Directing Flashcards

1
Q

Who was in charge of a play in Ancient Greece?

A

The actors

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2
Q

Who was in charge of a play during the Renaissance?

A

Playwrights

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3
Q

When did the director become prominent in plays?

A

The 19th century

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4
Q

What does the director do?

A

Integrates all elements of a play into a finished production by imposing one central view on the script, casting, acting, movement and design, to turn it all into a coherent whole

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5
Q

How has casting changed since Shakespeare’s time

A

Historically, there wasn’t an attempt to match the actor’s identity with the character
Later, Hamlet would mostly be played by white male actors in their 30-40s

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6
Q

Why does casting matter?

A

Because casting is part of storytelling

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7
Q

Why can’t you cast blind?

A

Because theater is a visual medium, and because we interpret from what we see it becomes part of the meaning of the play

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8
Q

What questions should a director ask when casting?

A

Does the script specify who should play the part?
Does casting any actor change the story in a productive or unproductive way?

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9
Q

What is one of the most powerful tools of expression for a director?

A

Movement

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10
Q

What should a director think about when deciding where and how the actors move onstage?

A

Visibility
Focus
Script requirements
Stage picture
Interest

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11
Q

Viewpoints

A

A set of names given to certain principles of movement through time and space

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12
Q

What are viewpoints used for?

A

Training actors
Staging a play

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13
Q

How do we use viewpoints?

A

To create movement that is original and personal to the actors, and forms abstract images for an audience

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14
Q

How does Charles Mee construct his plays?

A

By using existing texts, making his plays collages of previous work

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15
Q

What was Rauschenberg’s style of art?

A

To take things that don’t seem to belong together and put them together

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16
Q

Who was Charles Mee’s main source of inspiration when writing collage theater?

A

Rauschenberg and his style of putting together things that don’t seem like they belong together

17
Q

Charles Mee’s philosophy of his (re)making project

A

Plays are freely available to the public as shared history