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MIDTERMS (1ST SEM) - G12 STEM 1 > Contemporary Arts > Flashcards

Contemporary Arts Flashcards

- To pass the exam, obvs.

1
Q

What is the title of the first chapter or lesson?

A

Characteristic of Contemporary Art

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2
Q

Who is the first person in the Philippines to break the rules of art?

A

Victorio Edades

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3
Q

Who were the two artists influenced by the Western art?

A
  1. Carlos ‘Botong’ Francisco

2. Galo Ocampo

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4
Q

Who made the painting of a heavy black carabao?

A

Romeo Tabuena

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5
Q

Who makes art out of geometric forms and uses strong red colours?

A

Hernando Ocampo

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6
Q

They use abstract cubism to create human forms in their works.

A

Vicente Manansala

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7
Q

They talk about hard labour in the Philippines through their works.

A

Cesar Legaspi

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8
Q

This artwork is intended for display in a particular setting for a given time and then de-constructed.

A

Installation Artworks

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9
Q

They use paper as their main medium in their art to create solid forms.

A

Mona Acludia

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10
Q

This is a statement that an artist makes about life, thoughts, ideas, beliefs, and others things that define human life.

A

Contemporary Arts

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11
Q

This is the digital art collaboration based on one of the famous paintings of Juan Luna.

A

Malliarium

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12
Q

What is the title of the second chapter or lesson?

A

Subject Matter and Art Style in Contemporary Art

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13
Q

What are the three main favourite subject matters of contemporary artists?

A
  1. Women
  2. Children
  3. Environment
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14
Q

They made the artwork entitled “Flora and Fauna”.

A

Juan Alcarez

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15
Q

They made the artwork entitled “Cat Dolls” that contains an explanation to help the viewer understand their piece.

A

Plet Bolipata

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16
Q

They made the artwork that’s an abstraction of metal entitled “Metalscape”.

A

Sam Penaso

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17
Q

TRUE OR FALSE: Contemporary Art style was started before World War 2.

A

FALSE.

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18
Q

This style of contemporary arts is where the artist paints in a spontaneous way that expresses emotions and feelings.

A

Abstract Expressionism

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19
Q

This style of contemporary arts uses wind or electricity to move or has movement perceivable by the viewer.

A

Kinetic Art

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20
Q

This style of contemporary arts is a form of abstract art that uses precise colours and patterns that creates an illusion of movement.

A

Op Art

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21
Q

This style of contemporary arts is where the artist uses their bodies to convey artistic expression before a live audience.

A

Performance Art

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22
Q

This style of contemporary arts manipulates space and has historical approaches to nature in art that encloses its audience.

A

Environment Art

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23
Q

This style of contemporary arts reflects women’s lives and experience.

A

Feminist Art

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24
Q

This style of contemporary arts eliminates unnecessary items to expose the essence of the subject in an artwork.

A

Minimalism

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25
Q

This style of contemporary arts relies on moving pictures in a visual and audio medium.

A

Video Art

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26
Q

This style of contemporary arts uses decorative imagery applied to public spaces.

A

Graffiti

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27
Q

This style of contemporary arts uses technology as a part of the process of making an artwork.

A

Digital Art

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28
Q

This style of contemporary arts uses the human body (alam niyo na) as the main medium.

A

Body Art

wow who knew

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29
Q

What is the title of the third chapter or lesson?

A

Materials Used in Contemporary Art

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30
Q

They made the work of hanging bamboo chimes.

A

Impy Pilapil

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31
Q

This couple made box-like shapes from random items collected and compressed to symbolise the balikbayan boxes brought by the OFWs.

A

Alfredo and Isabel Aquizilan

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32
Q

They made the work known in Singapore as the Art Bridge.

A

Pacita Abad

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33
Q

They paint on their body to project an effect.

A

Nicolas Aca

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34
Q

What is the title of the fourth chapter or lesson?

A

Skills, Techniques, and Production in Contemporary Art

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35
Q

They made an installation art with the use of metal and nylon strings then projected a spotlight onto the finished figure.

A

Ohm David

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36
Q

This technique in contemporary art is used primarily in visual arts, where it is made from an assemblage of different forms or images to make a new whole.

A

Collage

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37
Q

This technique in contemporary art is the process of transferring pictures and designs from special paper to surfaces of objects.

A

Decal / Decalcomania

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38
Q

This technique in contemporary art uses any application (hint) software that can be used by a digital (hint, hint) device.

A

Digital Application

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39
Q

This technique in contemporary art decorates an object by pasting coloured paper cutout with special paint effects.

A

Decoupage / Découpage

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40
Q

This technique in contemporary art is a surrealist and automatic method of creative production which was first used by Max Ernst. It is the rubbing of the paper over an uneven surface or object to create a pattern.

A

Frottage

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41
Q

This technique in contemporary art is the process of selecting, editing, and piecing together separate sections of a film to form a continuous whole.

A

Montage

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42
Q

This technique in contemporary art is the method of quilting to create a puffy decorative feature. (fluff uwu)

A

Trapunto

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43
Q

This artist collect ceramic pieces and puts them together in an artistic way on a flat background.

A

Anita Feria

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44
Q

An art festival held in the University of the Philippines - Diliman showcasing artists from Mindanao.

A

Project Bakawan Arts Festival

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45
Q

What is the title of the fifth chapter or lesson?

A

Description Applied to Contemporary Art

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46
Q

QUICK QUESTION: Who is the Patroness of Art that promoted her political programmes by means of the arts when she became the Governor of Metro Manila?

A

Imelda Marcos

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47
Q

This is what is being depicted in the artwork.

A

Subject Matter

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48
Q

Take a break for five to ten minutes. Do whatever. Jump around or something. Turn this card over after your short break. (✿´ ꒳ ` )

A

Let’s continue. (´꒳`)

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49
Q

This is what the artwork is made of.

A

Material

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50
Q

These are physical qualities of the image such as colour, line, space, and more.

A

Art Elements and Principles

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51
Q

What is the title of the sixth chapter or lesson?

A

Analysis and Interpretation in Contemporary Art

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52
Q

They are the gazers, onlookers, or audience of your art. When it comes to art viewing, they bring their knowledge of art, biases, and judgement of beauty.

A

Viewers

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53
Q

They state that viewers should have a state of sensory awareness and give up their personal interest when viewing art.

A

Immanuel Kant

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54
Q

This is the judgement of art to which all reasonable people would agree with that needs the viewer to rise above time, place, and personal biases.

A

Psychic Distance

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55
Q

They say that you should disregard the intention of the artist and that the “significant form” should be attended to.

A

Clive Bell and Roger Fry

56
Q

They state that “a painting is not a picture of the thing, but it is rather the thing itself”.
(hala plagiarism)

A

Harold Rosenberg

57
Q

They state that “everything is art”.

A

Andy Warhol

58
Q

They say that “art need not be beautiful”.

A

Arthur Danto

59
Q

They believe in the social history of art and insist that a visual image is a window to a specific time and space, to culture or a social condition.

A

Arnold Hauser

60
Q

This is starts with the description of an artwork.

A

Art Analysis

61
Q

They created the work entitled “Reflection” that depicts God embracing mankind.

A

Harry Mark Gonzales

62
Q

This is the understanding of the content by separating parts of the subject matter.

A

Analysis

63
Q

They created the work entitled “Discretion of the Lip Movement” to express human engagement in communication.

A

Manny Montelibano

64
Q

Take a break for five to ten minutes. Do whatever. Jump around or something. Turn this card over after your short break. (✿´ ꒳ ` )

A

Let’s continue. (´꒳`)

65
Q

What’s the title of the seventh chapter or lesson?

A

Contemporary Painting

66
Q

This defines the art produced in a particular period or an artist’s way of working.

A

Style

67
Q

These are the creative inventions of artists working at certain times and in specific places that are apparent in stylistic tendencies.

A

Stylistic Changes

68
Q

This style of objective accuracy is the use of technique wherein the artworks in made or done either by a candid camera or perceived by a reporter.

A

The Artist as Detached Observer

69
Q

This style of objective accuracy uses the elimination of details that the eye might see to create the “illusion of reality”.

A

The Artist as Selective Eye

70
Q

This device of objective accuracy need the accuracy of size and shape relationships and is the most common device.

A

Correct Drawing

71
Q

This device of objective accuracy help in creating realistic images by use of shadows and light.

A

Control and Handling of Illumination

72
Q

This device of objective accuracy uses sharpness or softness, distinctness or vagueness of form and contour to achieve..

A

Focus

73
Q

This device of objective accuracy is mainly connected to the description of objects, a powerful instrument, and depends on the amount of light and shadow received.

A

Color / Colour

take ur pick, im fine with either

74
Q

This device of objective accuracy relates to the artist’s ability to create illusion of deep space within the painting.

A

Perspective

75
Q

This stylistic tendency conveys drama about human life.

A

The Style of Objective Accuracy

76
Q

This stylistic tendency is associated with stability and permanence.

A

The Style of Formal Order

77
Q

This stylistic tendency is a common theme used to disclose the feelings of the artist through brushstrokes or the vibe of the artwork.

A

The Style of Emotion

78
Q

This stylistic tendency creates new worlds which have never been seen before or created by the human imagination.

A

The Style of Fantasy

79
Q

Take a break for five to ten minutes. Do whatever. Jump around or something. Turn this card over after your short break. (✿´ ꒳ ` )

A

Let’s continue. (´꒳`)

80
Q

These are the physical elements of art that could either be paint, stone, clay, metal, etc.

A

Material

81
Q

This is the characteristic way of using materials.

A

Medium

82
Q

This is the personal way of using medium or materials.

A

Technique

83
Q

This is the skill of doing what can be done in a medium.

A

Craftsmanship

84
Q

This stresses technical knowledge and proficiency.

A

Skill

85
Q

This is the human ingenuity in adapting natural things to human’s use.

A

Art

86
Q

This is the expression of ideas and emotions with certain aesthetic qualities in a 2D visual language.

A

Painting

87
Q

These are paint colours that came from nature that were then ground down to be used.

A

Pigment

88
Q

This type of pigment is a thicc, shiny paint made by mixing a pigment with acrylic (HINT HINT) base.

A

Acrylic Paint

89
Q

This type of pigment is a solid water-based that dries into a matt finish.

A

Poster Paint

90
Q

This type of pigment is the use of dry pigment on wet plaster.

A

Fresco

91
Q

This is the use of pigment on a dry plaster.

A

Fresco a secco

shocks gusto ko ng puto seko

92
Q

This type of pigment is a thick, shiny paint mixed with oil (hint).

A

Oil Paint

93
Q

This type of pigment is water-based and may or may not be mixed with egg yolks.

A

Tempera

hindi tempra o tempura

94
Q

This type of pigment is soft, see-through that’s made from pigment, water, and gum Arabic.

A

Watercolor / Watercolour

95
Q

Why was painting introduced to us by the Spaniards in the 16th Century?

A

It was used for religious propaganda.

96
Q

When was secular art introduced to the Philippines that it resulted into the deviation of themes of religion?

A

19th Century

97
Q

This is an element of painting that’s the most basic and consists of hue, value, and intensity.

A

Color / Colour

98
Q

This is a colour or a shade of a colour that’s true; a pure colour.

A

Hue

99
Q

This is the amount of black and white.

A

Value

100
Q

This refers to the brightness of a colour.

A

Intensity

101
Q

This refers to the lightness or darkness of an area.

A

Tone

102
Q

This is an element of painting that controls the eye and is said to be a moving dot.

A

Line

103
Q

This is an element of painting which is said to be a two-dimensional area defined in some way.

A

Shape

104
Q

Take a break for five to ten minutes. Do whatever. Jump around or something. Turn this card over after your short break. (✿´ ꒳ ` )

A

Let’s continue. (´꒳`)

105
Q

This is a type of shape that’s precise and can be described using math formulas. (Hi, Johann.)

A

Geometric Shapes

106
Q

This is a type of shape that is organic that are irregular and uneven, as well as curved and angular.

A

Freeform Shapes

107
Q

These are the distances around, between, and within the components of a piece. Has techniques of manipulation like:

  1. Overlapping
  2. Placement on Paper
  3. Size
  4. Detail
  5. Colour and Value
  6. Perspective
A

Space

108
Q

This is the implied meaning of roughness or smoothness. Futhermore, this has the realistic meaning of what something would feel like if touched.

A

Texture

109
Q

This type of painting focuses on outdoor scenes.

A

Landscape

110
Q

This type of painting focuses on the image of a person or an animal and often captures the mood or personality of both.

A

Portrait

111
Q

This type of painting shows objects such as flowers, or food, instruments. This reveals the skil of an artist when it comes to using shadows.

A

Still Life

112
Q

This type of painting shows life in action.

A

Real Life

113
Q

This type of painting may portray a sacred story or an artist’s faith.

A

Religious

114
Q

This style of painting does not use figurative reality.

A

Abstract Art

115
Q

This style of Abstract Art is emotionally intense and spontaneous.

A

Abstract Expression

116
Q

This style of Abstract Art uses colours as the subject and are used on large canvasses.

A

Colour / Color Field

117
Q

This style of Abstract Art is softer and more romantic.

A

Lyrical Abstraction

118
Q

This style of Abstract Art uses geometric figures.

A

Cubism

119
Q

This style of painting is often illogical and has a dream-like quality.

A

Surrealism

120
Q

This style of painting regards the concept more than the work.

A

Conceptual Art

121
Q

This style of painting is the reaction to abstract expressionism.

A

Pop Art

122
Q

This style of painting takes a picture and is then painted.

A

Photorealism

123
Q

This style of painting uses a high resolution picture and is painted onto a canvas.

A

Hyperrealism

124
Q

This style of painting has simplicity.

A

Minimalism

125
Q

This style of painting has subject matters of technology, violence, and issues of the world.

A

Futurism

126
Q

This style of painting uses thin brushstrokes and depicts light.

A

Impressionism

127
Q

This style of painting uses strong colours with wild brushstrokes.

A

Fauvism

128
Q

“Mona Lisa” was created by…

A

Leonardo da Vinci

129
Q

“The Last Supper” was created by…

A

Leonardo da Vinci

130
Q

“The Creation of Adam” was created by…

A

Michaelangelo

131
Q

“Starry, Starry Night” was created by…

A

Vincent van Gogh

132
Q

“The Scream” was created by…

A

Edvard Munch

133
Q

“The Persistence of Memory” was created by…

A

Salvador Dali

134
Q

“Girl with a Peal Earring” was created by…

A

Johannes Vermeer

135
Q

“Night Watch” was created by…

A

Rembrandt van Rijn

136
Q

“Guernica” was created by…

A

Pablo Picasso

MIDTERMS (1ST SEM) - G12 STEM 1 (3 decks)

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