Defying Gravity Flashcards

1
Q

Who composed defying gravity?

A

Stephen Schwartz

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2
Q

Metre in the intro

A

Opening bars are colla voce

Second half of the intro is at adante. Pauses are added in bar 29 to wait for the speaking interludes.

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3
Q

Instrumentation in intro

A

Text is disrupted by stab chords played by the full band. The texture is just the voice and homophonic chords held by the band (melody dominated homophony)

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4
Q

Melody

A

2 leitmotifs are heard in bars 20 and 21, first in the bass and then on the synths. Bar 20 is elphabas theme.

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5
Q

Verse 1 -From bar 34

A

Strings play with a tremolo effect to convey anticipation

Chords played are bare fiths - denotes the opportunity for elphaba to be free

The melody opens with a repeat of Elphaba’s leitmotif from bars 20-21. Only 5 different pitches are used at bar 32, 42 and 46

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6
Q

Chorus - From bar 50

A

The tempo is allegro, which is faster then the adante of the verse.

Rhythm - Accompaniment features a very high pitched 3 noteostinato played by the synth and wind instruments. The vocal melody is often syncopated and the held chords all move a quaver before the strong beat. The triplet in bar 60 creates a cross rhythm with the syncopated quaver pattern.

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7
Q

Verse 2 - From bar 63

A

Tonality and harmony - Final note on ‘‘grandeur’’ at the end of the previous section is on A. The first chord of verse 2 is a D, which produces a confident perfect cadence.

Metre - In bar 75 the drum kit augments the rhythm which gives the sense that the tempo is reduced by half

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8
Q

Chorus - From bar 79

A

Melody - Same as in first chorus, there are embelishments in the performance. EG: in Bar 83 on the word goodbye, Elphaba briefly touches the note above F#

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9
Q

Bridge - Bar 88+

A

Moderato tempo

In all of the spoken sections there are long held chords, as if they are waiting to see what happens before playing the next chord.

Melody - The leitmotif at bar 93 is the unlimited theme based on somewhere over the rainbow.

Metre - Bar 101 is the only bar in the song with a tempo that has 3 beats in a bar.

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10
Q

Chorus - From bar 102

A

Melody - EL + GL sing the chorus together in unison

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11
Q

Structure of Defying Gravity

A
Intro
Verse 1
Chorus
Verse 2
Chorus 
Bridge
Chorus
Intro Reprise
Verse 3
Chorus
Coda

VERSE-CHORUS STRUCTURE

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12
Q

Coda - Bar 161

A

Idina Menzel sings the part of Elphaba alone whilst the band rests at the very top of her range.

The ensemble sings ‘‘look at her, she’s wicked’’ a line that was sung at the end of the first act. They sing this with marking maestoso

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13
Q

Summary

A

Melody - Leitmotifs in the melody and accompaniment, Leaps in melody make the music sound angular

Tonality - Defying Gravity has an ample of key signature changes - Ambiguous tonal centre at start, Verses and choruses are in the key of D Major, Modulations in the bridge to G Major and intro Reprise to F Maj

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14
Q

Summary 2

A

Texture -Melody lead homophony
Monophonic spoken words sections heard in the intro.

Metre and rhythm - Generally in 4/4 except the 3 spoken bars. Both syncopated melody and accompaniment.
Layering of strong and consistent driving rhythmic patterns that create cross-rhythms.

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15
Q

Summary 3

A

Timbre and Dynamics - Powerful chest range in Elphabas part. Instrumental techniques (Guitar Overdrive + tremolo), Accents and Staccato articulations reflecting courage and defiance.

Tempo - 
Adante - Verse 1
Allegro - Chorus 1 onwards
Moderato - Intro reprise
Maestoso - Coda
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