Compositions Flashcards
(252 cards)
1
Q
eine kleine nachtmusik 2nd mvt form
A
rondo form (ABACA coda)
2
Q
eine kleine nachtmusik 1st mvt recapitulation
A
- first theme
- bridge is unexpectedly unmodified
- although 2nd theme is in the tonic
- coda grows out of codetta sand ends with reference to first theme
3
Q
symphony no. 5, op.67 4th mvt key
A
c major tonic major
5
Q
La Primavera 1st mvt verse 1
A
- poetic image: birds are celebrating with festive song
* depicted by high-pitched trills and repeated-note figures
7
Q
symphony no. 5, op.67 #background
A
4
8
Q
symphony no. 5, op.67 2nd mvt theme A
A
- broken tonic triad chord low strings
- elegant dotted rhythms
- dolce and legato
9
Q
symphony no. 5, op.67 2nd mvt variation 4
A
theme A clipper, march-like fashion in a flat minor
11
Q
La Primavera background
A
- genre
- date
- composer
- op. no.
- title of collection
- title of first four of collection
- program
- performing forces
12
Q
La Primavera title of first four in collection
A
La Quattro Stagioni
13
Q
polonaise in A flat Major genre
A
solo piano work
16
Q
la primavera 2nd mvt orchestration
A
- reduced orchestration
* no cello or continuo
17
Q
eine kleine nachtmusik #3rd mvt
A
6
19
Q
eine kleine nachtmusik 4th mvt tempo
A
allegro
20
Q
eine kleine nachtmusik 1st mvt 2nd theme A
A
- contrast from 1st theme
- begins with frisky downward turn
- triplet figures and piano dynamic
22
Q
polonaise in A flat Major section B 1st theme
A
- E major
- left hand ostinato staccato octaves
- war-like; dotted rhythms, chordal texture
- dramatic D sharp major(dominant) near end
23
Q
La Primavera 1st mvt tempo
A
allegro
25
Q
eine kleine nachtmusik 1st mvt 2nd theme B
A
- repeated eighth notes
* insistent quality
26
Q
polonaise in A flat Major section B 2nd theme
A
- more lyrical
* bel canto style
28
Q
symphony no. 5, op.67 2nd mvt variation 2
A
- theme A running thirty-second notes by low strings
* theme B unchanged
29
Q
eine kleine nachtmusik 4th mvt form
A
sonata-rondo form (A BAC A)
31
Q
Symphonie Fantastique composer
A
Hector Berlioz
33
Q
symphony no. 5, op.67 performing forces
A
symphony orchestra (strings, woodwinds, bassoons, contra bassoons, trumpets, timpani, French horns, trombones)
35
Q
symphony no. 5, op.67 2nd mvt variation 1
A
- theme A running sixteenth notes by violas and cello
* theme B unchanged
37
Q
la primavera 2nd mvt time signature
A
3/4
39
La Primavera 1st mvt verse 3
* poetic image: storm clouds, thunder, lightning
| * depicted by tremolando passage (thunder) and thirty-second note scales (lightning)
40
symphony no. 5, op.67 2nd mvt coda
* più mosso (little faster)
| * bassoons begin playing theme A material
41
La Primavera date
1725
42
La Primavera 2nd mvt key
* C sharp minor
| * relative minor
43
Erlknöig sinister nature contrast
* soft to rough voice
* triplets become clearer
* major to minor
* "und bist du nicht willig, so brauch' ich Gewalt"
46
symphony no. 5, op.67 4th mvt development
* based on 2nd theme material; inverted, expanded, treated imitatively between instruments
* near the end, scherzo theme played pp gently by woodwinds and pizzicato strings
* dominant preparation
47
La Primavera #background
8
48
La Primavera 2nd mvt
1. key
2. tempo
3. time signature
4. form
5. orchestration
6. poetic image
50
symphony no. 5, op.67 1st mvt time signature
2/4
51
la primavera 2nd mvt poetic image
* sleeping goatherd and barking dog
* depicted by solo violin's languorous melody (sleeping goatherd), violin's dotted-note figure (rustling leaves), and viola's ostinato (barking dog)
52
string quartet, "quinten" 4th mvt expo 1st theme
* introduced by first violin perfect 4th interval played p
* pronounced syncopation
* fermatas arrest forward drive
* mysterious suspenseful mood
53
La Primavera 2nd mvt tempo
largo
56
la primavera 3rd mvt time signature
12/8
59
la primavera 3rd mvt form
ritornello
60
eine kleine nachtmusik 3rd mvt menuet
* internal structure rounded binary
* phrases typical four measures long
* loud, robust character
* dance-like by rhythmic accentuating
61
symphony no. 5, op.67 2nd mvt theme B
* theme based on motive-cyclical structure by woodwinds and violins
* dolce and legato
* shifts to c major boldly midway
62
Prelude and Fugue in B flat Major #background
7
64
Symphonie Fantastique date
1830
66
prelude and fugue in B-flat major background
1. genre
2. date
3. composer
4. no.
5, title of collection
6. significance
7. structure
67
string quartet, "quinten" 4th mvt key
d minor, ends in d major
68
eine kleine nachtmusik 3rd mvt key
g major
69
symphony no. 5, op.67 1st mvt codetta
* mainly first theme material
| * persistent perfect cadences
71
La Primavera 1st mvt ritornello theme
* theme played by solo and first violins
* poetic image: Spring has arrived
* depicted by spirited rhythmic figures, bright celebratory dance-like character
72
string quartet, "quinten" 4th mvt bridge
* pedal point by outer instruments
| * first theme material by violin II
74
string quartet, "quinten" background
1. genre
2. date
3. composer
4. significance of nickname
5. performing forces
6. op. no
7. cause
75
eine kleine nachtmusik 2nd mvt section B
* new melody
* more rhythmically active
* melodic line is embellished
* internal structure binary form
76
polonaise in A flat Major date
1842
77
symphony no. 5, op.67 2nd mvt tempo
andante con moto
78
symphony no. 5, op.67 date
1807-1808
79
eine kleine nachtmusik 4th mvt key
g major
80
symphony no. 5, op.67 4th mvt time signature
common time
82
La Primavera 1st mvt verse 2
* poetic image: murmurings streams are caressed by gentle breezes
* depicted by violins playing rapid, undulating figures
84
polonaise in A flat Major nationalism
* polonaise is a polish dance
| * although Chopin is half french, he considered himself polish
85
La Primavera 1st mvt
1. key
2. tempo
3. time signature
4. form
5. ritornello theme
6. verse 1
7. verse 2
8. verse 3
9. orchestration
86
Erlknöig key
originally in g minor (often transposed to fit vocal range of performer)
87
string quartet, "quinten" op. no
op.76, no.2
88
la primavera 2nd mvt form
two-part structure
90
Erlknöig source of text
* poem by Johann Wolfgang von Goethe
| * German legend, a sinister supernatural elf who dwells in the forest; anyone who is touched by him dies
92
polonaise in A flat Major tempo
maestoso
93
eine kleine nachtmusik 4th mvt 2nd theme
* begins with downward turn of a minor sixth
* chromatic embellishments
* stepwise motion
94
polonaise in A flat Major structure
ABA1 (with introduction and coda)
95
symphony no. 5, op.67 4th mvt bridge
•French horn modulates to g major
96
eine kleine nachtmusik structure
* sonata cycle
| * symmetrical phrases
97
string quartet, "quinten" 4th mvt expo 2nd theme A
* modulates to relative major (f major)
| * descending sequence
98
symphony no. 5, op.67 2nd mvt
1. key
2. form
3. tempo
4. time signature
5. theme A
6. theme B
7. variation 1
8. variation 2
9. variation 3
10. variation 4
11. coda
100
polonaise in A flat Major the heroic
1. introduction
2. section A
3. section B 1st theme
4. section B 2nd theme
5. return of section A
6. coda
7. virtuosity
101
Symphonie Fantastique performing forces
symphony orchestra (expanded)
102
Symphonie Fantastique #background
6
103
string quartet, "quinten" #background
7
104
Erlknöig genre
lied
105
Symphonie Fantastique 5th mvt distortion
* relative major, E flat major; 6/8
* beloved became a witch
* idée fixe distorted; trills, grace notes
* thematic transformation; vulgar, grotesque
106
symphony no. 5, op.67 #2nd mvt
11
109
symphony no. 5, op.67 1st mvt expo 1st theme
* motive by clarinets and strings, repeated sequentially a step lower
* fermatas arrest the forward drive, generating tension and restlessness
* grows out if statement, then repeated sequentially
110
symphony no. 5, op.67 1st mvt development
* opens boldly with French horns
* mainly first theme material
* tension by fragmentation, inversion, repetition, and dynamic contrast
111
Erlknöig boy's piano
* loud
* dissonant piano
* minor
* triplets more apparent
112
string quartet, "quinten" cause
commissioned by Count Joseph Erdödy
115
Symphonie Fantastique 5th mvt program summary
* at witches' sabbath
* gathering if sorcerers and monsters at his funeral
* strange sounds, groans, laughter, distant shout
* beloved, who he had killed, is there but has become vulgar, trivial, grotesque
116
Erlknöig musical setting
* narrator's voice in middle register
* father's voice in low pitch, legato depict calm mood
* son's voice in upper register, suggests youth and innocence
* Erlking voice in middle register, insincere sweetness, does not fool child
118
prelude in B-flat major form
binary
119
polonaise in A flat Major time signature
3/4
120
eine kleine nachtmusik 1st mvt tempo
allegro
122
la primavera 3rd mvt
1. key
2. tempo
3. time signature
123
string quartet, "quinten" 4th mvt
1. key
2. form
3. tempo
4. time signature
5. expo 1st theme
6. bridge
7. expo 2nd theme A
8. expo 2bd theme B
9. codetta
10. development
11. recapitulation
11. coda
124
Erlknöig date
1815
126
symphony no. 5, op.67 3rd mvt
1. key
2. form
3. tempo
4. time signature
5. scherzo 1st theme
6. scherzo 2nd theme
7. trio
8. scherzo return
128
symphony no. 5, op.67 4th mvt expo 1st theme
* blazing crescendo leads into final movement without a break
* outlines tonic chord
* ff trumpets, majestic
129
symphony no. 5, op.67 3rd mvt key
c minor
130
polonaise in A flat Major return of section A
shortened
131
polonaise in A flat Major introduction
* dominant octaves, followed by ascending chromatic scale in parallel motion
* expanded through sequential repetition
* tension by sforzando, dissonant chords
132
prelude and fugue in B-flat major date
* book 1-1722
| * book 2-1742
133
La Primavera 1st mvt time signature
common time
135
Symphonie Fantastique 5th mvt romanticism
* expression of emotions; his beloved
* myths and legend; witches
* program music; provided text
* historical event; Dies Irae, guillotine
* creative imagination; col legno, distortion
136
symphony no. 5, op.67 1st mvt bridge
* motive played by fortissimo French horns
| * modulates to relative major
137
string quartet, "quinten" #4th mvt
12
138
string quartet, "quinten" 4th mvt recapitulation
* first theme in d major, then shifts to d major
* bridge altered to stay in d major
* cello absent calm mood
139
prelude and fugue in b flat major genre
keyboard music-prelude and fugue
140
Symphonie Fantastique 5th mvt idée fix
•The Beloved" introduced in 1st mvt by strings
142
Symphonie Fantastique general program
* lovesick artist attempts suicide
* drug too weak and puts him to deep sleep
* nightmare haunted by visions of his beloved
143
La Primavera op. no.
op. 8, no.1
144
Symphonie Fantastique full title
Symphonie Fantastique: Épisode de la vie d'un artiste
145
prelude and fugue in B-flat major composer
Johann Sebastian Bach
146
string quartet, "quinten" genre
string quartet
147
Erlknöig art song
1. plot
2. introduction
3. musical setting
4. Erlking contrast
5. boy's panic
6. sinister nature contrast
7. end
8. romanticism
148
Erlknöig #background
9
149
Symphonie Fantastique 5th mvt tempo
begins larghetto, then hanged to allegro
150
eine kleine nachtmusik 4th mvt
1. key
2 .form
3. tempo
4. time signature
5. 1st theme
6. 2nd theme
151
Erlknöig Erlking contrast
* soft, higher voice and accompaniment
* less triplets, more quarter notes
* less scales, mostly tonic notes
* major
152
string quartet, "quinten" 4th mvt coda
* rapid triplets by first violin
| * ends with unison arpeggios ff
153
Erlknöig song type
durchkompniert
157
polonaise in A flat Major #the heroic
7
159
Symphonie Fantastique #5th mvt
11
160
symphony no. 5, op.67 4th mvt 2nd theme
* triplet motive figures intrusive vigorous theme
* ascends step wise, then echoed descending
* dynamic contrast ff and pp
162
Erlknöig performing forces
solo voice and piano
163
eine kleine nachtmusik 1st mvt time signature
common time
165
Symphonie Fantastique 5th mvt mood
scary, dark, dead
166
prelude and fugue in B-flat major collection
The Well-Tempered Clavier, Book One
167
Symphonie Fantastique inspiration
* infatuation with actress Harriet Smithson
| * public executions, controversial literary works
169
symphony no. 5, op.67 2nd mvt form
two themes and variations
170
La Primavera genre
solo violin concerto
172
polonaise in A flat Major background
1. genre
2. date
3. composer
4. structure
5. key
6. time signature
7. tempo
8. nationalism
10. op.
173
Symphonie Fantastique background
1. full title
2. date
3. composer
4. inspiration
5. general program
6. performing forces
174
Symphonie Fantastique 5th mvt col legno
* wooden part of their bows
| * sounds like bats and squealing animals
175
Erlknöig plot
* father riding in horse with son on windy night
* boy sees erlking, elf tries to lure frightened child
* boy increasingly scared despite father's attempt to calm him
* they arrive at the courtyard and the sin is dead in father's arm
176
Erlknöig introduction
* vigorous octave triplets right hand
* arched melody left hand
* scary and fear mood
178
Symphonie Fantastique 5th mvt key
begins in c minor
180
La Primavera composer
Antonio Vivaldi
181
Symphonie Fantastique 5th mvt time signature
begins common time, changes to 6/8
182
Erlknöig composer
Franz Schubert
185
polonaise in A flat Major coda
* based on theme A materi
| * majestic close by media by major triad, dominant 7th chord, then tonic arpeggio
188
eine kleine nachtmusik date
1787
194
Symphonie Fantastique 5th mvt Dies Irae
* home key, C minor
* by bassoons, ophicléide, repeated by brass choir in diminution
* two bronze bells, on in C other in G
* funeral
196
symphony no. 5, op.67 4th mvt codetta
* initiated by woodwinds and violas
| * descends in four-note fragments
197
symphony no. 5, op.67 1st mvt key
c minor
198
eine kleine nachtmusik 1st mvt form
sonata form
199
polonaise in A flat Major composer
Frédéric Chopin
201
eine kleine nachtmusik 3rd mvt trio
* new dominant key d major
* contrast by ditto voce, more lyrical and legato
* more chromaticism than menuet
202
#prelude in B-flat major
7
203
Erlknöig background
1. genre
2. date
3. composer
4. source text
5. song type
6. performing forces
7. key
8. time signature
9. tempo
210
symphony no. 5, op.67 4th mvt recapitulation
* bridge modified
| * themes restated in the tonic
212
string quartet, "quinten" 4th mvt expo 2nd theme B
* double sop thirds by first violin
* followed by wide descending leaps
* abrupt change in dynamics
213
symphony no. 5, op.67 2nd mvt key
A-flat major
214
string quartet, "quinten" date
1797
215
polonaise in A flat Major key
a flat major
216
symphony no. 5, op.67 1st mvt recapitulation
* first theme, followed by oboe solo that resembles a cadenza
* bridge altered to stay in the tonic
* second theme in c major, followed by codetta theme in c major
* long coda in c minor, continues to fragment and expand on first theme
220
symphony no. 5, op.67 composer
Ludwig van Beethoven
221
prelude and fugue in B-flat major structure
* 2 books
* each has all 24 keys
* organized in pairs of tonic major and minor from c chromatically ascending to b
222
string quartet, "quinten" 4th mvt development
* 2nd theme material throughout
* texture shift-homophonic to polyphonic with imitation
* ends with dominant preparation
* tension created by diminished seventh chord by violins
224
la primavera 1st mvt form
ritornello
226
Symphonie Fantastique 5th mvt dance of the witches
* tonic major (C major)
* fugal texture
* stabbing syncopation
* dissonance
* combined with Dies Irae
227
eine kleine nachtmusik 2nd mvt section A
* lyrical, understanding, simple, elegant
* unfolds over tonic pedal
* balanced by four measure phrases and clear cut cadences
* internal structure rounded binary form
228
symphony no. 5, op.67 1st mvt tempo
allegro con brio
230
polonaise in A flat Major virtuosity
* double finger chromatic scales
* large leaps (disjunct)
* rapid ostinato, staccato octave pattern
* soft and fast
231
polonaise in A flat Major Section A
* right hand polonaise rhythm characteristic
* harmonized in thirds, ornamented with grace notes, appoggiaturas
* left hand octave, big leaps span of 3 octaves
* 3 sweeping ascending scales
239
prelude in B-flat major
1. key
2. tempo
3. time signature
4. texture
5. form
6. section A
7. section B
240
prelude in B-flat major tempo
* not specified
| * implied quick in the manner of toccata
242
prelude in B-flat major texture
homophonic and polyphonic
243
polonaise in A flat Major background
9
244
Erlknöig #art song
8
245
symphony no. 5, op.67 2nd mvt time signature
3/8
248
string quartet, "quinten" composer
Franz Joseph Haydn
251
Symphonie Fantastique 5th mvt
1. key
2. tempo
3. time signature
4. program summary
5. idée fixe
6. mood
7. distortion
8. Dies Irae
9. dance of the witches
10. col legno
11. romanticism
252
la primavera 3rd mvt tempo
allegro
253
string quartet, "quinten" 4th mvt time signature
2/4
258
polonaise in A flat Major op.
op.53
260
symphony no. 5, op.67 1st mvt expo 2nd theme
* played by woodwinds and first violins
* contrasts by piano and legato playing(lyrical)
* motive played by cello and basses, ostinato background
262
Erlknöig romanticism
* programmatic writing; connections with music and text
* nationalism; myths and legends
* romanticism; emotions, creative imagination
* wide range of dynamics; depict different characters
* piano virtuosity; fast triplets
268
eine kleine nachtmusik 3rd mvt tempo
allegretto
269
string quartet, "quinten" 4th mvt codetta
* confirms f major
| * supported by tonic pedal point
270
eine kleine nachtmusik 4th mvt 1st theme
* rocket theme tonic arpeggio
| * spirited, lift-hearted character
271
symphony no. 5, op.67 4th mvt tempo
allegro
274
symphony no. 5, op.67 2nd mvt variation 3
* theme A contrary notion by woodwinds
| * theme B in c major without preparation
275
#fugue in B-flat major
10
277
symphony no. 5, op.67 4th mvt coda
* piccolo rapid ascending scales
* codetta theme played, leading into dramatic conclusion
* final tonic chord reiterated many times
278
symphony no. 5, op.67 3rd mvt form
* ternary, scherzo and trio (ABA)
| * menuet is replaced by scherzo
279
string quartet, "quinten" 4th mvt tempo
vivace assai
281
eine kleine nachtmusik 2nd mvt section C
* new key tonic minor
* imitative dialogue between outer parts
* repeated sixteenth notes in inner voice
* fast and sneaky mood
283
Erlknöig time signature
common time
284
string quartet, "quinten" performing forces
violin I, violin II, violin, cello
286
la primavera 3rd orchestration
ripieno
287
symphony no. 5, op.67 3rd mvt scherzo 1st theme
* rocket theme initiated by low strings
| * played pp
289
symphony no. 5, op.67 3rd mvt time signature
3/4
290
string quartet, "quinten" significance of nickname
* "quintus" means forth in Latin
| * bold descending fifths in first movement
291
la primavera 3rd mvt key
E major
293
Erlknöig end
* a flat major, flattened supertonic triad, Neapolitan
| * sounds like heart stopped beating
294
La Primavera 1st mvt orchestration
ripieno
295
eine kleine nachtmusik background
1. genre
2. performing forces
3. date
4. composer
5. structure
296
Erlknöig tempo
schnell (German for fast)
298
prelude in B-flat major section B
* arpeggiated seventh chords followed by cadenza-like runs
* virtuosity
* improvisatory
301
symphony no. 5, op.67 #1st mvt
10
304
lab primavera 3rd mvt poetic image
* nymphs and shepherds dancing to the sound of bagpipes
| * depicted bass nite drone (bagpipes) and lilting compound meter (rustic dance)
307
eine kleine nachtmusik 1st mvt expo 1st theme
* unison, homorhythmic melody by violins
| * outlines tonic and dominant seventh chord
308
symphony no. 5, op.67 4th mvt
1. key
2. form
3. tempo
4. time signature
5. expo 1st theme
6. bridges
7. expo 2nd theme
8. codetta
9. development
10. recapitulation
11. coda
310
string quartet, "quinten" 4th mvt form
sonata form
312
symphony no. 5, op.67 3rd mvt trio
* cello and double basses have melody
| * imitative, energetic, playful
314
eine kleine nachtmusik 3rd mvt form
ternary, menuet and trio (ABA)
317
symphony no. 5, op.67 1st mvt
1. key
2. form
3. tempo
4. time signature
5. expo 1st theme
6. bridge
7. expo 2nd theme
8. codetta
9. development
10. recapitulation
319
symphony no. 5, op.67 3rd mvt scherzo 2nd theme
* bold motive played f by French horns
| * cyclical structure
320
eine kleine nachtmusik 3rd mvt
1. key
2. form
3. tempo
4. time signature
5. menuet
6. trio
321
symphony no. 5, op.67 3rd mvt scherzo return
* theme 1 abbreviated, theme 2 pianissimo, pizzicato and staccato
* suspended by deceiving cadence leading to transitional passage
* timpani plays motive
323
fugue in B-flat major texture
polyphonic
326
symphony no. 5, op.67 #4th mvt
11
327
eine kleine nachtmusik #4th mvt
6
332
prelude in B-flat major section A
* broken thirdly-second note chord passages
* frequent thirty-second note runs
* ends in F major (dominant)
336
symphony no. 5, op.67 4th mvt form
sonata form
339
symphony no. 5, op.67 1st mvt form
sonata form
340
fugue in B-flat major exposition
* subject played in top voice
| * two motives; first us mostly disjunct, second is conjunct
342
fugue in B-flat major episode 1
* leads to G minor (relative minor)
| * subject in G minor then tonal answer in c minor
343
symphony no. 5, op.67 genre
symphony
344
symphony no. 5, op.67 3rd mvt tempo
allegro
348
eine kleine nachtmusik 2nd mvt time signature
cut time
350
eine kleine nachtmusik 3rd mvt time signature
3/4
352
eine kleine nachtmusik 2nd mvt coda
•after return of section A, grows out and brings movement to a gentle close
353
fugue in B-flat major
B-flat major
355
symphony no. 5, op.67 #3rd mvt
8
359
fugue on b flat major tempo
* no indication
| * assumed moderately fast
361
fugue in B-flat major real answer
* bass voice comes in with real answer
| * counter subject in two top voices
364
La Primavera program
* sonnet most likely written by Vivaldi
* describes four seasons of the year
* portions of text printed above corresponding passages in original score
365
prelude in B-flat major key
B-flat major
366
La Primavera #2nd mvt
6
370
fugue in B-flat major episode 2
* leads to E flat major and two-measure tonal answer in E flat major
* subject in E flat major
372
fugue in B-flat major final section
* tonal answer reaffirming the home key
| * last four measures act as a coda concluding the fugue
374
la primavera #3rd mvt
7
378
eine kleine nachtmusik 2nd mvt tempo
andante
384
La Primavera performing forces
solo violin, strings, continuo
387
symphony no. 5, op.67 background
1. genre
2. performing forces
3. date
4. composer
388
eine kleine nachtmusik 4th mvt time signature
cut time
389
eine kleine nachtmusik #backgound
5
390
eine kleine nachtmusik genre
chamber music-serenade for strings
391
eine kleine nachtmusik 2nd mvt
1. key
2. form
3. tempo
4. time signature
5. section A
6. section B
7. section C
8. coda
392
eine kleine nachtmusik performing forces
* double string quartet (with optional double bass)
| * often performed by string orchestra
394
La primavera 1st mvt key
E major
395
eine kleine nachtmusik composer
Wolfgang Amadeus Mozart
396
eine kleine nachtmusik #1st mvt
11
398
eine kleine nachtmusik 1st mvt development
* starts with 1st theme material in d major
* moves to c major featuring 2nd theme B material
* strong dominant chord to prepare main theme in tonic
399
eine kleine nachtmusik #2nd mvt
8
400
eine kleine nachtmusik 1st mvt
1. key
2. form
3. tempo
4. time signature
5. expo 1st theme
6. bride
7. expo 2nd theme A
8. expo 2nd theme B
9. codetta
10. development
11. recapitulation
402
prelude and fugue in B-flat major significance
* "well-tempered" refers to equal temperament
| * "clavier" is the German word for keyboard instruments except organ
405
eine kleine nachtmusik 1st mvt key
g major
407
eine kleine nachtmusik 2nd mvt key
c major
411
prelude in B-flat major time signature
common time
415
eine kleine nachtmusik 1st mvt bridge
* modulates to d major
| * first violins outline g major triad, then ascending scale leads to d major
416
eine kleine nachtmusik 1st mvt codetta
* all instruments play in unison again
| * ends with a strong perfect cadence in d major
420
fugue in B-flat major
1. key
2. tempo
3. time signature
4. texture
5. exposition
6. tonal answer
7. real answer
8. episode 1
9. episode 2
10. final section
422
fugue in B-flat major time signature
3/4
428
fugue in B-flat major tonal answer
•middle voice comes in with tonal answer
437
La Primavera title of collection
Il cimento dell'armonia e dell'invenzione
444
prelude and fugue in B-flat major no.
21
484
La Primavera #1st mvt
9
