Color Schemes Flashcards

1
Q

Function of rooms-The hue employed should suggest an _____ or _______ of ideas in harmony with the rooms ________.

A

emotion, association, function

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2
Q

Sources of color schemes:

a) Can be developed from some objects on hand:
1) _______
2) _______
3) ________
4) ________

A

rug
drapes
type and color of furniture
a beautiful picture or vase

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3
Q

Sources of color schemes:

b) Pleasing color combinations can be found in:
1) _________
2) Fine arts
3) _________

A

nature

home decorating literature (magazine)

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4
Q

Selection of a dominant hue in a room interior:

a) Should prevail __________ above any other hues.

A

extensively

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5
Q

Selection of a dominant hue in a room interior:

b) If more than one hue is used, the dominant hue should be at least ____ of the color scheme.

A

50%

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6
Q

Effect of illumination on a hue- The hues of objects should be selected under the _______ ____________ in which they will be seen.

A

same condition

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7
Q

Daylight Exposures: Natural illumination from different ________________ creates surprising effects on the appearance of a hue.

A

compass points

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8
Q

Daylight Exposures:

North (unchangingly ______)-use a _____ color scheme.

A

cool, warm

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9
Q

Daylight Exposures:

South (______________)-use a _____ color scheme.

A

warm and bright, cool

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10
Q

Daylight Exposures:

East (mainly _____)-use a ______ color scheme.

A

cool, warm

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11
Q

Daylight Exposures:

West (mainly ______)-use a _____ color scheme.

A

warm, cool

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12
Q

Incandescent Lighting: _____________________________(_______)
Illumination is-high in __________

A

white filament light bulb, warm lighting

yellow

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13
Q

Florescent: __________

1) High in- _____________
2) Lacking in-_____________

A

cool lighting
green and blue
adequate red

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14
Q

Colored Lighting: ____________

A

hues in electric lighting are obtained artificially by either placing a transparency before a white light or by painted bulbs.

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15
Q

Activities of hues:

Chromatic colors exhibit different degrees of _________activity associated with the illusions of force and weight.

A

aggressive

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16
Q

Force: Some hues seem to strive for attention while others seem ________, _________, and _______.

A

passive, retiring, quite

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17
Q

Weight: Some hues give the impression of __________ while others seem light-weight.

A

heaviness

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18
Q

Weight:

Pure hues seem heavier than the same hue ______.

A

grayed

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19
Q

Weight:

The __________ of a hue seems heavier than its tint.

A

shades

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20
Q

Weight:

_______ hues seem heavier than ______ hues.

A

cool, warm

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21
Q

Balance in arrangement: Repetition

Principle- Employ each hue (different _________, _________, and __________) at least 3 times.

A

amounts, value, intensity

22
Q
Balance in arrangement: Repetition
Methods:
a) \_\_\_\_\_\_\_
b) \_\_\_\_\_\_\_
c) \_\_\_\_\_\_\_
A

force, weight, texture

23
Q

Balance in arrangement: Repetition
Law of Areas (in a room)
Definition: A guide for the use of _______ colors for expansive areas and _______ colors for smaller areas.

A

dull, intense

24
Q

Balance in arrangement: Repetition
Law of Areas (in a room)
Large Areas: The larger the area the ______________ the color should be.

A

more duller

25
Q

Balance in arrangement: Repetition
Law of Areas (in a room)
Small Area: The smaller the area the ______________ the color should be.

A

more brilliant

26
Q

Floral arrangements (group pieces)

1) Balance
a) ___________
b) ___________

A

Symmetrical, Asymmetrical

27
Q
Floral arrangements (group pieces) 
Symmetrical: The placement of \_\_\_\_\_\_\_\_\_ pieces in the same position at each side of the casket.
A

similar

28
Q
Floral arrangements (group pieces)
Asymmetrical: The placement of \_\_\_\_\_\_\_\_ pieces at both sides of the casket.
A

dissimilar

29
Q

Floral arrangements (group pieces)

a) _________________
b) _________________

A

Positioning

Illusion of heavier weight

30
Q
Floral arrangements (group pieces)
Positioning: If large and heavy in appearance they should be placed \_\_\_\_\_\_\_\_ or in the middle, but not \_\_\_\_\_\_\_\_.
A

low, up high

31
Q
Floral arrangements (group pieces)
Illusion of heavier weight: Occurs when the arrangements are \_\_\_\_\_\_\_, \_\_\_\_\_\_ colored \_\_\_\_\_\_\_\_ or of \_\_\_\_\_\_\_ hues.
A

large, cool. dark, pure

32
Q

Types of color harmonies:

a) Related color harmonies
1) ___________
2) ___________
b) Contrasting color harmonies
1) ___________
2) ___________
3) ___________
4) ___________
5) ___________
6) ___________

A
Monochromatic
Analogous
Complementary
Triad
Split-Compliement
Tetrad
Double
Contrast
33
Q

Monochromatic

a) Definition: ____ hue with its _____, ______ and _____.
b) Illustrations- RED, pink, cherry, coral, burgandy, cordovan, and maroon are all _____ in hue.

A

one, tints, shades, tones

red

34
Q

Analogous

a) Definition: _____ or more __________ hues with the same hue in common.
b) Illustration: Colors with orange in common:________, __________, and _________

A

two, adjacent

yellow orange, orange, red orange

35
Q

Types of Color harmonies:

3) Application of related colors in a funeral home
a) ________________
b) ________________
c) ________________

A

Scenic wallpaper
Tile
Stripping and Molding

36
Q

Type of Color harmonies:

4) Application of related colors in a floral arrangement
a) Place ______ colors together as a ____.
b) ____ the size of other similar groupings.
c) If there is too much similarity, place a _____ group within.

A

similar, group
Vary
contrast

37
Q

Contrasting color harmonies:
Complementary
a) Definition: Involving 2 ________ hues on the color wheel.
b) Illustration- ____________________

A

opposite

orange blue or OB

38
Q

Complementary
c) Danger of rivalry: in interiors, when both cover _________ areas.
d) Greatest effectiveness in floral arrangement: in adjacent groups it creates a contrast in weight.
(Example: ___________________)

A

large

warm and cool

39
Q

Triad:

a) Definition: 3 hues at least ____ hues apart.
b) Illustration: _______, ______, and ______ from a ________ triad.

A

3

red, yellow, blue, perfect

40
Q

Split-Complement

a) Definition: (__________) 1 hue plus hues on each side of its ____________.
b) Illustration- ________________________

A

3 hues total, complement

yellow, red purple, blue purple

41
Q

Tetrad:

a) Definition: (______________) 2 hues _________ and their _____________.
b) Illustrations: ________________________

A

4 hues total, separated, compliments

orange, yellow, blue, purple

42
Q

Double-Compliment

a) Definition: (_______________) 2 hues ___________ and their _____________.
b) Illustrations: ________________________

A

4 hues total, adjacent, compliments

orange, yellow orange, blue, blue purple

43
Q

Contrast (_________________)

a) Definition: ___ hues that contrast but not ________________.
b) Illustration:

A

Non-complementary
2, complimentary
orange and purple, orange and green, red and blue, red and purple, yellow and green, yellow and blue.

44
Q

Use of contrasting color harmonies in a room interior (__________________)-
Large areas of color should be ________ in effect while small areas should show _______ contrasts.

A

The Law of Areas

quite, strong

45
Q

Application of contrasting color harmonies in floral arrangements

a) Done to ______ beauty.
b) If flowers have no _________ a ribbon or object is ______.

A

enhance

contrast, added

46
Q

Application of color in clothing:

a) ____________
b) ____________

A

monochromatic

analogist

47
Q

Application of coloring in clothing:

Monochromatic: _________________________

A

Well dressed effect

48
Q

Application of coloring in clothing:

Analogist-________________________________

A

Mismatch in an attempt at monochromatic

49
Q

Color schemes involving 3

a) ____________
b) ____________
c) ____________

A

Triad
Split compliment
Analogous

50
Q

Color schemes involving 2

a) ____________
b) ____________
c) ____________

A

Complementary
Contrast (Non-Complimentary)
Analogous

51
Q

Color scheme involving 4

a) ____________
b) ____________
c) ____________

A

Tetrad
Double Complementary
Analogous