Duchess of Malfi - Interpretations + Context Flashcards

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1
Q

What was the reaction when it was performed in Shakespeare’s globe in 2014

A

One paper called it a ‘grisly tragedy’, another a ‘gory melodrama’

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2
Q

What is the significance of Italy

A

Birthplace of the renaissance and centre of Catholic authority - provoked Jacobean dramatists with a horrid fascination

Potent theatrical metaphor - allowed dramatists to obliquely criticise the favouritism of James I court and to common on the religious hypocrisy under the guise of attacking scarlet-cloaked cardinals

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3
Q

What is the play based on

A

There was a real-life Duchess of Amalfi who was widowed in 1498, married and fled from her brothers

Webster took the story from a book called Palace Pleasure and embroidered it with ‘great skill’

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4
Q

Why is Webster’s heroine/protagonist unusual at the time

A

Focuses on a woman who exercises independent political power

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5
Q

How does the Duchess reverse the gender roles

A

Teasing and wooing Antonio

Also breaks the social and political obligation that the nobility marry their equals

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6
Q

Webster bases his plot on………….., every character has a secret with many episodes in the play depicting……….or overhearing

A

Secrecy

Spying

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7
Q

How does T.S.Elliot describe Webster

A

“Much possessed by death”

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8
Q

What does poet Rupert Brooke state

A

Talked about the “Foul and indestructible vitality” of Webster’s characters (these plays are about life and its awful and inevitable moral compromises, rather than about death)

Webster’s scalpel uncovers the “skull beneath the skin” - as he explores without favour, how flawed humans love, love and plot against a background of dispassionate self-interest

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9
Q

What do many of Webster’s other plays feature (The White Devil)

A

Teat lawyers and the legal system with bitterness - suggesting his personal detachment from it

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10
Q

What does Emma Smith state

A

“Rather than being possessed by death, Webster’s worlds show us the desperate struggle to survive in a corrupted society”

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11
Q

“The play’s unambivalent………………..becomes clear when we compare Webster’s………with that of his source, Painter’s ‘Palace of Pleasure’

A

Femeinocentric

Title

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12
Q

What does Dympna Callaghan sate about the Duchess’ predicament

A

“Webster’s widowed Duchess escapes neither the confinement nor the brutality so often meted out to woman in the real world since her wicked brothers…seek to destroy her”

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13
Q

“In defying her brothers…the Duchess……………………………………….(Dympna Callaghan)

A

Transgresses a cultural prejudice against widows who remarried

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14
Q

In Elizabethan society - why did some widows remarry

A

As protection from coercion and harassment for themselves and their children

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15
Q

Dympna Callaghan - “Webster presents the Duchess not as an………………………………, but as real and fully………..

A

Oversexed pleasure-seeker

Human

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16
Q

Expand on “I am the Duchess of Malfi still”

A

Insist on the moral triumph of the Duchess’ stoicism in the face of death

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17
Q

What does the absence of the Duchess in Act 5 suggest

Dympna Callaghan

A

Insights on the necessity of looking squarely at the aftermath of the male violence to which she has been sacrificed

“Her absence, the gaping wound of the play, encourages us to question a world without women. And if that’s not feminist, then I don’t know what is”

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18
Q

How does Boklund see Julia as

A

“A parody of the Duchess, designed to undercut and qualify her values…to find a tragic flaw in the Duchess reflected nd confirmed in Julia”

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19
Q

Give a counter-argument to critics suggesting that Julia seems to be a fulfilment of the brother’s degraded vision of the Duchess

A

Yet very early in 2.4, Julia’s words and stage actions begin to contradict the Cardinal’s version of her

Her speech with its anxious, halting rhythm, betrays the deep inner struggle of a woman who has compromised herself for uncertain gain and finds herself the victim of a cynical and abusive man

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20
Q

Give two readings of stage presentations generally opting for an emphasis on the extreme lasciviousness of Julia

A

May affirm the satire of the corrupted church - by emphasizing the Cardinal’s sin and hypocrisy

Could also affirm his misogynistic attitude to his mistress as a whore

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21
Q

Those who emphasise the analogies between the duchess and Julia come perilously close to reading the play as a…………………………Those who concentrate on the differences tend to exaggerate the……………..of the Duchess and read the play as a melodrama

Underlying both of these perspectives is another implicit moral judgement - that Julia is meant to be condemned as a wanton,……………., morally………………woman

A

Cautionary tale

Saintliness

Promiscuous

Reprehensible

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22
Q

Did Julia appear in the original story

A

NO

Webster clearly thought the character had an important role in the architecture of the plot and the construction of the thematic argument

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23
Q

Give a quote from the Cardinal that presents a constant woman as an impossibility

A

“To view another spacious world i’th’moon/ And look to find a constant woman there”

24
Q

Give some context for the Chain of Being

A

The feudal societies of the Middle Ages, ruled by an aristocracy of landowners, were based on a clear hierarchy

The hierarchy was justified, intellectually, by the idea of nature itself being composed of clear levels

25
Q

What is the Ptolemaic model of the Universe and what does it link to

A

The Earth was at the centre of the universe, but also at its lowest point

Power over events radiated down from heaven in distinct levels. Chain of Being

26
Q

According to the Medieval catholic Church (and Aristotle’s philosophy), everything in the universe had a…….in a divinely planned and………….universe

A

Place

Unchangeable

27
Q

Give a quote from Delio about superstition and some analysis

A

“How superstitiously we mind our evils/The throwing down of salt, or crossing of a hare”

During the Reformation, the Catholic church was criticised for encouraging rituals

Protestants believed that superstitious practices implied a belief in magic + involvement of evil spirits

28
Q

Give some context for the horoscope

A

Believed in astrology - our fate is controlled/written in the stars

Protestants = pre-destination

29
Q

Give a quote from Antonio to Bosola about his malpractice

A

“You would look up to heaven, but I think The devil that rules the air stands in your light”

30
Q

Give some Machivllan context

A

Florentine political philosopher

Suggested that religion could be beneficial as an instrument of domination

31
Q

What does equivocation mean

A

To give an oath to confirm something, but can also be understood, through deliberately unclear or ambiguous language to mean the opposite

Used when Garnet member of gunpowder plot) claimed the right to give ambiguous answers during his trial to avoid incriminating himself

32
Q

What is the significance of Ferdinand entering the Duchess’ room

A

Enters between the line ‘I entered you into my heart’ and ‘before you would…call for the keys’

The prince inserts himself at the heart of his sister’s passion but also images himself as the recipient of the ‘key’ - being able to enter her body

ENters her private room - seats herself within her innermost privacy, as if he imagens himself within her body

33
Q

What does Mary Peake suggest about Ferdinand entering the Duchess’ room

A

“Ferdinand navigates himself into his sister’s sexual experience by physically concealing his presence within her private chamber”

34
Q

What colour is blood in Frecknall’s interpretation

A

Black - suggesting a court so corrupt that it has perverted nature

35
Q

How does Frecknall’s interpretation give the Duchess a sense of vulnerability

A

Only one to be barefoot in the first half

36
Q

How does Frecknall’s interpretation present the death of the woman

A

They loom on stage, the Duchess is particularly potent who haunts her oppressors

Ends on DUchess’ daughter, not son as in original

37
Q

What does Leah S Marcus state about the Ferdinand’s madness

A

“As the play progresses, Ferdinand’s madness is increasingly associated with rituals of Italian (and English) courts…
In early performances of the play, when Ferdinand sends madmen…the madmen onstage doubled the courtiers who had sycophantically surrounded Ferdinand before”

38
Q

What does Kate Aughterson assert about feminity

A

Saw women’s deaths as a ‘collision between corrupt political conservatism and individual freedom. Furthermore, political corruption os clearly linked to masculinity and individual freedom and justice to femininity”

39
Q

Give some analysis of Ferdinand’s waxworks

A

Amplifies the hate felt for Ferdinand

Lot of effort to pull off - highlights the lengths he’s prepared to go to rob the Duchess of her identity

40
Q

Give some examples of England being enswirled in catholic-protestant tensions

A

Gunpowder plot
Babington plot
Mary I
Spanish Armada

41
Q

How did Liz persecute Catholics

A

Act of Restraints - all Catholics to stay within 5 miles of their home + no large gatherings

Anyone who persuaded a protestant to become a catholic was punishable by death

42
Q

What does the Astrology being wrong signify

A

Criticises catholicism + amplifies the idea that we act upon our own free will

43
Q

Give some context of James I court

A

The security of having an heir was soon undermined by his extravagant habits + sexually ambiguous interests f the court

James’ court was filled with sycophants with frequent lavish feats to flaunt his wealth

Promoted many courtiers with a group of men specifically chosen because he found them physically attractive

44
Q

Give some woman context

A

Continued to live a life subordinated by men, beyond what they requested + made dependant on value relations

Numerous witchcraft accusations are regarded by many feminist historians as being an attack of women and an assertion of male power (most victims = women)

45
Q

Give a quote that highlight Ferdinand’s madness

A

“‘Look! What follows me’ - Tis your shadow - ‘Stay it! Let it not haunt me”

46
Q

Give some lycanthropy context

A

Stories of wolf-men, as a result of witchcraft or direct demonic intervention

One popular account of a German lycanthrope named Peter Stubbe asserts that Stubbe’s committed incest with his sister while in the shape of a wolf

  • Webster makes Ferdinand’s lycanthropy, similarly, a reflection or embodiment of the lust for his sister, but it also resonates with images of spiritual predation, particularly in a Protestant demonisation of Catholicism

Protestant criticism of Catholic church - pope depicted as a wolf

47
Q

Give some context for remarriages

A

Not inevitably a recipe for tragedy - a popular topic for city comedy

Webster’s Duchess defies social and sexual orthodoxies in a way not dissimilar of comic widows. What lends itself to strategy in the Duchess’ situation is that unlike her comic counterparts, she is the head of state

48
Q

What was the overwhelming weight of (male) critical opinion about before the feminist movements of the 1970s + ’80s

A

The DUchess lacked a centre and focus for its action because critics tended to equate tragic centrality with masculinity

49
Q

The Duchess thus………………..her society’s notion of proper female…………..both in exercising her own will in a matter of personal and…………..choice and in choosing a husband who is her social……..

A

Transgresses
Conduct
Sexual
Inferior

50
Q

What does Dympna Callaghan assert about the brothers

A

“The Duchess’ brothers are the primary mouthpieces for the misogynistic discourse of the era”

51
Q

Give a quote from the Duchess complaining about her situation

A

“Why [she] of all the other princes in the world/Be cased up like a holy relic”

“She is neither a Catholic fetish object nor protestant funeral monument” - Callaghan

The play comes close to representing the lived realities of early modern English widows and the constraints upon their sexual choices

52
Q

How does the brother’s persecution of the Duchess link to context

A

Widowed women sometimes suffered harassment from male relatives or neighbours and so were forced to seek protection from a new husband

53
Q

What does the speed of which the Duchess remarries signify (Callaghan)

A

“The Duchess capacity to take action and initiative when her capacity to do so is severy restricted by her wider society and culture…Her brothers echo a cultural commonplace”

54
Q

Webster develops the Duchess’ character while simultaneously utilising and……….the…….discourses around women at the time, which presented them as either chaste……..or………….whores

A

Resisting
Polarised
Paragons
Lascivious

55
Q

What does Callaghan state about Webster’s portrayal of the Duchess

A

“Webster takes on the challenge of representing a woman who is both virtuous and sensual, and who embodies the virtues of a sexually fulfilling married life”

56
Q

While Bosola is the instrument for the Duchess’ tragedy, after her brave and……death his remorse is evident of the Duchess’…………………….

A

Stoic

Moral strength