Dream Analysis: Media Language Flashcards
1
Q
- What are the two ‘worlds’ constructed in this video?
- What kind of response does the pianist reflect?
- What kind of narrative is being created?
- What does the video juxtapose? - Which lyrics does the video carry out a literal interpretation of?
A
- Salubrious 1950s sitting room and contemporary city setting.
- Typical response of someone older to rap music.
- Linear.
- 1950s children’s TV characters with familiar contemporary iconography e.g. a nightclub. - ‘off licence’, ‘young babymothers.’
2
Q
- What does the mise-en-scene connote?
- Give 2 examples of props that reference childhood.
- It is clear that the narrative is _________ as there is little attempt to create a setting of ______. - What does the microphone connote?
- Why? - How is the audience ironically positioned through the references to 1950s TV?
- In which lyric does Dizzee Rascal ironically reference Captain Sensible?
A
- A middle-class environment which contrasts dramatically with the city setting narrative.
- Puppets, pastel coloured blocks, musical box, toy car and helicopter.
- Constructed, reality. - Power.
- His voice can be heard (literally and metaphorically). - As children being told a story.
- ‘This is too sensible for me man.’
3
Q
- Which 2 theorists/theories would you use for Dream?
- Which theorist would say the images illustrate the lyrics, but connote a deeper meaning of working to achieve a dream?
- What does Barthes say the idea of ‘myth’ relates to? - Which binary opposition is most evident in the video?
- How is the pianist represented as more powerful than Dizzee? (2) - What are 2 other oppositions seen here?
A
- Roland Barthes - Semitotics, and Levi Strauss - Structuralism.
- Roland Barthes - Semitotics.
- Iconography, such as the hoodie. - Young black male vs older white female.
- He gets back in his box at the end & she is physically bigger. - Youth vs Police and Antisocial behaviour vs hard work.