Discovery Flashcards

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0
Q

Adam hartup - departure techniques

A

Sheltered lifestyle, witnessed Cronulla riots.
Close up shots show naivety and willingness to experience the issue.

“Housing these criminals”

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1
Q

Stages of discovery

A

Departure
Significant experiences
Revelation or epiphany
Transformation

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2
Q

Adam Hartup - significant experiences techniques

A

Villa wood detention centre, meets a detainee. Boat trips enlightens to poor conditions.
Pathetic fallacy - storm symbolism
- crow

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3
Q

Adam hartup significant experiences quote

A

Going to VillaWood detention centre was probably the first moment where I could probably throw down some tears, seeing the desperation of refugees living on just a glimmer of hope. I thought jeez there is something wrong here.

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4
Q

Adam hartup - revelation or epiphany - techniques

A

Empathises with chin. Witnessing raid made him re evaluate his ideals.
Close up shot

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5
Q

Adam hartup - revelation or epiphany - quotes

A

There’s no permanent solution for them

I think I probably would catch a boat

There’s no permanent solution for them.

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6
Q

Adam hartup - transformation & quotes

A

Close up shows disbelief
Picture in picture with flashback shows his new opinions when looking back.

“Safety is going to work, coming home and going to bed at night”
“Do the journey, get on the boat. I wouldn’t live in this”

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7
Q

Raye Colby - departure techniques and summary

A

Hates that Australia spends money on refugees, thinks money should be spent on the disabled. Has no tolerance for refugees.

Juxtaposition - Raye’s freedom (big property)& refugees imprisonment (camp).
Perspective shot - Raye looking at detention centre.

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8
Q

Raye Colby - departure quotes

A

“Serve the bastards right”

“I would shoot them if I could”

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9
Q

Raye Colby - significant experiences techniques and summary

A

Connects with Maisara over losing a baby.

Close up - shows Raye’s emotions over losing a child.

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10
Q

Raye Colby - significant experiences quotes

A

“It’s not easy for me to hear that. I’ve had a lot of trouble carrying pregnancies through… So yeah I do understand.”

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11
Q

Raye Colby - revelation or epiphany techniques and summary

A

Appalled by cramped living conditions of the chin. Amazed how eager the kids are to learn.

Extreme close up - Kakuma camp- to exaggerate cramped space.
High angle shot - Raye teaching chin kids, shows vulnerability of kids and European power.

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12
Q

Raye Colby - revelation or epiphany quotes

A

“I can understand it but it doesn’t mean I like it”

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13
Q

Raye Colby - transformation summary and techniques

A

Sympathetic towards masudi family. Feels guilty for leaving them.

Symbolism - Raye looking over camp at sunset show her journey has ended. Emerging as a new women.

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14
Q

Raye Colby - transformation quotes

A

“If that meant getting on a boat, I’d probably go ahead and do it”

“It’s not a life, it’s barely an existence”

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15
Q

Ray Colby transformation summary and techniques

A

Picture in picture - shows Raye rejecting old self

Close up - shows her emotions on the subject.

16
Q

Related material - Dracula and discovery

A

Anglo Saxon views of Harker challenged when thrust into discovering the supernatural.

17
Q

Dracula techniques - emotive language

A

Draw on emotions stimulates sympathy or sorrow.

“When I think of what I’ve seen… The terror of… And… His red eyes …. On mina! I don’t know if it was real or if I’m mad.”

18
Q

Dracula techniques - metaphor

A

“The castle is a veritable prison and I am the prisoner.” Harker

19
Q

Dracula techniques - symbolism

A

Blood allowing the living to live and the dead to feed.

20
Q

Dracula techniques - paradox

A

“Come freely, i safely but leave nothing of your happiness you bring”

21
Q

Dracula techniques - pathetic fallacy

A

“There were dark, rolling clouds overhead and in the air the heavy, oppressive sense of thunder” Harker

22
Q

Dracula techniques - foreshadowing

A

“Shadows of the evening began to creep around us”

23
Q

Dracula context religion

A

Harker is travelling to the castle at night and an elderly lady hands him a crucifix because she fears for his safety.