Conducting (V1 S5) (V2 S5) Flashcards

1
Q

Four parts of beat pattern

A

Preparatory gesture, ictus, rebound, travel

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2
Q

Preparatory gesture

A

Communicates tempo, Style, Dynamics, exact beginning of first note

Communicated with RH, or both hands where LH mirrors RH.

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3
Q

Preparatory ictus

A

where movement changes direction at the top gesture and begins downward motion to the starting point

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4
Q

first ictus

A

downbeat (after preparatory ictus)

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5
Q

Staccato Style

A

Rebound is angular, travel shorter, give a flick of the wrist as you rebound.

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6
Q

Legato Style

A

Smooth, rounded beat pattern and travel. Ictus points located at extremities in the pattern may be closer to the center as to not alter the tempo.

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7
Q

Situations that require cues

A

Solos and entrances, entrances that follow long rests, important musical event, difficult entrances where musicians need assistance

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8
Q

Guidance for cues

A
  • use the hand that corresponds to the side of your body that the cue is going to (Body Mapping)
  • avoid mirror conducting during LH cues
  • instead of crossing hands, rotate body if you need RH cue for left side of ensemble (and vice versa)
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9
Q

Conducting Fermatas

A
  • Continue to move hands if holding note or chord
  • palms up if holding sound, palms down if silence
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10
Q

Unit Leader’s responsibilities

A

Understanding the score, understanding the genre, leading the ensemble

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11
Q

March Tempo

A

100-132 bpm

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12
Q

March introduction

A

4, 8, or 16 measueres in length. Short, attention grabbing. Usually built on V chord.

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13
Q

First Strain

A

Presents melody, establishes tonality. 4 or 8 measure phrases, 16 or 32 measures long. Usually repeated at a different dynamic.

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14
Q

Second Strain

A

16 or 32 measures long. Usually soft the first time through.

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15
Q

Third Strain (trio)

A

Considered main melody of the march. break strain between repeats.

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16
Q

Golden age for American marches

A

1850-1940

17
Q

John Philip Sousa

A
  • Active duty for marine band 1868-1875
  • Director of Marine band 1880-1892
  • Developed Sousaphone
18
Q

Screamer march

A

130-200 bpm

Maestros before final strain, then accelerando

Circus bee (Fillmore), rolling thunder (Fillmore), and Barnum and bailey’s favorite (King)

19
Q

Kenneth Alford

A

Military career from 1895-1944

Colonel Bogey March

British Marches, have intricate countermelodies and have a full value stinger

20
Q

German and Russian Military Marches

A

German style was adapted by Russian composers. 110 bpm. Oom-pah feel.

21
Q

Fanfares

A

Performed by trumpets

Evolved to include percussion and other brass instruments as heard in Copland’s “Fanfare for the Common Man,” and the opening of Strauss’s “Sprach Zarathustra.”

“Post Time” - horse racing events

Elmer Bernstein’s “National Geographic Theme.” - includes full orchestra

22
Q

Recommended Baton Length

A

10-16 inches, 14-16 inches for outdoors or full ensemble.