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Theatre Praxis Prep > East & SouthEast Asian Theatre > Flashcards

East & SouthEast Asian Theatre Flashcards

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1
Q

Pear Orchard Conservatory

A

Tang Dynasty; trained men & women for any role

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2
Q

baixi

A

court and public festivals with mimes, juggling, acrobats, magicians, singers, & martial arts.

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3
Q

Puppet Theatre

A

puppets on long poles, originally meant for royalty

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4
Q

Shadow Plays

A

puppets behind lit screens acted out scenes

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5
Q

Zaju drama

A

4 act sketches & music with dance and comedy.

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6
Q

Nanxi plays

A

Similar to commedia dell’arte, used folk music and stock characters in up to 50 acts.

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7
Q

Chinese Opera

A

Storytelling, song, acrobatics, puppetry, and mime often involving a jester mocking corrupt court officials.

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8
Q

Peking Opera

A

AKA Beijing Opera; highly structured performances in one of two genres: civil or martial. Music was very important, and it used singing, speaking, dancing, acrobatics, and martial arts.

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9
Q

Civil plays

A

emotions & relationships between characters

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10
Q

Martial Plays

A

action oriented with acrobatics and martial arts.

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11
Q

4 Character Types of Peking Opera

A
  1. sheng : primary male, usually heroic and admirable
  2. dan: roles for women: mama, maid, warrior
  3. jing: male role, painted face, forceful; sometimes supernatural with elaborate costumes and mask-like face paint
  4. chou: secondary character; a clown; improv, very little singing.
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12
Q

Kabuki Dance

A

Japanese dance developed by prostitutes to entertain the working class. Eventually banned from any performers except adult men, as it remains today.

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13
Q

Onnagata

A

In Kabuki, a man in a female role; highly respected.

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14
Q

3Types of Kabuki

A

jidai-mono: historical, mostly feudal, involving samurai
sewa-mono: domestic, stories from the community; like a news performance
shosagoto: dance, mostly for display of technique and skill

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15
Q

Noh Theatre

A

Japan’s oldest form of theatre, a highly choreographed production featuring intense drama with supernatural elements paired with comedic acts for a breather.

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16
Q

Butoh

A

A post WWII avante garde dance form focusing on primal themes, raw emotion, and grotesque movements

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17
Q

Bharata Muni

A

Indian theatre based on the Natyahastra and the belief that theater comes from the gods

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18
Q

The Natyashastra

A

36 books; a theory of theatre based on style & motion, not psychology

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19
Q

Natakas plays

A

historical with emphasis on gods, demons, & royalty, ending in a resolution of the cosmic order

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20
Q

Prakarana plays

A

invented stories featuring regular people and their lives

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21
Q

Rasa

A

in Indian art forms, a positive feeling gained by the audience

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22
Q

Kalidasa

A

the “Indian Shakespeare”

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23
Q

Bhasa

A

oldest dramatist to give us complete plays

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24
Q

Traditional Indian Period

A

written in regional languages and based on oral traditions; improv and pastoral themes

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25
Q

Modern Indian Period

A

influenced by colonialism; realism, life of the common man, melodrama; public venues

26
Q

Parsi Theatre

A

1800s, first Indian commercial theatre company

27
Q

Indian People’s Theatre Association (IPTA)

A

1940s, traveling political theatre working towards political and societal change.

28
Q

Natl. School of Drama

A

popularized avante garde theater

29
Q

Kathakali Dance

A

A form of theatre combining music, vocals and highly choreographed dance and mudras (hand gestures) often based on the Mahabharata or the Ramayana.

30
Q

Mahabharata

A

long epic poem from India based on myth and royalty and the 4 goals: pleasure, duty, wealth, & liberation.

31
Q

Ramayana

A

from myth, stories of the Hindu god Rama.

32
Q

Middle Easter shadow puppets

A

flat cutouts for puppetry, often religious or allegorical.

33
Q

ta’zieh

A

tragedy about Muhammad’s martyred grandson, performed during Muharram (month of mourning).

34
Q

takiyeh

A

A round raised platform (for the main action) surrounded by sand/dirt where large scale action like battles are performed.

35
Q

Ahmed Shawki

A

Egyptian playwrite of the 1930s, known for drama depicting historical struggles and heroic leaders.

36
Q

Tafil al-Hakim

A

1930s, founder of contemporary Egyptian drama; focused on philosophical struggles of humanity vs time and Egyptian social struggles.

37
Q

Saadallah Wannous

A

1960s, Egyptian playwright who embraced the West and advocated for social change. Known for Corpse on the Sidewalk and Blood-letting.

38
Q

Abu Salem & El-Hakawati Theatre Company

A

Inspired by wester theatre forms; focused on Middle Eastern subjects such as refugees, restaurant workers, and social issues.

39
Q

African Theatre and Dance

A

characterized by orature and elaborate rituals with costume, music, dancing, & storytelling. Drumming in prominent.

40
Q

orature

A

stories passed down orally

41
Q

Post-Colonial African Theatre

A

Characterized by a criticism of colonialism, social commentary esp. in newly independent countries, and community education.

42
Q

Ngugi Wa Thiong’o

A

East African playwright who encouraged writing in native language; wrote The Trial of Dedan Kimathi.

43
Q

Rose Mbowa

A

East African playwright known for use of Ugandan tradition, esp moral messages and education; wrote Mother Uganda and Her Children.

44
Q

South African Theatre

A

Dominated by Western influences the longest (particularly apartheid). Musical theatre became central to helping black S. African’s gain a voice and legitimize.

45
Q

Athol Fugard

A

White S.African playwright critical of apartheid; established interracial theatre; wrote Sizwe Bansi is Dead.

46
Q

Aztec Drama

A

songs of ritual for battle, creation & adoration, and flower songs (metaphorical/poetic).

47
Q

Mayan Drama

A

Story dances honoring nobles, animals, ancestors, creation, history & politics; the most well known is the Dance of Conquest.

48
Q

Dance of Conquest

A

Mayan story dance about the Spanish invasion of Central America.

49
Q

Incan Drama

A

Monthly festivals were celebrated with ritualistic/ceremonial oral storytelling, music and dance.

50
Q

Contemporary Central & S. American Theatre

A

Influenced by Western & Catholic influences/missionary work, esp. Spanish theatre traditions.

51
Q

sainete

A

short, elaborate musical farce, in the local language

52
Q

zarzuela

A

popular in Cuba in the 1850s, this theatre used dialogue, song, and dance focusing on difficulties faced by bi-racial women.

53
Q

Viglio Pinera

A

Cuban playwright known for dark humor and criticisms of totalitarianism using the grotesque or fantastical; wrote “Carne” (Meat).

54
Q

Carne (Meat)

A

Play by Viglio Pinera in which the protagonist eats himself to avoid starvation.

55
Q

Sebsatian Bondy

A

Peruvian playwright who reflects on current events

56
Q

Enrique Buenaventura

A

Established the Teatro Experimental de Cali (Columbia); valorized Latin American heritage and worked with collaborative play writing.

57
Q

Augusto Boal

A

Brazilian Playwright; creator of the Theatre of the Oppressed

58
Q

Chicano Theatre

A

Created by Luis Valdez, this style of theatre dealt with Mexican-American experiences.

59
Q

El Teatro Campesino

A

mobile theatre company dedicated to educating migrant communities and encouraging social/political participation.

60
Q

Cherrie Moraga

A

Feminist playwright focused on themes of gender & sexuality; wrote The Hungry Woman

61
Q

The Hungry Woman

A

A play set in the post apocalypse with elements of Aztec religion, Medea, and folk tales.

Theatre Praxis Prep (7 decks)

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