Danger of a single story Flashcards

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1
Q

Logos

A

Building an argument

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2
Q

Pathos

A

Appeals to the emotions, make the audience feel.

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3
Q

Ethos

A

demonstrating credibility to the audience

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4
Q

Although i think four is probably close to the truth

A

ethos, establishes credibility

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5
Q

My poor mother was obligated to read

A

Pathos humour

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6
Q

I was reading: all my characters were white and blue-eyed, they played in the snow, they ate apples, and they talked a lot about the weather, how lovely it was that the sun had come out.

A

Listing, uninspiring.

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7
Q

We didn’t have snow, we ate mangos and we never talked about the weather.

A

Juxtaposition, direct opposites.

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8
Q

Impressionable and vulnerable we are in the face of a story

A

More serious, emotive language, collective pro noun-‘we’

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9
Q

Mental

A

Hyperbole.

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10
Q

I loved those American and British books I read

A

Complimentary- engages the audience, does not want to hurt any member of the audience

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11
Q

But the unintended consequence

A

MAke sure she doesn’t sound bitter.

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12
Q

So what the discovery of African writers did for me was this: it saved me from having a single story of what books are.

A

Colon draws importance to following clause, ‘saved’- is contrast to title, ‘danger’.

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13
Q

‘finish your food don’t you know? people like Fides family have nothing

A

Pathos-humour, relatable.

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14
Q

Their poverty was my single story of them

A

Logos- critiques herself.

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15
Q

‘tribal music’- Mariah carey

A

Contrast, humour, pathos.

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16
Q

She assumed that i did not know how to use a stove

A

One sentence para reflects a limited view.

17
Q

No possibility, no possibility, no possibility.

A

Repetition.

18
Q

My roommate had a single story of Africa: a single story of catastrophe

A

Parallel structure, highlights limited view and that x=x.

19
Q

I would see Africans in the same way that I, as a child, had seen Fides family

A

Draws parallel between herself and roommate, sharing rew[psoniblity and using logos

20
Q

fleecing, sneaking

A

negative connotations about Mexicans.

21
Q

that sort of thing

A

dismissive tone. suggesting that writer has moved on from those views.

22
Q

In the marketplace, smoking, laughing

A

Lack of conjugtion= endless list.

23
Q

I had bought into the single story of Mexicans

A

The phrasal verb suggests choice.

24
Q

Storys can break the dignity of people, but stories can also repair that broken dignity.

A

juxtaposition, emphasises possibility with stories.

25
Q

at the end, when we, we regain a kind of paradise

A

Collective pronoun repeated = shared responsibility.