design principals Flashcards

1
Q

Principals of design

A

unity
balance
Contrast
Emphasis
Proportion/ scale
Rhythm/ movement
repetition

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2
Q

is the arrangement of visual elements
in the design. It‘s where the different parts of Design create the whole.

vary widely in style and purpose, from the layout of a magazine spread to the furniture arrangement in an interior space.

A

Design Composition

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3
Q

The goalof deasign prienciple is to create a composition that :

A
  1. effectively conveys the intended message
  2. Evokes a specific emotional response
  3. serves a particular functional purpose.
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4
Q

Elements of design

A

line
shape
texture
space
value
color
size

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5
Q

is the concept of visual equilibrium and relates to our physical sense of….

A

Balance

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6
Q

it is the distribution of the visual weight of objects, colors, texture, and space.
*the elements should be ……. to make a design feel stable.

A

balanced

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7
Q

*…… is instinctive and determined by imagining a center axis running through the picture plane with the expectation that there will be some equal distribution of visual weight on either side.

A

Balance

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8
Q

Achieving equilibrium in the distribution of visual elements to create a harmonious and stable composition. This can involve ……..

A

symmetrical
asymmetrical
radial balance

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9
Q

…….. balance is a design principle in which visual elements are evenly distributed on either side of a central axis or imaginary line. It creates a mirror-image effect, with one half of the composition being a near-perfect reflection of the other.

A

Symmetrical

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10
Q

these are characteristics of what balance?

  • imparts a sense of stability, order, and formality to a design.
  • Elements on one side of the axis are typically identical or very similar in shape, size, color, and placement to those on the other side.
  • This balance is often used in classical and traditional designs, as well as in architecture, formal documents, and some types of artwork.
A

Symmetrical

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11
Q

*…… balance occurs when visual elements are balanced through contrast, color, size, and placement

A

Asymmetrical

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12
Q

these are characteristics of what balance?

  • creates a dynamic and visually exciting composition.
  • It relies on carefully considering the visual weight of elements, which may differ in size, color, or shape but still achieve balance.
  • One side of the composition may have fewer or smaller elements but can balance out the larger or more visually dominant elements on the other side.
  • is often found in contemporary and modern designs.
A

Asymmetrical

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13
Q

*….. balance is a design principle where visual elements …. outward from a central point, creating a circular or spiral arrangement.

A

Radial
radiate

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14
Q

these are characteristics of what balance?

  • conveys a sense of movement, energy, and focus toward the center of the composition.
  • Elements in a … design may vary in size, shape, or color, but they are arranged in a way that maintains balance around the central axis.
  • This balance is frequently used in designs with a central focal point, such as
    mandalas, compass roses, circular logos, and some types of decorative patterns.
A

Radial balance

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15
Q

*……. indicates the most important element of the design based on the message. It’s the element that stands out and gets notified first.

A

Emphasis

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16
Q

The most emphasized visual element in the design is called a …….. because it attracts the viewers’ attention first

A

focal point

17
Q

Creating Emphasis on Design can be achieved by

A

shape
line
size
direction

18
Q

The……works by splitting an image into
thirds, so you end up with 9 equal sections, then place your main subject where the line intersects
* Visually divide your page into thirds.
* Place elements on the page within these thirds for a more exciting and visually appealing layout

A

rule of thirds

19
Q
  • The relationship between objects, or parts, of a whole. How things fit together and relate in size and scale, whether big or
    small, nearby or distant.
A

Proportion &
Scale

20
Q
  • …… deals with the relative size and scale of elements within a design. It helps maintain visual balance and harmony
A

Proportion

21
Q

Proper ……. are crucial to achieving a visually pleasing
composition.

A

Proportion

22
Q

The golden spiral is based on the golden ratio, while the Fibonacci spiral is a spiral based on the Fibonacci
sequence.
* Both are very similar and can be used as a compositional tool

A

t

23
Q

Fibonacci sequences
* The Fibonacci sequence is the series of numbers: 0,1,1,2,3,5,8,13,21,34,55,89…
golden ratio
Ratio= 1.618

A

t

24
Q

……. denotes the movement in a way that
elements direct our gaze to scan the message for understanding or information
* ……. refers to the way your eye moves
throughout a picture.
* …… can be described as continuity, organized
movement in space and time.
* Sequence is the experience of the …… One space may have several different …….s

A

Rhythm

25
Q

……. means reusing the same or similar elements throughout your design.
*…….. of specific design elements will bring a clear sense of unity.
* …….. is the use of similar or connected pictorial elements. For
example, matching shapes, colors, or lines used more than once
* …….. can be radiation, where the repeated elements spread out
from a central point.
* …….. can be regular or irregular
…….. may be in the form of gradation, where the repeated elements slowly become smaller or larger
* Gradation series of patterned elements relate to one another through a regular change of color, position, or
size

A

Repetition

26
Q

Certain ……. based on repeating geometric
forms will cause your eye to produce motion where none is present.

A

Optical Illusions

27
Q

…….. stresses the visual difference in size, shape, and color between the elements to enhance the perception of a message intended.

A

Contrast

28
Q

…….. is achieved when all the design elements relate to one another and project a sense of completeness
* Ensuring that all the elements in the composition work
together cohesively to create a unified and visually pleasing design.
* A viewer will always seek … in a message. Without it, the viewer will lose interest.

A

Unity

29
Q

Unity-Visual perception

A

Similarity
Proximity
Continuity
Figure/ground
closuer

30
Q

suggests that we naturally group
similar items based on color, size, or orientation.

A

Similarity

31
Q

: The principle of
……. states that objects near
each other tend to be viewed as a
group

A

Proximity

32
Q

: According to this
principle, we will perceive elements
arranged on a line or curve as related
to each other until it’s interrupted.

A

Continuity

33
Q

….: This suggests that elements
that form a closed object will be
perceived as a group. We will even
fill in missing information to create
….. and make sense of an object.

A

Closure

34
Q

…….: occurs when a
viewer can identify an object (figure)
as a shape distinct from its
background (ground). This
perception is dependent on the
design principle of contrast

A

Figure/ground