Critics 31-40 Flashcards
‘Othello’s love of Desdemona is ‘the love of possession. She is a prize, a spoil of war’
Carol Phillips
‘Iago’s most disturbing quality is that he is ‘THEATRICALLY IRRESISTABLE’
Kieran Ryan
‘Iago’s most powerful tool is his voice’
Simon Bubb
Iago makes his superiors his puppets
Cox
‘it is only “Othello’s jealousy, not Iago’s hatred, that is the real tragedy’
Bonnie Greer
A
‘He is not the devil. He’s you or me being jealous and not being able to control our feelings’
Andy Serkis - played Iago in 2002
Women and blacks exist as other
Loomba
‘Othello is responsible for his own downfall’
T.S Elliot
‘Iago’s machinations are effective because Othello is predisposed to believing his pronouncements about the duplicity of women’
Loomba
‘Othello’s descent into murderous jealousy is not a shocking reversal, but is the inevitable return of an innately barbarous man to his ostensibly uncivilised roots’
Schlegel