Critics Flashcards

1
Q

T.S Elliot

A

‘The opening scene of Hamlet is as well constructed as that of any play ever written’

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2
Q

Aristotle

A

‘The aim of tragedy is to arouse sensations of pity and fear’

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3
Q

Knight

A

‘Claudius shows every sign of being an excellent diplomat and King’

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4
Q

Showalter

A

-‘Ophelia is deprived of thought, sexuality and language’
-‘Hamlet’s madness is associated with intellectual and imaginative genius’

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5
Q

Rogers

A

‘In Shakespeare’s society, the ideal female is cherished for her youth, beauty and purity’

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6
Q

McGrory

A

‘women are either innocent maiden saints or loathsome sinners’

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7
Q

Van Goethe

A

‘All duties seem holy to Hamlet’

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8
Q

Johnson

A

‘Hamlet is rather an instrument than an agent’

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9
Q

Mack

A

-‘Hamlet can be privileged in madness to say things about the corruption of human nature’
-‘In the final act, Hamlet accepts his world and we discover a better man.’

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10
Q

Hazlitt

A

‘Hamlet seems incapable of deliberate action’

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11
Q

Bradley

A

-‘Hamlet’s delay is due to a form of melancholy’
-‘Hamlet is a tragedy of thought’

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12
Q

Swinbourne

A

-‘The single characteristic of Hamlet’s character is by no means hesitation but the strong conflux of contending forces’
-‘Hamlet’s disgust at the feminine passivity in himself is translated into violent revulsion against women’

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13
Q

Edwards

A

‘We can imagine Hamlet’s story without Ophelia, but Ophelia literally has no story without Hamlet’

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14
Q

Mabillard

A

‘Claudius is not a monster, he is morally weak’

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15
Q

Arnold

A

‘Claudius’s soliloquy gives the impression of rhetorical pageantry rather than sincere contrition.’

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16
Q

Muir

A

‘Gertrude is a moral defective’

17
Q

Wilson

A

‘The ghost is the linchpin of Hamlet.’

18
Q

Charney

A

‘Through madness, Ophelia suddenly makes a forceful assertion of her being.’

19
Q

Prosser

A

‘Laertes is like a hurricane’

20
Q

Kerrigan

A

‘Ophelia is a lesser we have never really known’

21
Q

Frye

A

‘Hamlet is a tragedy without catharsis’

22
Q

O’Toole

A

‘Hamlet poses great problems for the tragic hero theory because he is patently not a hero’