Dracula Quotes Flashcards

1
Q

Sense of danger and foreshadowment. Johnathan. Chapter 1

A

“every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool”

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2
Q

East vs west. Johnathan. Chapter 1

A

“…one of the wildest and least known portions of Europe”…“seems to me that the further East you go the more unpunctual are the trains”

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3
Q

First signs. Johnathan. Chapter 1

A

“both he and his wife crossed themselves.” “strikes midnight, all the evil things in the world will have full sway”

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4
Q

“lamp” symbolises rational soceity shining on the superstitious east. Johnathan. Chapter 1.

A

‘the light of the lamps…projected against…the figures of my late companions crossing themselves’

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5
Q

uncertainty conveyed in ‘I think’ questions epigraphs belief that memory is always fact. Harker knows little of his irrational other. Jonathan. Chapter 1

A

‘I think I must have fallen asleep and kept dreaming of the incident’

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6
Q

setting used to show Victorian fear of falling back into feudal past at ‘peak of modernity’. Johnathan. Chapter 2

A

‘The castle is on the very edge of a terrible precipice’

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7
Q

repetition shows frustration at social constraints to evade uncovering own irrationality. Setting also symbolises societies fears of its repressed desires. Johnathan. Chapter 2

A

‘…doors, doors, doors everywhere, and all locked and bolted’

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8
Q

o servants and rich suggests Dracula is not a real man. He is a symbol of capitalism and alludes to how Marx described capitalism as a vampiric force, sucking the blood from the working classes. Johnathan. Chapter 2

A

‘I might let the servants know I had finished - but I could not find one.’

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9
Q

his repressed desires are untouched but he willingly transgresses. Johnathan. Chapter 3

A

‘though it seemed to be locked, gave a little under pressure’

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10
Q

Harker uses his diary entries as a way of rationalising the irrational. Chapter 3

A

‘The habit of entering accurately must help to soothe me.’

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11
Q

antithesis of ‘wicked’ and ‘desire’ shows how Harker knows his ‘eve of wedding’ desires cannot be shown (social repression) but knows he’s transgressed. johnathan. Chapter 3

A

‘I felt in my heart a wicked desire’‘both thrilling and repulsive’

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12
Q

‘lashes’ - feminine symbol shows how Harker is emasculated by the vampire women. Chapter 3

A

‘I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes’

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13
Q

potential homoerotic desire of the Count highlights Victorian fear of subversive sexuality. Dracula. Chapter 3

A

“Yes, I too can love:…’

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14
Q

embraces liberated role of New Woman here. Stoker alludes to how women’s professions were broadened. Mina. Chapter 5

A

‘I shall try to do what I see lady journalists do…’

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15
Q

Lucy is liberated and transgresses from social norms. Victorian fear of New Woman leaving loyal domestic role is revealed. Chapter 5

A

‘Why can’t a girl marry three men, or as many as she wants to?’

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16
Q

Acknowledges duplicity and blurring of boundaries Dracula represents. Mina. Chapter 8

A

‘What was it, whether man or beast, I could not tell’

17
Q

‘half’ suggests ambiguity as it is a medial state between being victimise and transgression. Mina. Chapter 8

A

‘…I could see Lucy half-reclining with her head lying over the back of the seat’

18
Q

suggests Renfield is insane because he refuses to acknowledge a hierarchy.
Makes us question Seward’s professional judgement. Chapter 8

A

‘the God created from human vanity sees no difference between an eagle and a sparrow’

19
Q

exaggerative to reinforce own masculinity
- blood transfusion represents modern attempt to subdue supernatural and sex - Van Helsing suggests sex is what reinforces masculinity. Chapter 12.

A

“A brave man’s blood is the best thing on this earth when a woman is in trouble”

20
Q

Seward (Chapter 12)

- ‘choking’ implies being overcome; Arthur is overcome by emotion, an ironically feminine characteristic

A

‘Arthur was simply choking with emotion’

21
Q

Seward (Chapter 13)

  • hysterics typically a condition treated for women as it means ‘from the womb’
  • suggests blurring of gender roles through Van Helsing’s laughter - transgressive
A

‘he laughed again, and laughed and cried together, just as a woman does’

22
Q

Seward (Chapter 16)

- New Woman seen as corrupting purity of Victorian ideology

A

‘…and that the stream had trickled over her chin and stained the purity of her lawn death-robe’

23
Q

Seward (Chapter 16)

- positions Lucy as Medusa figure - she emasculates men - resembling fear of New Woman to social and religious authority

A

‘Lucy’s eyes unclean and full of hell-fire’

24
Q

Van Helsing (Chapter 16)

  • image alludes to Harker’s earlier image in Chapter 4.
  • highlights fear of the ‘other’ being released into everyday spaces uncontrollablySeward (Chapter 16)
  • objectifies Lucy to make it easier to commit violent act of killing her
A

“And so the circle goes on ever widening, like as the ripples from a stone thrown in the water”

‘The Thing’

25
Q

Seward (Chapter 16)

  • actions show pain but also sexual arousal on Lucy’sSeward (Chapter 16)
  • Arthur positioned as god-like in reclaiming masculinity by staking Lucy part
A

‘The body show and quivered and twisted in wild contortions’

‘He looked like a figure of Thor’

26
Q

Mina

  • Mina reinforces masculinity of Jonathan despite the fact we know he has had a breakdown.
  • Proves lack of self-insight in fighters of Dracula
A

‘He was never so resolute, never so strong, never so full of volcanic energy’

27
Q

Van Helsing

  • reinforces idea that Mina is androgynous in terms of gender.Van Helsing
  • forced subordination of Mina
A

‘She has a man’s brain…and woman’s heart’

‘but it is no part for a woman’

28
Q

Seward (Chapter 21)

- symbolic of forced sexual encounter with Dracula. Seward positions it as assault

A

‘Her white nightdress was smeared with blood’

29
Q

Seward (Chapter 21)

  • Mina’s exclamation shows how she believes she has corrupted the purity of marriage
  • intertextual reference to Leviticus
A

“Unclean! Unclean!”

30
Q

Harker (Chapter 22)

- simile about wafer suggests Mina has transgressed and destroyed Christian purity

A

‘had burned into the flesh as though it had been a piece of white-hot metal’

31
Q

Van Helsing (Chapter 27)

  • ‘shudder’ highlights the terror of understanding one’s own barbarism
  • Van Helsing has lack of self-insight, suggesting killing vampire women is not murder
A

‘I shudder as though I have come to do murder’

32
Q
Van Helsing (Chapter 27_
- Van Helsing positions female sexuality as threat to men
A

‘…the voluptuous mouth present to a kiss - and man is weak’

33
Q

Mina (Chapter 27)

- weaponry usually a masculine utensil but Mina has it, so is on equal footing with men

A

‘The Professor and I…held out weapons ready’

34
Q

Mina (Chapter 27)

- simile reveals how Crew of Light he killing Dracula not as brutality but as defending religion

A

‘It was like a miracle’

35
Q
Van Helsing (Note)
- Mina positioned as combination of masculine and feminine qualities which must be preserved. Stoker shows Mina as the perfect New Woman - link to Sos Elis
A

“What a brave and gallant woman his mother is. Already he knows her sweetness and loving care”

36
Q

Harker (Chapter 4)

- highlights Victorian fear of foreigners infiltrating British purity.

A

‘he might satiate his lust for blood, and create a new and ever widening circle of semi-demons…’

37
Q

Harker (Chapter 4)

- highlights violence of Victorian society beneath moderate surface

A

‘A terrible desire came over me to rid the world of this monster’