Acting Flashcards

1
Q

Who is in control of the final creative step in the performance of a play?

A

The audience that receives the play, and how they interpret it

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2
Q

The two frames that surround a performance

A

Outer frame
Inner frame

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3
Q

Outer frame

A

Everything that surrounds a performance before it starts

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4
Q

Inner frame

A

Everything part of the actual show once it begins

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5
Q

What does it mean to be critically generous when evaluating a play?

A

Critical as in to make judgements or to analyze
Generous as in willing to give full attention, open to experience and going into the play knowing that the performance is a reciprocal performance

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6
Q

What should you observe when critiquing a play?

A

Notice your personal reaction
Notice the choices that shaped this reaction
Ask yourself why the artist may have made this choice

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7
Q

Formula for a well-made play

A

Plot - Has a late point of attack
Secret - Known by the audience
Letters/paper - Bring about plot twists
Reversal of fortune
Late climax
Quick return to order at the end

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8
Q

Goals of realism

A

Audiences should feel as if they are eavesdropping on real people living their lives

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9
Q

What was Stanislavski’s goal of training and how did it achieve this?

A

For the actor to truthfully portray human psychology by understanding the character’s inner thoughts and motivations

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10
Q

How can a character be realistic?

A

At every moment in a play the character should be pursuing an objective

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11
Q

What are the three types of objectives?

A

External/physical
Internal/psychological
Both psychological and physical

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12
Q

What makes a good objective?

A

Specific
Personal
Has stakes
Active - phrased with a verb

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13
Q

Distinguishing features of melodrama

A

Plot - Sensational with no concern for plausibility, good and evil are clearly defined and good always wins
Music - Orchestral music plays under the action, to appeal to audience’s emotions and signify characters
Stock characters - Stereotyped, and either good or evil
Stylized movement - Exaggerated poses and gestures, uses tableaus (frozen picture)

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14
Q

What is different about melodrama in terms of how it is received?

A

They are intended to make the audience feel a specific way. There is a right and wrong way to react, controlling the play’s meaning

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15
Q

What is physical theater?

A

Everything is larger than life
The world of the play is created by the ensemble
Spoken language is optional
The audience is asked to use their imagination

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16
Q

What are some distinctive features about the acting in physical theater?

A

The physicality of the actor plays a central role in defining character
The actor’s movement is the primary means of storytelling