Creative Re-casting: Linguistic Techniques Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

Antithesis

A

Something that is the direct opposite of something else (long-term contrast)
E.g. START OF PARA: Happy; END: Sad

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Colloqualism

A

The use of informal words / phrases / slang in writing
- When writing mirrors spoken language
E.g. wanna / gonna / go nuts

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Chremamorphism

A

The attributes of an inanimate object being applied to people
E.g. he was dispatched

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Elipsis

A

Leaving out words to create tension / suspense
- The sentence will always still be understood
E.g. Bang… silence.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Juxtaposition

A

The fact two things being placed close together with contrasting effect
- Changes the semantics of the word it describes
E.g. better late than never

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Irony

A

The use of words to convey a meaning that the opposite of its literal meaning (saying the opposite of what is true / real)
E.g. Firestation burns down

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Sarcasm

A

The use of irony to mock a person / idea
E.g. “It’s raining” “That helps!”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Cliche

A

A common phrase
- Builds familiarity in a text
E.g. Too big for your boots

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Pathetic Fallacy

A

Atmospheric techniques that reflect mood
- Creates imagry / atmosphere / foreshadowing
E.g. sunny weather = happiness / hope

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Puns

A

A play on words which exploit the different possible meaning of words

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Alliteration / Phonetic sequencing

A

The repeated beginning of words
E.g. fleeting phaero (/f/)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Plosive Alliteration

A

Abrupt & strong: grabs the reader’s attention
- Dawn Drank the Darkness as the sun escaped her Dungeon

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Fricative Alliteration

A

Soft & airy
- Can be aggressive (particularly with f/v)
- he Fumbled with the Photo and Froze

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Affrivative Alliteration

A

Strange & Jarring
- Interrupt the softer flow of text & grabs the reader’s attention
- Guggling Giant Jellyfish

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Sibilance

A

Alliteration which focusses on /s/ sounds (& soft c)
- Sad, uncertain circumstances

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Emotive language

A

Language is used to create a strong emotional response from the reader
- Connotations

17
Q

Collocation

A

A predictable combination of words
- Not neccessarily grammatically correct
E.g. crystal clear / heavy rain > strong rain

18
Q

Parenthesis / Embedded clause

A

Information added within a sentence either within a clause or brackets
- Allows embedding of further information (description / justification / etc.)

19
Q

Hypophora

A

A rhetorical question which is immediately answered
- Draws attention to topics / problems / solutions
E.g. Are you tired of everday hassles? I know I am!

20
Q

Anaphora / Anaphoric reference

A

The repition of a word or phrase at the beginning of a series of a phrase or sentence
E.g. “It was…” -Charles Dickens speech

21
Q

Repitition

A

Repeating something that has already been said / written
- Umbrella term

22
Q

Syntactic mirroring

A

[Tripling]
The use of three of something to emphasise an idea or create a desired effect

23
Q

Personification

A

When human characteristics are given to something non-human
- Creates imagry
E.g. the wind howled

24
Q

Similie

A

A figure of speech involving the comparison of one thing to something different
- like / as
E.g. a smile as bright as sunshine

25
Q

Metaphor

A

A figure of speech in whihc you say one thing is another
- Metamorphises an idea
- Used ot compare qualities of 2 things
E.g. the moon is a balloon

26
Q

Oxymoron

A

When 2 contrasting ideas are combined for dramatic or comedic effect
E.g. Loving hate / geniusly stupid / bittersweet

27
Q

Neologism

A

A newly coined word created entirely to suit a new purpose

28
Q

Parataxis

A

Placing several clauses together without written conjunctions
- Dramatises
- Technique used for sensationalism
E.g. he braced himself, slowly ran toward the diving board, stared at the abyss below, took a deep breath and plunged into the pool

29
Q

Hyperbole

A

An exaggerated statement; not meant to be taken literally but used to create a dramatic effect
E.g. I’m starving

30
Q

Foreshadowing

A

A hint / warning / indication of a future event
E.g. Character adjusts their gun holster - implies future use of the gun

31
Q

Onomatopoeia

A

When the way a word sounds imitates the sound it is describing
E.g. Clacking heels / splattering paint / rumbling earthquake

32
Q

Symbolism

A

When something represents an idea rather than an object
E.g. she clutched her purse in persuit of her new life
-> purse = symbolism for hope

33
Q

Assonance

A

Alliteration of vowel sounds

34
Q

Paralellism

A

The repeated syntactic patter of a phrase
E.g. I am tired. She is cold. They are angry
- Pronoun > Linking verb > Adjective

35
Q

Metonymy

A

The use of a related word to refer to something larger (No. 10 - Prime minister)

36
Q

Litotes

A

Deliberate, ironic understatements
(Readers have to pause to interpret the true meaning - phrase is likely to stick)
E.g. Not too bad = very good

37
Q

First person pronouns

A

Writer / Speakers own experiences
- more credible (info comes first hand)
WE / US: builds a connection between the writer / speaker & audience

AVOIDED: Maintains an objective tone

38
Q

Second person pronouns

A

Builds a connection between writer / speaker & audience
- speaking directly to them
- warm & friendly approach