Critics 41-50 Flashcards
Othello is a victim of racial beliefs precisely as he becomes an agent of misogynistic ones’
Loomba
Emilia dies in service of the truth
Simpson
‘Evil has nowhere been portrayed with such mastery as in the character of Iago’
A.C Bradley
instead of the monster they were encouraged to preconceive, Shakespeare presents an articulate and rational Christian’
Richard Lees
‘Shakespeare shows how the male eye has a disconcerting tendency to see women in absolutes as either divine or hellish, angels or whores’
Michael Best
‘She remains submissive till the end’
Marilyn French
Othello was not jealous he was trustful’
Dostoevsky
‘The skill of Iago was extraordinary, but so was his good fortune’
A.C Bradley
‘Desdemona made a very specific decision to marry this man … that makes her in some ways extremely strong, an active participant in the drama, rather than an insipid feeble girl’
Mendes
‘Iago and Othello are close … they start to melt into each other … Othello’s grand verse breaks down into jagged disordered prose. Iago’s prose becomes triumphant verse’
Fintan O’Toole
‘issue a warning not only to disobedient daughters but also to open societies who let in outsiders’
Loomba
‘Seems to represent the better man’
V. Walker
Desdemona is arguably the most disregarded and underrated heroine in Shakespeare
Peter Hollindale