Early Christian and Byzantine & 11 points Flashcards

1
Q

Early Christian

A

Stories and references to Christ

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2
Q

Three major categories of The Life of Jesus Christ

A

Incarnation, ministry, & passion

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3
Q

Incarnation

A

The events surrounding conception, birth, infancy and childhood

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4
Q

Ministry

A

Key events include the calling of the twelve apostles, performing miracles and giving sermons

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5
Q

Passion

A

The events which include Christ’s arrest, trial, crucifixion, resurrection and ascension

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6
Q

The term “Early Christian” refers to

A

the preserved works of the first five centuries CE

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7
Q

During the first 3 centuries after Christ’s death, Roman authorities banned Christian worship so they had to

A

dig tunnels outside of Rome and built catacombs that extended up to 90 miles

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8
Q

Roman Christians sometimes decorated their catacomb walls with ______ depicting _____

A

frescoes ; lives and teaching of Jesus

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9
Q
A

The Good Shepherd Fresco

Catacomb of Priscilla

Rome

320-340 CE

Early Christian

Christ’s form is based on Greco-Roman models

Christ stands in classical contrapposto pose and physicallyresembles a young Apollo

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10
Q
A

Sarcophagus of Junius Bassus

359

Chrst is shown as a teacher

Why is this significant?

-It combines Christian themes with Classical architecturla and figural elements

Two registers, 10 panls of OLD and NEW testament scenes

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11
Q
A

Sarcophagus with philosopher

Rome, Italy

270

Early Christian

Jesus is represented by two figures on the right-small child being baptized, on the left- the Shephered

1’ 11’’ x 7’ 2’’

The future ministry of Jesus is represented by the turned head of the young boy to the Shepherd and by the placement of his hand on one of the sheep.

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12
Q
A

Suicide of Judas and Crucifixion of Christ

plaque from a casket

ivory

420

Christ does not appear to be in pain bc he isdisplayed on the cross, rather than hung from it

Visually and symbolically this image was meant to show jesus as a strong leader and not prone to pain nor complete death

contrast between Jesus and Judas’ pain

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13
Q
A

Old St, Peter’s in Rome

completed by Constantine

around 324

early Christian

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14
Q
A

Basilica A-Plan Church (West)

Narthex

Side Aisles

Clerestory

Apse

nave

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15
Q
A

Santa Costanza

Rome

350 AD

Central Plan Church

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16
Q
A

Saint Sabina

Rome

422-432

Early Christian

  • corinthian columns
  • wooden roof
  • no chairs or pues
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17
Q
A

Mausoleum of Galla Placidia

Ravenna

425-26

  1. ) Cross shaped
  2. ) Tower at crossing
  3. ) Vault resembles dome
  4. ) Introduces bascillican plan/ vaulted/ domed crossing

Inside:

  • 3D casts shadows
  • Jesus wears Gold and Purple- Gold and regal

Mosaic

18
Q
A

Hagia Sophia

532-537

Istanbul Turkey

Byzantine

Patrons: Justinian and Theodora

“Holy Wisdom”

3 football fields long

Architects: Anthemius and Isidorus

dome is supported by pendentives

large fields of mosaic decoration in interior

Large dome with 40 windows at base- symbolic halo

Minarets (islam towers) added during Islamic period

19
Q
A

Hagia Sophia

20
Q
A

Squinches and Pendatives

21
Q

Byzantine Basics: Three F’s and a G

A

Flat: figures appear flat and lacking voume as seen in classical art

Floating: 45 degree angle of figures foot

Frontal: usuallly turned toward the viewer unlike overlapping thats heavily seen in classical art

Gold Backgrounds: Christian teacings and depicting important figures than on representing the natural world

22
Q
A

San Vitale

Ravenna

547

Comisioned by Bishop Ecclesius

Byzantine

23
Q
A

Emperor Justinian and his Attendants

547

in church san vitle

ravenna

little deminsion

floating figures

halo shows them as a christian society and they are as close to divine as possible

Mosaic

24
Q
A

Empress Theodora and her Attendants

enlarged eyes and flattened nose

mosaic

church of san vitale

547

Byzantine

25
Q
A

Barbernini Ivory

6th Century

byzantine

illustrates how byzantine borrowed from symbols of classical art

figures are not porprotional

connects with conquests of Justinian with the peace of Christ

26
Q
A

Virgin and Child Between the Saints

Icon

late 6th century

Byzantine

Theotokos- bearer of God

also known as the Seat of Wisdom

Painted with encaustic- pigmented melted wax

27
Q
A

Harbavile Triptych

10th chentury

Byzantine

Hinges allowed them otbe transported

made of ivory

28
Q
A

Miracle of the loaves and fishes

Mosaic

Revanna

504

Early Christian

29
Q
A

Rebecca at the Well

illustrated manuscript

from the book of genisus

Gold and Tempera on Purple-Dyed Vellum

Early 6th Century

  • oldest well pererved painted manuscript containing biblical scense
  • 1st episode on left- rebecca leaves city to fetch water
  • 2nd episode Rebecca gives water to elizer

City of Nahor form above Roman city areal shot

-personification of a spring in well water (classical motifs)

30
Q

“Romanesque” is the first….

A

International style since the Roman Empire. Also known as the “Norman” style in England.

31
Q

Competition among cities…

A

for the largest churches, which continues in the Gothic period via a “quest for height”

32
Q

Masonry Stone-

A

the perferred medium. Craft of concrete essentially lost in this period. Rejection of wooden structures or structural elements

33
Q

East end of church the focus

A

for liturgical services. West end for the entrance to church

34
Q

Church portals as

A

“billboards” for scrpture or elements of faith

35
Q

Cruciform plans.

A

Nave and transept at right angles to one another, Church as a metaphor for heaven.

36
Q

Elevation of churches based on

A

basilican forms, but with the nave higher than the side aisles

37
Q

Interiors articulated by

A

repetitive serios of moldings. Heavy masonry forms seem lighter with applied decoration.

38
Q

Bays divide

A

the nave into compartments

39
Q

Round-headed

A

arches the norm.

40
Q

Small windows

A

in comparison to buildings to withstnd weight