Critics Flashcards
Who cannot be killed according to P.B. Murray?
The radiant spirit of the Duchess
This suggests the enduring nature of the Duchess’s character despite external circumstances.
What is Bosola never permitted to have, according to Muriel Bradbrook?
The luxury of being a self
This reflects Bosola’s complex role and lack of personal identity.
What is more terrifying than Ferdinand’s impassioned raving, as stated by Lee Bliss?
The Cardinal’s cool, unemotional detachment
This highlights a contrast between emotional extremes in the characters.
What does Nanci Roider suggest the play serves as?
A cautionary tale
It warns of the consequences of women marrying without proper consent.
What does Travis Bogard identify as the ultimate tragedy in Webster’s world?
The presence of evil and decay which drags all mankind to death
This emphasizes a broader existential theme rather than individual tragedies.
How do Webster’s villains meet their deaths, according to R.S. White?
In ways which satisfy poetic justice
This suggests a moral resolution to their actions, although Ferdinand’s case may be counter-argued.
What is the end described as, according to Rupert Brooke?
A maze of death and madness
This reflects the chaotic and tragic conclusion of the narrative.
How do Webster’s characters die, as noted by Kenneth Tyan?
Superbly, asserting their selfhood to the last breath
This underscores the theme of individual identity in the face of death.
What does the New Historicist Critic suggest Webster is challenging?
The patriarchy of the 17th century
This is illustrated through the Duchess and the power she holds.
What would a Marxist critic feel empowered by, in relation to Antonio’s decision?
Antonio’s brave decision to accept the Duchess’s marriage proposal
This represents a rise of the lower class and a push towards equality.
T.S Eliot
Webster was a man much possessed by death
