Critics Reversed Flashcards

1
Q

Rossetti…

“Had complicated views on female suffrage and equality”

A

SIMON AVERY

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2
Q

Rossetti…

“Should exercise herself in the severest commonplace of metre until she can write as the public like”

  • Public were against Rossetti
  • Traditonal viewpoint
A

John Ruskin

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3
Q

“Willingly accepts the poor state of society into which she was cast”

A

Gagnier

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4
Q

“escape from the self-destructive cycles of worldly existence.”

A

Sullivan

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5
Q

“Rossetti wrote poems that give a vibrant voice to the female experience despite Rossetti living the life of a Victorian lady, who were denied the social and economic freedoms enjoyed by men.”

A

Mold

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6
Q

“By rejecting a potential suitor, the speaker asserts the right to say ‘no’.”

A

John Ruskin on the suitor that Rossetti rejected in real life… also called John

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7
Q

“Her views may not always be ‘radical’”

A

Simon Avery on Rossetti’s side?

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8
Q

“Rossetti has radically rewritten the Fall of Eve in terms of the social and spiritual abuse of women […] male gender oppression be interpreted as original sin.”

A

Lynda Palazzo on ‘Goblin Market’

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9
Q

“Ungodly and unfeminine discontent.”

A

Barbara Modern

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10
Q

For him, the poem is designed to convey “the need for an alternative social order.”

A

McGann (on Goblin Market)

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11
Q

“she must have believed a fallen woman need not forever be a social outcast”

A

D’Amico

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12
Q

“Christina Rossetti stopped trying to rebel: in her devotional writings she finds an appropriate place for a conventional woman’s voice” (disagree with this)

A

Mermin

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13
Q

Afraid somebody “could come between a woman and her love of God.”

A

Betty Flowers

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14
Q

“Everything in Christina’s life radiated from that knot of agony and intensity in the centre.”

A

Virginia Woolf

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15
Q

“All Miss Rossetti’s poems are full of the spirit, though not the technicality, of devotion.”

A

George Landow

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16
Q

“In Rossetti’s poetry, God is always present, is always there — sometimes in the foreground, sometimes in the background.”

A

Bocher

17
Q

Rossetti’s “desire for Christ, the ideal lover” and “visions of fulfillment in all-embracing love in Paradise” helped her to find a new sense of purpose in her life and inspired her to ‘new’ poetry.

A

Harrison

18
Q

“explore what she saw as the great danger that the Victorian cult of love”

A

Betty Flowers (on Danger)

19
Q

“Longings and cravings are ever present in Christina Rossetti’s poetry”

A

Touché

20
Q

“reconstruct the Christian idea of redemption.”

A

Scholl (on redemption)

21
Q

“The forbidden fruit undoubtedly refers to female sexuality, as many critics have stated, yet it can also relate to female education and knowledge.”

A

Scholl (on the “forbidden fruits”)

22
Q

“Laura’s fruit of knowledge and her fruit of life are derived from the same source, obscuring the definition between purity and sin […] society will not allow them to reach their potential.”

A

Scholl (Laura’s obscurity)

23
Q

“Rossetti, as a woman, certainly does not objectify women by any means, and more impressively, she does not objectify men either.”

A

Bocher (on Objectification)

24
Q

Rossetti regarded herself as a “nameless rhymester” and “unknown and unpublished”

A

Rossetti