the text (e.g., identify genre, formal, structural, or poetic characteristics the text demonstrates), [3 points]
and a few, brief sentences about the passage’s significance, referencing examples from the excerpt. You can relate the significance to the passage itself, to the larger work from which it’s extracted, and/or the larger tradition and other texts we’ve read. [5 points]

33
Q
  • Julian of Norwich, Revelation of Love (307-313)

- Margery Kempe, The Book of Margery Kempe (315-322)

A

Read this & put it on card.

34
Q

Shakespear Acts, 1, 2, 3, 4 or 5.

A

Read them & put on a flashcard.