Class 1: Introduction Flashcards
Semiotics
according to Ryder, semiotics is: “a branch of communication theory that investigates sign systems and the modes of representation that humans use to convey feelings, thoughts, ideas, and ideologies…Umberto Eco jokingly suggests that semiotics is a discipline for studying everything which can be used in order to lie.”
Sign
• something that stands for something or someone else in some capacity
• take the form of words, images, sounds, odours, flavours, acts or objects
• have no intrinsic meaning and become signs only when we invest them with meaning
• the whole that results the association of the signifier with the signified
ex. open sign or dog card
Saussure’s definition of sign
composed of:
• a signifier
• the signified
Signifier
the form which the sign takes
ex. the word “dog” or “open”
you as the shopper/the person reading the sign have invested it with meaning
Signified
the concept it represents
ex. pic of dog or the concept that the shop is “open” for business
‘Value’ of the Sign
• Saussure refers to as the ‘value’ of a sign depends on its relations with other signs within the system
• believes that a sign has no ‘absolute’ value independent of this context
‘Arbitrariness” of the Sign
• Saussure argues that there is no necessary, intrinsic, direct or inevitable relationship between the signifier and the signified
• agreed to be convention
ex. tree to free and arbre (need to be taught french to know in means tree)
‘Arbitrariness’ of the Sign Continued
• this does not suggest that all signifying systems are socially or historically arbitrary
• the sign is arbitrary a priori but ceases to be arbitrary a posteriori - after the sign has come into historical existence it cannot be arbitrarily changed
ex. language, red for traffic light
Peirce
• Representaman
• Interpretant
• Object
Representaman
the form which the sign takes (not necessarily material) = a signifier
ex. a red light
Interpretant
not an interpreter but rather the sense made of the sign = the signified
ex. the idea that a red light indicates vehicles must stop
Object
• to which the sign refers
• does not have to be real or physical
ex. the vehicles actually stopping are the “Object” (the object as represented in the representamen)
Symbol/symbolic
a mode in which the signifier does not resemble the signified but which is fundamentally arbitrary or purely conventional - so that the relationship must be learnt
ex. language, alphabetical letters, numbers, morse code, traffic lights, national flags
Icon/iconic
a mode in which the signifier is perceived as resembling or imitating the signified (recognizably looking, sounding, feeling, tasting or smelling like it) - being similar in possessing some of its qualities
ex. a portrait, imitative gestures (putting your hand up showing “Stop”)
Index/indexical
a mode in which the signifier is not arbitrary but is directly connected in some way to the signified - this link can be observed or inferred
ex. smoke is an index to fire, pain is an index to illness