Early classical period Flashcards

1
Q

What period style emerged out of the Baroque era in France and Germany?

A

Rococo period

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What were key aspects of rococo period music (late baroque / early classical)?

A
  • clearer distinction between the melody and the accompaniment
  • reliance on more basic harmonies that emphasised the tonic and the dominant
  • textures less dependent on polyphonic textures
    *
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Empfindsamer Stil

A

‘tender/sensetive style’

  • akin to ‘style gelante’ but with less ornamentation
  • recognised by use of appogiaturas
  • chromatacism
  • sighing figures
  • often associated with adagio movements
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Strum und Drang

A

‘storm and stress’

  • popular in the 1770s
  • extreme contrasts in dynamics
  • instability of key
  • orchestral effects

-considered a precursor for Romanticism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Define a symphony

A

an extended composition for an orchestra

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What did a sinfonia refer to previously before it developed into the symphony

A

Pieces of music in opera- either an overture, interlude or postlude

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

How many movements were there originally in a symphony?

A

3

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Four movement plan of a symphony and structures

A
  • First movement- sonata form
  • Second movement- theme and variation / ternary
  • Third movement- minuet and trio
  • Fourth movement- rondo or sonata-rondo
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Ideas of Mannheim- who developed the characteristics?

A

Johann Stamitz (1717-1757)
4 movements

  • strong thematic material
  • energised rhythmic drive
  • simle tutti textures
  • sudden loud and soft accents
  • sudden crescendos and diminuendos
  • Mannheim crescendos (tutti crescendos)
  • Mannheim climax (usually followed by Mannheim crescendo, and the instruments except strings dropping out one by one)
  • Mannheim rocket (rising passage based on an arpeggio, together with a crescendo)
  • Mannheim roller (loud extended passage with an ascending melody over an ostinato bass)
  • Mannheim sigh (a pair of slurred notes with increased emphasis on the first)
  • Mannheim birds (instrumental sounds with imitated birds in the solo passage)
  • The Grand Pause (sudden rest for everybody before an energetic restart)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Instrumentation of early classical period works

A

Johann Stamitz- Sinfonia a 11 (1750)

1st movement:-
* 2 Trumpets
* 2 horns
* 2 oboes
* Strings
* Timpani

2nd mvt:-
* strings

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

How did the rococo period move away from baroque

A
  • less contrapuntal
  • more homophonic
  • to be played in large halls
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Structure of Stamitz 11th sinfonia

A

Early sonata form

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

How does Stamitz sinfonia 11 show change in the symphony?

A
  1. Opening bars are homophonic tutti chords that draw the attention of the court
  2. Features the Mannheim rocket in the transitionary material
  3. 2nd subject- thinner texture, more ornamentation
How well did you know this?
1
Not at all
2
3
4
5
Perfectly