Chords Flashcards

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1
Q

Identify the following triad as major, minor or diminished:

A

Minor

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2
Q

Identify the following triad as major, minor or diminished

A

Diminished

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3
Q

Identify the following triad as major, minor or diminished

A

Major

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4
Q

Identify the following triad as major, minor or diminished

A

Major

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5
Q

Identify the following triad as major, minor or diminished

A

Major

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6
Q

Identify the following triad as major, minor or diminished

A

Diminished

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7
Q

Identify the following triad as major, minor or diminished

A

Minor

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8
Q

Name the following chord using the Roman numeral System (e.g. I, ii, iii etc)

A

ii

Fm

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9
Q

Name the following chord using the Roman numeral System (e.g. I, ii, iii etc)

A

VI

Gb Major

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10
Q

Name the following chord using the Roman numeral System (e.g. I, ii, iii etc)

A

V

G# Major

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11
Q

Name the following chord using the Roman numeral System (e.g. I, ii, iii etc)

A

vii dim

A# dim

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12
Q

Name the following chord using the Roman numeral System (e.g. I, ii, iii etc)

A

ii

Abm

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13
Q

Name the following chord using the Roman numeral System (e.g. I, ii, iii etc)

A

ii dim

B dim

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14
Q

Name the primary chords

A

In both major and minor, the primary chords are:

I, IV, V
Tonic, Subdominant, Dominant

  • Primary chords are essential for fixing the key of a piece.
  • They contain all the notes of the scale.
  • Chords I and V do this job together.
  • Chord IV is not so important in this respect.
  • For this reason, melodies should always begin and with I and V.
  • It is possible (but not recommended) to harmonize every single note of the melody using only the primary chords. i.e. I: C E G; IV: F A C; V: G B D. As these are all the notes of the scale.
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15
Q

Name the secondary chords

A

In both major and minor, the secondary chords are:

II, III, VI
Supertonic, Medient, Submedient

  • Chord VII is so similar to chord V that it is not normally considered to be a chord in its own right, but a “V substitute”. i.e. in C Major, chord V contains G B D. Chord VII contains B D F. The V7 chord contains all the notes of the VII chord (G B D F).
  • Secondary chords are essential for creating an interesting harmony.
  • Chord III is rarely used. It is possible (but not recommended) to use it in a major key (where it is a minor chord, e.g. E minor in the key of C major). It is NOT possible to use it in a minor key, because it is an augmented chord (e.g. C-E-G# in the key of A minor).
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16
Q

What is a dominant seventh chord?

What other seventh chord is quite popular?

A
  • The dominant 7th chord is written “V7”.
    • e.g. in C Major the dominant chord is G B D (G Major), if you add the 7th (the leading note of C Major) you have G B D F - a dominant 7th chord.
  • V7 is the most common type of seventh chord.
  • Often the 5th is omitted if the root is doubled in 4-part voice leading.
  • Used in Bach Chorales in the Baroque period.
  • Notice that dominant 7th chords are always built on a major triad, even when in a minor key. This is because the leading note is sharpened in a minor key.
  • In figured bass, the 7th is just represented as a “7” written below the bass note.
  • The other frequently used seventh chord is the supertonic seventh.​
17
Q

What is a supertonic seventh chord?

A
  • Written as ii7 in a Major key.
    • e.g in the scale of C major the supertonic is built from the second scale degree - D.
    • D F A C (a D minor triad with a 7th added).
  • Root, 3rd, 5th, 7th from the ii scale degree.
18
Q

Construct a C dominant seventh chord.

A

C7

C - E - G - Bb

M3 - P5 - m7

A major triad with a minor 7th.

19
Q

Construct a C major seventh chord.

A

Cma7

C - E - G - B

M3 - P5 - M7

A major triad with a major 7th.

20
Q

Construct a C major sixth chord.

A

C6

C - E - G - A

M3 - P5 - M6

A major triad with a major 6th.

21
Q

Construct a C minor seventh chord.

A

Cm7

C - Eb - G - Bb

m3 - P5 - m7

A minor triad with a minor 7th.

22
Q

What is a diminshed chord?

A

The diminished chord is similar to a minor chord, but the top note (the fifth) is also flattened.

It contains a minor 3rd and a diminished 5th.

1 b3 b5
C Eb Gb
m3 d5

23
Q

Construct a C minor sixth chord.

Also know as a ‘minor major sixth’, or ‘minor/major sixth

A

Cm6 or Cm/M6 or Cmin/maj6

C - Eb - G - A

m3 - P5 - M6

A minor triad with a major 6th.

24
Q

What are suspended 4th chords?

A

A “sus4” chord will contain the 1st, 4th and 5th.
e.g. Csus4 - C F G.

Suspended 4th chords have no 3rd to give the chord a major or minor quality.

Instead the 3rd is replaced by the 4th degree of the scale which can give the chord a very open sound.

Often the suspended 4th degree sounds asthough it wants to resolve down a half step to the major 3rd.

The example given below shows a suspended 4th tonic chord with the 1st, 4th and 5th degrees of the scale.

25
Q

What is a diminshed seventh chord?

A

The diminished 7th chord is similar to a diminished chord, with the addition of a doubled flattened (diminished) seventh above the root note of the chord.

The interval between all notes of a diminished chord is a minor 3rd.

C Eb Gb (a diminsihed chord), but add the dim7th:
C Eb Gb Bbb

26
Q

What is an augmented chord?

A

The augmented chord is similar to the major chord, but the fifth note is raised by a semitone.

1 3 #5
C E G#

Both intervals are a major 3rd.