Duchess of Malfi Quotes Flashcards

1
Q

“visit and old anchorite for devotion”

A

2.4- Julia tells the Cardinal the excuse she used to go and see him to engage in their affair- the statement is ironic.

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2
Q

“‘twas just like one that hath a little fingering on the lute yet cannot tune it”

A

2.4- Cardinal to Julia about her previous dissatisfaction- sexual

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3
Q

“For I account the honourablest revenge”

A

4.1- Ferdinand to the Duchess- patriarchal power- leading her to dispair

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4
Q

“You are very cold. I fear you are not well after your travel”

A

4.1- Duchess caring for Ferdinand- actually a dead man’s hand- manipulation

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5
Q

“There is a kind of honeydew that’s deadly: ‘twill poison your fame”

A

1.2- Ferdinand warns the Duchess about ruining her reputation- attracted to sweetness that is deadly

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6
Q

“I have taken you off your melancholy perch, Bore you upon my fist, and showed you game”

A

2.4- the Cardinal makes more sexual references to Julia, suggesting her saved her from boredom and dissatisfaction.

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7
Q

“You already know what man is.”

A

1.2- the Cardinal references her previous marriage, suggesting that she cannot be with another man because she is already impure.

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8
Q

“I did vow never to part with it, But to my second husband”

A

1.2- the Duchess wittily remarks that she wasn’t going to part with her wedding ring but to the next person she marries, insinuating to Antonio that she wants that to be him.

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9
Q

“Diamonds are of most value, they say, that have passed through most jewellers hands”

A

1.2- the Duchess is not afraid to stand up to her brothers and comments on the fact that she can remarry, using this witty statement.

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10
Q

“How doth our sister Duchess bear herself in her imprisonment”

A

4.1- Ferdinand locks the Duchess away for marrying Antonio, then comes to visit her- physically restricting her sexuality/ freedom.

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11
Q

“The marriage night is the entering into some prison”

A

1.2- the Cardinal suggests that the Duchess would be less free in a marriage- foreshadows them imprisoning her instead.

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12
Q

“I’ll go hunt the badger by owl-light, ‘Tis a deed of darkness”

A

4.2- Ferdinand is going insane, descending into Lycanthropy.

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13
Q

“Her days are practised in such noble virtue That sure her nights… Are more in heaven than other ladies shrifts”

A

1.1- the Duchess is introduced as extremely devoted, respectable and pure by Antonio.

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14
Q

“Who would be afraid on’t, Knowing to meet such excellent company in the other world?”

A

4.2- the Duchess does not fear death, as she looks forward to seeing Antonio and her children again in death- dramatic irony as they aren’t dead.

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15
Q

“Where he is jealous of any man he lays worse plots for them than ever was imposed on Hercules.”

A

1.1- Antonio reveals the Cardinal to be extremely immoral, cruel and jealous, suggesting that he puts other people through torture to remain powerful and strong in society.

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16
Q

“Women like that part with, like the lamprey, hath ne’er a bone in’t”

A

1.2- Ferdinand makes a sexual remark toward the Duchess, suggesting that women are obsessed with men and sex.

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17
Q

“…but if’t chance / Some cursed example poison’t near the head, / Death and diseases through the whole land spread.”

A

1.1- corruption is spreading throughout the area- e.g. Cardinal and Ferdinand

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18
Q

“He and his brother are like plum trees that grow crooked over standing pools; they are rich and o’erladen with fruit.”

A

1.1- Bosola comments on the corruption of the brothers- they have an unstoppable desire for success.

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19
Q

“quits first his royal palace Of flattering sycophants”

A

1.1- the French court is the ideal compared to the Amalfi which is filled with sycophants and corruption.

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20
Q

“Here comes Bosola, The only court gall”

A

1.1- highlights Bosola’s state as a malcontent. He criticises and complains about the court, but is still willing to serve it if if benefits him.

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21
Q

“I fell into the galleys in your service”

A

1.1- Bosola reveals that the Cardinal’s business is not necessarily honest or legal, juxtaposing the expectations of a religious leader.

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22
Q

“for a soldier that hazards his limbs in a battle, nothing but a kind of geometry is his last supportation”

A

1.1- Bosola complains that for all his service to the Cardinal he has received nothing in return. He uses the metaphor of an injured soldier, suggesting that soldiers are left to care for themselves with little support but crutches.

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23
Q

“A prince’s court
Is like a common fountain, whence should flow
Pure silver drops in general; but if’t chance
Some cursed example poison’t near the head,
Death and diseases through the whole land spread.”

A

1.1- Antonio compares a court to a fountain, suggesting that it should flow goodness, but if the leader is corrupt, it will spread disease and corruption. Body politic.

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24
Q

“With all your divinity do but direct me the way to it. I have
known many travel far for it, and yet return as arrant knaves
as they went forth, because they carried themselves always along with them.”

A

1.1- Bosola asks the Cardinal to guide him to honesty but suggests that people usually come back worse than they left- Cardinal’s bad influence. Suggesting that personality is immobile.

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25
Q

“Some fellows, they say, are possessed with the devil, but this great fellow were able to possess the greatest devil and make him worse.”

A

1.1- Bosola suggests that the Cardinal is so bad he could possess the greatest devil and still be worse. Associating Cardinal with devil/ sin juxtaposes his title.

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26
Q

“Believe my experience: that realm is never long in quiet where
the ruler is a soldier.”

A

1.2- leaders should not be obsessed with war else no peace will be kept.

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27
Q

“Some such flashes superficially hang on him, for form; but observe his inward character: he is a melancholy churchman.”

A

1.2- the Cardinal may appear honourable but he is melancholy, brooding, sinful and deceptive.

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28
Q

“He speaks with others’ tongues, and hears men’s suits
With others’ ears; will seem to sleep o’th’ bench
Only to entrap offenders in their answers;
Dooms men to death by information,
Rewards by hearsay.”

A

1.2- Ferdinand uses spies and messengers to stay in control of the court. Extremely deceptive- uses his power for manipulation and corruption.

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29
Q

“Your darkest actions - nay, your privat’st thoughts –
Will come to light.”

A

1.3 Ferdinand suggests that no matter what she does to conceal her desires they will always be revealed- foreshadows his obsession with her sexuality.

30
Q

“The misery of us that are born great!
We are forced to woo because none dare woo us”

A

1.3 As a powerful woman, people are too afraid to try and attract her, instead she must do it herself.

31
Q

“What thing is in this outward form of man
To be beloved?”

A

2.1- Bosola is a typical malcontent, considering why humans deserve the power they have, contemplating the relationship between our inner thoughts and outward actions.

32
Q

“There was taken even now a Switzer in the Duchess’ bedchamber…. With a pistol in his codpiece.”

A

2.2 A euphemism is used to reflect the Duchess’ promiscuity, and allude to her sexual passions.

33
Q

“The lord of the first house, being combust in the ascendant, signifies short life, and Mars being in a human signed joined to the tail of the dragon in the eighth house doth threaten a violent death.”

A

2.3 The Duchess’ horoscope foreshadows her violent death. Start building tension for the danger and drama to come.

34
Q

“I would have their bodies
Burnt in a coal-pit, with the ventage stopped,
That their curs’d smoke might not ascend to heaven”

A

2.5 Ferdinand would punish the Duchess and Antonio in the afterlife by preventing their souls from going to heaven.

35
Q

“When I choose a husband, I will marry for your honour.”

A

3.1 Dramatic irony- already married. She will not marry someone who will bring shame on the family.

36
Q

“Whether the spirit of greatness or of woman Reign most in her, I know not, but it shows A fearful madness. I owe her much of pity.”

A

1.2 Cariola interprets her actions as either ambitious for what she wants or irrational.

37
Q

“Lay a naked sword between us, keep us chaste”

A

1.2 The Duchess is pursuing her sexual desires. Already plotting to sleep with Antonio.

38
Q

“Alas, what pleasure can too lovers find in sleep?”

A

3.2 The Duchess is comical and witty, suggestively asking why Antonio wants to stay in her lodgings.

39
Q

“Did you ever in your life know an ill painter Desire to have his dwelling next door to the shop Of an excellent picture maker? ‘Twould disgrace His face-making and undo him.”

A

3.2 In response to Antonio’s question about why she has a waiting woman who isn’t pretty, she wittily remarks that it would take the attention from her.

40
Q

“This hath a handle to’t
As well as a point. Turn it towards him
And so fasten the keen edge in his rank gall.”

A

3.2 Antonio suggests that the Duchess should’ve killed Ferdinand. Instead of protecting her as he should, he suggests she may have been in the wrong.

41
Q

“an honest statesman to a prince
Is like a cedar planted by a spring
The spring bathes the tree’s root; the grateful tree
Rewards it with his shadow”

A

3.2 Prince should be pure and support the statesman if he also supports him.

42
Q

“Antonio!
A slave that only smelled of ink and counters.”

A

3.3 Ferdinand attacks his masculinity, suggesting he is only good to work in an office.

43
Q

“[Here the ceremony of the Cardinal’s instalment in the habit of a soldier…”

A

3.4 Ironic- shouldn’t be engaging in war/ violence. Removal of his religious garment symbolic of his imminent violence.

44
Q

“My brothers have dispersed
Bloodhounds abroad, which, till I hear are muzzled
No truce”

A

3.5 People out to get them- Antonio not going to take action to help the Duchess until it is safe- cowardly/ naive.

45
Q

“If I do never see thee more,
Be a good mother to your little ones
And save them from the tiger”

A

3.5 Antonio is weak and cowardly- leaves her to fight for herself and doesn’t take any accountability for the younger children.

46
Q

“I’d beat that counterfeit face into thy other!”

A

3.5 Duchess aggressive and angry- challenges gender boundaries.

47
Q

“Our value never can be truly known
Till in the fisher’s basket we be shown.
I’ th’ market, then, my price may be higher
Even when I am nearest to the cook and fire.”

A

3.5 Duchess knows she is going to Heaven, so is comfortable knowing that she will be safe in death.

48
Q

“I am armed ‘gainst misery,
Bent to all sways of the oppressors will”

A

3.5 Witty/ mocking

49
Q

“How doth our sister Duchess bear herself
In her imprisonment?”

A

4.1 Ferdinand locks her away and punishes her with imprisonment for disobeying her.

50
Q

“This darkness suits you well.”

A

4.1 Taking away her light/ positivity and replacing it with fear, anxiety and misery.

51
Q

“You have it,
For I account it the honorablest revenge
Where I may kill, to pardon. Where are your cubs?”

A

4.1 Justifying her torture for going against the patriarchy. Allusion to his lycanthropia.

52
Q

“[Gives her a dead man’s hand]”

A

4.1 Symbolic of imminent death, witchcraft and misery. Trying to lead her to despair- Catholic sin.

53
Q

“You were too much i’ th’ light”

A

4.1 Suggests she was too free and too public.

54
Q

“You are very cold.
I fear you are not well after your travel”

A

4.1 She is still caring and nurturing towards him even though he has imprisoned her.

55
Q

“Portia, I’ll new-kindle thy coals again
And revive the rare and almost-dead example
Of a loving wife”

A

4.1 Portia killed herself after her husbands death- Duchess commits to doing the same.

56
Q

“I account this world a tedious theatre,
For I do play a part in’t ‘gainst my will.”

A

4.1 Duchess forced to live a life she doesn’t want- has to act as an honourable and submissive woman.

57
Q

“Excellent! As I would wish, she’s plagued in art.”

A

4.1 Ferdinand trying to draw her to despair. Voyeuristic- pleasure from watching her suffer. Ironic as he is driving her to madness when he is mad.

58
Q

“[Bosola, like an old man, enters]”

A

4.2 Dressed as a depiction from Danse Macabre- everyone close to death- leading duchess to her death.

59
Q

“I am Duchess of Malfi still.”

A

4.2 Powerful and strong. Shouts in RSC version.”

60
Q

“I forgive them.
The apoplexy, catarrh, or cough o’ th’ lungs
Would do as much as they do.”

A

4.2 Death no longer matters to her. Stoic, resigned to her fate.

61
Q

“Who would be afraid on’t,
Knowing to meet such excellent company
In th’ other world?”

A

4.2 Prepared for death, looking forward to seeing Antonio who isn’t actually dead.

62
Q

“[Kneels] Come violent death”

A

4.2 Kneels to pray- closer to Heaven.

63
Q

“[They strangle her]”

A

4.2 Noble people are usually killed with an axe, possibly suggesting her brothers are trying to reduce her status. Or, the lack of blood spilled could represent her unfailing purity. Rope forms a cross.

64
Q

“Why didst thou not pity her?”

A

4.2 Turns on Bosola for following HIS orders. Ironic.

65
Q

“I’ll go hunt the badger by owl-light:
‘TIs a deed of darkness.”

A

4.2 Descending into lycanthropia- crawling around and dribbling.

66
Q

“A very pestilent disease, my lord,
They call lycanthropia.”

A

5.2 Disconnect between mind and body. Links to witchcraft and imbalance of melancholy/ humours. Freudian- poor super ego- Id overpowered.

67
Q

“I must feign somewhat.”

A

5.2 Typical machiavellian deception from the Cardinal.

68
Q

“Since which apparition
He hath grown worse and worse, and I much fear
He cannot live.”

A

5.2 Made up story from the Cardinal about Ferdinand ironic as he is haunted by the Duchess and his actions towards her.

69
Q

“[Enter Julia with a pistol]”

A

5.2 Weaker characters e.g. Antonio, Ferdinand and Julia all have weapons. Freud may argue this is a phallic symbol/ penis envy.

70
Q

“Thy curiosity
Hath undone thee- thou’rt poisoned with that book.”

A

5.2 Julia’s death links with the corruption the Cardinal spread. Poisoned Bible = corruption of religion.

71
Q

“I go, I know not whither-“

A

5.2 Duchess was certain on her place in the afterlife but Julia has been more sinful and immoral.