Enemy God (Sergei Prokofiev) Flashcards
Area of Study 6
Describe the instrumentation. Make three points
Brass section is predominant at the very beginning of the movement. Highlights elements of drama and warfare
Trombones play with mutes after restless chromatic figures is sounded. Stopped resonance illustrates a military bugle
String section enters altogether after trumpets chromatic third figure with horn fanfare originally heard at the beginning
Describe the harmony/ tonality. Make four points
Implies at the beginning that the key is E minor, as the tonic note is played by the lower brass during quaver motif
Chromatic figures played by upper woodwind and pitched percussion drives the music forward towards end of movement
Trumpets move in chromatic thirds as soon as the timpani enters into the climactic passage. Manipulates a typical war fanfare
Movement finishes dramatically with full orchestra playing staccato perfect octave on tonic note. Signals completion of action
Describe the texture. Make three points
Upper woodwind and pitched percussion play homorhythmically during chromatic figures. Used to illustrate an army of soldiers?
Full orchestra moves sparsely in unison with chromatic figures during the revisiting of the horn fanfare motif heard in the intro
Fugal passage between flutes and piccolo flutes before the grand ending. Cascading quaver ideas reinforces driving action
Describe the rhythm/ tempo. Make five points
Quaver motif in intro mainly revolved around two notes making up two chords collectively. Is used mainly to provoke and shock
Allegro intro, as quaver motif sounds militaristic and in a marching style. Symbolises the authority of the enemy god
Accents provide emphasis on different beats of the string section passage. Purpose is to shock and surprise the listeners
Movement is an obstacle course filled with all kinds of musical tuplets and grace notes. Adds detail to the ongoing action
Syncopation as the last note of horn’s fanfare motif heard in the intro is held earlier in the bar. Unsettles the pulse and listeners