critics Flashcards

1
Q

Margaret Atwood

A

‘Madness gives her the licence to say things that in a sane state she would not be permitted to express’

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2
Q

Elaine Showalter

A

argues O’s madness highlights the sexism of period, denies it was caused by loss of most dominanr men that controlled her life
psychoanalytical critics - mad with guilt, wants H to kill P so they can have a relationship
madness suggests she’s a victim, some critics argue its a rejection of the traditional male hierarchy that forces chastity upon her

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3
Q

Freud

A

Oedipus complex, C did what he subconciously wanted to do, can’t kill him because that would be like killing himself, revenge would be like suicide

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4
Q

Stephen Greenblatt

A

Hamlet was addressing Elizabethan fear of being forgotten after death
notes that humanists turned a person’s thoughts into an important part of their identity - H’s need for revenge compromised as he’s so influenced by his thoughts, more concerned with inner feelings than duty

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5
Q

Catherin Belsey

A

argues S was trying to break away from classical tradition, characters not driven by plot, Hamlet resists the narrative as he delays his revenge
argues its dramatic interst lies within the conflict of authority and power - H a prince yet opposes those in power
play written at a time when the absolute power of the monarchy was being tested by the rise of capitalism, unspoken debate about the possibilities of resisting a monarch

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6
Q

Jeremy Collier

A

challenged its immorality and foul language, condemning O for being immodest when she goes insane

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7
Q

John Evelyn

A

criticised violent scenes, questioned whether H had a clear sense of justice

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8
Q

George Drake

A

argues there was justice as the murderers were caught in their own traps, O’s immodisty reasonably explained by her desperate state

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9
Q

Voltaire and TS Eliot

A

argue its just badly written, his delay can’t be explained as he wasn’t written well enough to make any sense of his behaviour

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10
Q

Reginald Scott

A

humanist, thought ghosts were the produce of a disturbed mind, or could be a bad omen for the future

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11
Q

Robert N Watson

A

argues a revenger addresses the balance on earth and removes their own guilt by avenging their loved ones instead of offering prayers

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12
Q

Dr Samuel Johnson

A

questioned whether H had to treat O so cruelly

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13
Q

Aaron Hill

A

praised H’s contradictions, more life-like

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14
Q

Goethe

A

romantic critic, H can’t reconcile his morality with his revenge task, his high intelligence prevents him from acting

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15
Q

Linda Bamber

A

states H is incapable of love, argues he threw himself into O’s grave as an act of aggression against L

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16
Q

Taylor

A

‘Her aimless death, neither suicide nor accident, is a fitting symbol of her aimless life.’

17
Q

Richard Eyre (1980)

A

directed a version with no ghost, Hamlet spoke his ines as if he was possessed by the spirit of Old Hamlet

18
Q

Laurence Olivier (1948)

A

more political scenes with Fortinbras removed, focus on intense family dynamic

depicts O as a wild creature of nature, has her distribute silk replicas of the flowers

19
Q

Kenneth Branagh (1996)

A

sex scenes between H and O
only unabridged film version
III,I - H unaware they’re being watched, speaks to O with affection and warmth, thud alerts him, turns cold
H often shifts his gaze to mirrors around him - knows there are rooms behind them, could be spied on, 2-way mirrors
flashbacks to Yorik
H - introspective, calm, reserved, contemplative, wears black clothes, contrasts bright surroundings
softer lighting, rooms bright and open, luxurious castle

O - Kate Winslet attends her own delusional tea party, stairs into the air, doesn’t hold the actual plants she names

20
Q

Janet Suzman (2006)

A

full script, military uniforms, multi-racial cast, represent stresses of apartheid and violence in Cape Town

21
Q

Michael Almereyda (2000)

A

modern day, Manhattan, Denmark a business, reflect concerns about capitalism and corruption in big business

22
Q

David Tennant (2009)

A

more comedic eg Yorik scene
H - flamboyant, manic, comedic, erratic
O - reserved, innocent, docile, demure
orange mustle shirt - contrasts formal dress, appear mad, emph alienation form other characters, sees things how they are, struggle with masculinity, putting on a costume of trad masculinity, overcompensating for insecurities, false vulnerability, faded orange, contrasts earlier suit - madness allows him to break free of societal constraints
no shoes
motif of security cameras, never alone, constant surveillance, modern setting
stark lighting in building w black walls and floors, mirrors stage with limited props and furiture, emph on characters

23
Q

Franco Zeffirelli (1990)

A

Helen Bohem Carter distributes sticks and stones to the other characters - away from natural world and into gothic decadence