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Reviewer 3rd QUARTER > COR 016 > Flashcards

COR 016 Flashcards

1
Q

This are codes, conventions, formats,
symbols and narrative structures that
indicate the meaning of media messages to
an audience

A

MEDIA LANGUAGE

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2
Q

technical and symbolic ingredients or
codes and conventions that media and
information professionals may select and
use in an effort to communicate ideas,
information and knowledge.

A

MEDIA LANGUAGE

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3
Q

Technical, written and
symbolic tools used to
construct or suggest meaning
in media forms and products.

A

CODES

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4
Q

Systems of signs which create
meaning to communicate ideas
and impressions for an
audience, producers, and
other stakeholders.

A

CODES

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5
Q

FOCUSES ON HOW MEDIA FRAMES IN
VISUAL MEDIA ARE PRESENTED Example: camera angle, lens
choice, framing, shutter
speed, depth of field,
lighting and exposure,

juxtaposition

A

TECHNICAL CODES

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6
Q

Also called extreme wide shots
such as a large crowd scene or
a view of scenery as far as

the horizon

A

EXTREME LONG SHOT

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7
Q

a view of a situation or
setting from a distance

A

LONG SHOT

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8
Q

shows a group of people in
interaction with each other,
example: fight scene with part
of their surroundings in the

picture

A

MEDIUM LONG SHOT

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9
Q

shows a subject down to
his/her chest/waist

A

MEDIUM SHOT

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10
Q

a full-screen shot of a
subject’s face showing the
finest nuances of expression

A

CLOSE UP SHOT

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11
Q

a shot of a hand, eye, mouth,
or any object in details

A

EXTREME CLOSE UP SHOT

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12
Q

use of language style and textual
layout (headlines, captions,
speech bubbles, language style,

etc. )

A

WRITTEN CODES

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13
Q

INDICATORS THAT REQUIRE INFERENCES
AMONG THE AUDIENCE, DELVING INTO
THE SYMBOLIC MEANING RATHER THAN

THE LITERAL MEANING For example, a
character’s actions show you how

the character is feeling.

A

SYMBOLIC CODES

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14
Q

in media include
camerawork, editing, audio and

lighting.

A

TECHNICAL CODES

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15
Q

refers to how the
camera is operated, positioned
and moved for specific effects.

A

CAMERAWORK

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16
Q

is the process of
choosing, manipulating and
arranging images and sound.

A

EDITING

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17
Q

is the expressive or
naturalistic use of sound.

A

AUDIO

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18
Q

is the manipulation of
natural or artificial light to
selectively highlight specific
elements of the scene.

A

LIGHTNING

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19
Q

refers to a standard or norm
that acts as a rule governing
behavior.

A

CONVENTIONS

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20
Q

the information sent from
a source to a receiver

A

MESSAGES

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21
Q

the group of consumers for whom a
media message was constructed as well
as anyone else who is exposed to the
message.people engaged in the process of
creating and putting together
media content to make
a finished media product.

A

AUDIENCE

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22
Q

4 TYPES OF CODES IN MEDIA

A

TECHNICAL CODES, WRITTEN CODES, AUDIO CODES, AND SYMBOLIC CODES.

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23
Q

The pertains to the technical and symbolic ingredients or cpodes and conventions that media and information may select and use to communicate.

A

LANGUAGE

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24
Q

A set of rights granted to the author
or creator of a work, to restrict
others ‘ability to copy, redistribute,
and reshape the content.

A

COPYRIGHT

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25
Q

This means
that the original creators of products
and anyone they give authorization to
are the only ones with the exclusive
right to reproduce the work.

A

THE RIGHT TO COPY OR COPYRIGHT

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26
Q

using
someone else’s work
without giving them
proper credit. In academic
writing, plagiarizing involves
using words, ideas, or
information from a source
without citing it correctly. In
practice, this can mean a
few different things.

A

PLAGIARISM

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27
Q

a defense against a claim of copyright
infringement. If your use qualifies as a fair use, then it would not be
considered an infringement. A limited and “transformative” purpose,

A

FAIR USE

28
Q

Refers to creations of the mind such as invension, literacy and artistic works, design, and symbols, names and images used in commerce.

A

INTELLECTUAL PROPERTY (IP)

29
Q

To protect the right of the person who created a particular, so that they are recognized as the person who made that work.

A

COPYRIGHT LAW

30
Q

A term that refers to the gap between demographics and religion that have access to the modern information and communication technology, and those that don’t or have restricted access.

A

DIGITAL CODE

31
Q

AS THE INTERNET CONTINUES TO KAE INROADS ACROSS THE WORLD, IT IS ALSO CREATING A SEPERATION BETWEEN THOSE WHO HAVE ACCESS TO THE GLOBAL NETWORK AND THOSE DO MOT.

A

DIGITAL DIVIDED

32
Q

THE THREE STAGE OF DIGITAL DIVIDE

A

ECONOMIC, USABILITY, AND EMPOWERMENT DIVIDE

33
Q

The idea that some people can afford to have a computer and internet while other does noi.

A

ECONOMIC DIVIDE

34
Q

The fact that “technology remains so complicated that many people couldn’t use a computer even if they get one for free.” Low literacy and seniors.

A

USABILITY DIVIDE

35
Q

It concerned with how we use tehnology to empower ourselves. Many people will limit what they can do online by accepting the basic, default setting of their computer and not work to understand how they can truly be empowered.

A

EMPOWERED DIVIDE

36
Q

It is when a child or anyone is tormented, threatened, harassed, humiliated, or embarrassed by another child or anyone using the internet.

A

CYBER BULLYING

37
Q

It is defined as the persistent compulsive use of s omputer despite negative conseqences. addictin that tends to prioritize usinf somputer than doin you daily activites.

A

COMPUTER ADDICTION

38
Q

an icon or figure
representing a
particular person in
video games,
Internet forum, etc.

A

AVATAR

39
Q

the correct or
acceptable way of
communicating on
the Internet. The correct way of using internet.

A

NETIQUETTE

40
Q

human
characteristics within
an avatar. - the persona you
create about yourself
virtually

A

VIRTUAL SELF

41
Q

It happens when energy transferred from one to form another it may be transferred by doing work.

A

WORK

42
Q

It was defines as the stored ability to d work.

A

ENERGY

43
Q

Happens when an object raised above the ground

A

POTENTIAL ENERGY

44
Q

is a storage device for electric charge.

A

CAPACITOR

45
Q

It can be connected in series or parallel in circuits, just like resistors.

A

CAPACITORS

46
Q

Capacitors can be charged by connecting into battery and any another source of current but also discharged by connecting it into any closed curcuit. TRUE OR FALSE

A

TRUE

47
Q

The simplest type of capacitor is called a

A

parallel plate capacitor

48
Q

It is made of two conductive metal plates that are close together, with an insulating plate in between to keep the charges from coming together.

A

parallel plate capacitor

49
Q

The ability of a capacitor to store charge is called

A

CAPACITANCE

50
Q

Capacitance is measured in

A

farads (F)

51
Q

A one-farad capacitor can store one coulomb of charge when the voltage across its plates is one volt. 1F=1C/1V is it true or false

A

TRUE

52
Q

Two conductive plates seperated by insulator. And has insulating material called dielectric.

A

CAPACITOR

53
Q

A device which stores electric charge in very shape and size but the basic configuration is two conductors carrying equal but opposite charges that also have many important applications in electronics.

A

CAPACITOR

54
Q

Is the electrical property of a capacitor and is the measure of capacitors ability to store an elecrical charge onto its two plates with the unit of farad.

A

CAPACITANCE

55
Q

The unit of capacitance being the farad (F) named after

A

BRITISH PHYSICTS MICHAEL FARADAY

56
Q

It is defined as being that acapacitor has the capacitance of one farad when a charge of one coulumb is store on the plates by a voltages of one vol Capacitance and it was always positive and has no negative units.

A

CAPACITANCE

57
Q

It is defined as the total amount of energy in a system per unit volume. You are tryin to determine the total amount of energy in a system.

A

ENERGY DENSITY

58
Q

an electrical insulator that can be polarized by an applied electric field.

A

DIELECTRIC MATERIAL

59
Q

When a dielectric is placed in an electric field, electric charges do not flow through the material as they do in a conductor, but only slightly shift from their average equilibrium positions causing

A

DIELECTRIC POLARIZATION

60
Q

positive charges are displaced toward the field and negative charges shift in the opposite direction.

A

DIELECTRIC POLARIZATION

61
Q

A constant of proportionality that exists between electric displacement and electric field intensity in a given medium.

A

PERMITIVITY (E0)

62
Q

Value of (e) electron charge

A

1.60x10^-19 C

63
Q

Value of (EO) Permittivity

A

8.85x10^-12 C^2/Nm^2

64
Q

Value of (K) SI coloumb

A

9.0x10^9 Nm^2/C^2

65
Q

Value of (g) gravitational energy

A

9.8 m/s^2

Reviewer 3rd QUARTER (6 decks)

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