Coming Flashcards

1
Q

How is the coming of spring relevant to this poem?

A

It is a celebration of the energy and new hope that arrives with the season and the emotional nature of it all

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2
Q

What AO3 can be linked?

A

Thomas Hardy- Larkin was influenced by him and admired his work - alludes to Darkling Thrush to present idea of hope from an unknown source or something not understood

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3
Q

What device is used in ‘Light, chill and yellow/ Bathes the serene/ foreheads of house’?

A

Religious imagery/symbolism/personfication - happiness and purity
Also baptising the home, a refreshing, new life as the landscape is being cleansed as it gets rid of the desolate image of winter

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4
Q

What is meant by ‘laurel-surrounded’?

A

A laurel is a symbol of victory showing how there is a tone of celebration in the wake of spring - he finds celebration in a mundane environment.

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5
Q

What devices are used in ‘Its fresh peeled voice/ Astonishing the brickwork’?

A

Sensory imagery : childlike wonder
Personification: giving life to urban - unexpected beauty of sudden light after winter

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6
Q

What does ‘It will be spring soon’ x2 act as?

A

It acts like a chorus to the poem displaying his child-like excitement and joy. The monosyllabic nature of this phrase also conveys the simple beauty of the season

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7
Q

What tone does ‘Feel like a child / Who comes on a scene / Of adult reconciling / And can understand nothing’?

A

The simile has a pessimistic tone that acts as an intruding thought

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8
Q

How can the Anti-Romantics be linked to this poem?

A

Larkin sees the convention of the Romantics as somewhat pompous/elitist - he places nature in an urban setting, unlike Romantics and their theory of the sublime

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9
Q

What is the rhyme is this poem?

A

There is a lack of rhyme and rhythm as he is unorganised, enjoying a singular moment in time

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10
Q

Why is the single stanza significant?

A

Represents the overflowing passion and excitement of speaker as he observed the coming of new life. Contrasts the structured, tight, regular stanzas of the majority of Larkin’s poetry.

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