Echo Flashcards
1
Q
Context
A
Echo is a sound that recalls the original sound, a mimic, it fades. Interpretation of past love?
Echo was a nymph who was condemned not to speak after consorting with Zeus.
2
Q
AO5
A
William Rossetti “a hope deferred”
“God is never far from Rossetti’s poetry”
“women in life are like cold corpses and statues.”
3
Q
- “Come to me in the silence of the night.”
2.”silence, soft, sunlight, streams.” - “speaking silence.”
4.”with soft rounded cheeks… eyes as bright as sunlight on a stream.”’
A
- Urgent and lonely poetic voice, anaphoric imperative, suggests a person re-living romance through memory, repeating the imperatives suggests the strong influence of her past in her present.”
- The sibilance evokes the secrecy of the affair, and the persona’s voice suggesting a lost love. WR wrote about CR “a hope deferred.”
- Oxymoronic, emphasises the persona’s lack of fulfilment that attaining love in a “dream” cannot be replaced by a real human connection. Links to CR as she pursued spiritual love with God in heaven. Earthly love being disappointing.
- Innocent imagery compounded by the simple simile, which is also childlike, depicting the purest of love.
4
Q
- “too sweet, too bitter sweet.”
- “Whose wakening should of been in Paradise.”
3.”Where souls brimful of love” - “Watch the slow door, that opening letting in, lets out no more.”
A
- Oxymoron, continues the tone of longing from Stanza 1, this dream mimics a real meeting with short-lived enjoyment, “bitter” depicts the realisation. insert AO5, love found through God.
- Modal, crafts disappointment to Earthly life rather than paradise.
- Spatial difference is reinforced- only Heaven is abundant with love, not like the echo of a dream.
- The religious backdrop is continued through the threshold imagery, which invites and frustrates the persona, symbolises the gates of heaven. God is worth the wait.
5
Q
- “That I may live/ tho’ cold in death”.
- “death… breath”
- “Yet come to me.”
- “speak low” like “long ago”
A
- Binary oppositions at the end of lines, emphasises the opposing states and the gloomy reality of life, insert AO5, suffering is self-imposed and joy is a reward after death.
- Alternate rhymes further the juxtaposition, Rossetti reduces living to breaths and pulses which exhausts the waiting process.
- The volatic quality, and the imperatives from the first stanza are reinforced to demonstrate the persona’s frustration.
- Feels like the persona is suggesting a shared past and mourning a lost love, God’s perfection. However Rossetti “evades a revelation”