Class 2: Codes Flashcards

1
Q

Codes

A
  • the meaning of a sign depends on the code
    within which it is situated
  • provide a framework within which signs make sense
  • can be verbal or non-verbal

ex. language, painting, music

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2
Q

Encode

A

using a code to create a sign

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3
Q

Decode

A

deciphering something on the basis of the code

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4
Q

Semiotics of Food

A
  • for survival
  • think of food on a social level because it is in this sense that food social level because it is in this sense that food transcends this function
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5
Q

Denotative level of food

A

we eat to survive

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6
Q

Connotative level of food

A
  • food evokes cuisine
  • cuisine tells us what certain people eat, how they make it, etc., but perhaps most significantly it tells us something about them
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7
Q

Historic Semiotics of Food

A
  • ancient humans ate what they could find for survival
  • today, food and culture is so closely associated and used for evaluating other people and cultures
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8
Q

Food as “codes”

A
  • eating events are coded
  • manners (learned from birth) are coded
  • how is spaghetti eaten?
  • table manners are coded
  • fast food restaurants are coded
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9
Q

Nonverbal communication

A
  • involves signs
  • eye contact, gazing, facial expressions, gestures, touch, proxemic
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10
Q

Main research approaches to this study

A
  • Psychological
  • Structural
  • Ethnographic
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11
Q

Psychological

A

relation between NVC and psychological states

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12
Q

Structural

A

verbal and non-verbal structures

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13
Q

Ethnographic

A

living and interacting about social groups to observe and assess

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14
Q

Codes = Knowledge

A
  • the world (social knowledge);
  • the medium and the genre (textual knowledge);
  • the relationship between (1) and (2) known as modality judgment
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15
Q

Modality

A

the reality status accorded to or claimed by a sign, text or genre

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16
Q

Modality judgment

A
  • in making sense of a text, we make “modality judgments”, based on our knowledge of the world and of the medium
  • the media which are typically judged to be the most ‘realistic’ are photographic - especially film and television
17
Q

Roman Jakobson’s Basic Model of Communication

A
  • the addresser
  • the message
  • the addressee
  • the context
  • the mode of contact
  • the code
18
Q

The addresser

A

the creator of the text

19
Q

The message

A

the message to be conveyed in that text

20
Q

The addressee

A

the intended receiver of the text

21
Q

The addressee

A

the intended receiver of the text

22
Q

The context

A

is what allows the audience to recognize and understand the text; its authenticity

23
Q

The mode of contact

A

is the method by which the addresser and addressee are linked

24
Q

The code

A

the system of recurrent story elements that allow the audience to decipher a text

25
Q

Stuart Hall (Interpretative Codes/Social Positioning)

A
  • Dominant reading
  • Negotiated reading
  • Oppositional reading
26
Q

Dominant reading

A

the most common and widely-accepted interpretations of a given text

27
Q

Negotiated reading

A

differs from the commonly accepted interpretation

28
Q

Oppositional reading

A

opposes the dominant reading

29
Q

Narratives

A
  • texts
  • made up of composite signifiers
  • put together in terms of a specific code

ex. “the Superman code”