design principals Flashcards

1
Q

Principals of design

A

unity
balance
Contrast
Emphasis
Proportion/ scale
Rhythm/ movement
repetition

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2
Q

is the arrangement of visual elements
in the design. It‘s where the different parts of Design create the whole.

vary widely in style and purpose, from the layout of a magazine spread to the furniture arrangement in an interior space.

A

Design Composition

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3
Q

The goalof deasign prienciple is to create a composition that :

A
  1. effectively conveys the intended message
  2. Evokes a specific emotional response
  3. serves a particular functional purpose.
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4
Q

Elements of design

A

line
shape
texture
space
value
color
size

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5
Q

is the concept of visual equilibrium and relates to our physical sense of….

A

Balance

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6
Q

it is the distribution of the visual weight of objects, colors, texture, and space.
*the elements should be ……. to make a design feel stable.

A

balanced

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7
Q

*…… is instinctive and determined by imagining a center axis running through the picture plane with the expectation that there will be some equal distribution of visual weight on either side.

A

Balance

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8
Q

Achieving equilibrium in the distribution of visual elements to create a harmonious and stable composition. This can involve ……..

A

symmetrical
asymmetrical
radial balance

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9
Q

…….. balance is a design principle in which visual elements are evenly distributed on either side of a central axis or imaginary line. It creates a mirror-image effect, with one half of the composition being a near-perfect reflection of the other.

A

Symmetrical

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10
Q

these are characteristics of what balance?

  • imparts a sense of stability, order, and formality to a design.
  • Elements on one side of the axis are typically identical or very similar in shape, size, color, and placement to those on the other side.
  • This balance is often used in classical and traditional designs, as well as in architecture, formal documents, and some types of artwork.
A

Symmetrical

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11
Q

*…… balance occurs when visual elements are balanced through contrast, color, size, and placement

A

Asymmetrical

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12
Q

these are characteristics of what balance?

  • creates a dynamic and visually exciting composition.
  • It relies on carefully considering the visual weight of elements, which may differ in size, color, or shape but still achieve balance.
  • One side of the composition may have fewer or smaller elements but can balance out the larger or more visually dominant elements on the other side.
  • is often found in contemporary and modern designs.
A

Asymmetrical

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13
Q

*….. balance is a design principle where visual elements …. outward from a central point, creating a circular or spiral arrangement.

A

Radial
radiate

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14
Q

these are characteristics of what balance?

  • conveys a sense of movement, energy, and focus toward the center of the composition.
  • Elements in a … design may vary in size, shape, or color, but they are arranged in a way that maintains balance around the central axis.
  • This balance is frequently used in designs with a central focal point, such as
    mandalas, compass roses, circular logos, and some types of decorative patterns.
A

Radial balance

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15
Q

*……. indicates the most important element of the design based on the message. It’s the element that stands out and gets notified first.

A

Emphasis

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16
Q

The most emphasized visual element in the design is called a …….. because it attracts the viewers’ attention first

A

focal point

17
Q

Creating Emphasis on Design can be achieved by

A

shape
line
size
direction

18
Q

The……works by splitting an image into
thirds, so you end up with 9 equal sections, then place your main subject where the line intersects
* Visually divide your page into thirds.
* Place elements on the page within these thirds for a more exciting and visually appealing layout

A

rule of thirds

19
Q
  • The relationship between objects, or parts, of a whole. How things fit together and relate in size and scale, whether big or
    small, nearby or distant.
A

Proportion &
Scale

20
Q
  • …… deals with the relative size and scale of elements within a design. It helps maintain visual balance and harmony
A

Proportion

21
Q

Proper ……. are crucial to achieving a visually pleasing
composition.

A

Proportion

22
Q

The golden spiral is based on the golden ratio, while the Fibonacci spiral is a spiral based on the Fibonacci
sequence.
* Both are very similar and can be used as a compositional tool

23
Q

Fibonacci sequences
* The Fibonacci sequence is the series of numbers: 0,1,1,2,3,5,8,13,21,34,55,89…
golden ratio
Ratio= 1.618

24
Q

……. denotes the movement in a way that
elements direct our gaze to scan the message for understanding or information
* ……. refers to the way your eye moves
throughout a picture.
* …… can be described as continuity, organized
movement in space and time.
* Sequence is the experience of the …… One space may have several different …….s

25
....... means reusing the same or similar elements throughout your design. *........ of specific design elements will bring a clear sense of unity. * ........ is the use of similar or connected pictorial elements. For example, matching shapes, colors, or lines used more than once * ........ can be radiation, where the repeated elements spread out from a central point. * ........ can be regular or irregular ........ may be in the form of gradation, where the repeated elements slowly become smaller or larger * Gradation series of patterned elements relate to one another through a regular change of color, position, or size
Repetition
26
Certain ....... based on repeating geometric forms will cause your eye to produce motion where none is present.
Optical Illusions
27
........ stresses the visual difference in size, shape, and color between the elements to enhance the perception of a message intended.
Contrast
28
........ is achieved when all the design elements relate to one another and project a sense of completeness * Ensuring that all the elements in the composition work together cohesively to create a unified and visually pleasing design. * A viewer will always seek ... in a message. Without it, the viewer will lose interest.
Unity
29
Unity-Visual perception
Similarity Proximity Continuity Figure/ground closuer
30
suggests that we naturally group similar items based on color, size, or orientation.
Similarity
31
: The principle of ....... states that objects near each other tend to be viewed as a group
Proximity
32
: According to this principle, we will perceive elements arranged on a line or curve as related to each other until it’s interrupted.
Continuity
33
....: This suggests that elements that form a closed object will be perceived as a group. We will even fill in missing information to create ..... and make sense of an object.
Closure
34
.......: occurs when a viewer can identify an object (figure) as a shape distinct from its background (ground). This perception is dependent on the design principle of contrast
Figure/ground