Charlie's Country - Quotes Flashcards

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1
Q

First encounter with Luke

A
  • “You come from far away and bring alcohol,ganja, tobacco…all bad!” - Yolngu how he really feels
  • “You white bastard” - “You black bastard”
  • Luke standing on doorstep - higher symbolic of power dynamic
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2
Q

Scene with Erol representing government

A
  • “Anything else you want Charlie?”
  • “You got a job, you got a house, on my land … where’s my house, where’s my job?”
  • Camera points up at Erol and down on Charlie - shows power dynamic
  • Messy office - ineffective/ complicated/ damaging bureaucracy
  • Back turned - symbolic of governments unwillingness to help fix a problem until they are faced with it
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3
Q

Old Lulu talking to Charlie by the fire

A
  • “I have no money left or food” “I’m hungary”- Charlie
  • “There’s lots of food in the bush…it’s’ like a supermarket out there”
  • “We need you to teach the children how to dance… properly” - tells Lulu to ask Bobby
  • “The kids go to school now. They don’t care anymore”
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4
Q

Charlie ‘tracking’ criminals

A
  • “Damn you black fellas are smart when you wanna be”
  • Charlie yelling “stop” and “Get out” which the police listen to
    • Shows shift in power dynamic - perhaps respect for his knowledge and time
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5
Q

Albert in wheelchair has kidney disease - going to be taken to Darwin

A
  • “It’s all that white man junk food we eat”
  • “Then you’ll die in the wrong place…a long way from your country”
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6
Q

Talking to luke about permit

A
  • “Hunting isn’t recreational, it’s for food”
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7
Q

Looking at photo again in humpy

A
  • “I’m not a recreational shooter…I am … a hunter. I danced for the Queen of England when they opened that building. I bet you never did that.”
    • No one else is there - talking to audience/ Luke and letting them in on secret of photo
    • Sounds of memory return
    • Soft piano score emphasises sadness
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8
Q

Appointment with doctor

A
  • Told he need to “eat better” which is impossible because he only has access to “white man junk food” and he’s teeth don’t fit “I can’t eat with them and I can’t eat without them…I’m starving” response by doctor is that Charlie’s gotta wait for the dentist to come
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9
Q

Makes spear

A
  • “It’s a hunting spear, not a battle spear”
  • “I’m gonna have to destroy it”
  • “But you took my gun”
  • “Treacherous bastard”
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10
Q

Charlie walks past police station - angry now

A
  • “Oy why did you come here? From far away…stealing people’s stuff! In this you land?
  • “They took your rifle…and your car. They took my spear…and my gun. I work for them catching criminals and they don’t pay me. They stole our land and put a police station on it.”
  • “Live the old way…where we used to sleep as kids…we’ll hunt and fish there”
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11
Q

Positive experiences out bush

A
  • Crossing threshold - leaving influence of non-indigenous culture
  • Begins with long shots of grass which is symbolic of - roots (which Charlie is connecting to), connection (to the land) and foundation
  • Wide angle shots of land with Charlie in the centre - deep focus
    • Ability to track and navigate vast areas - intelligence demonstrated by confidence
    • Sentimental piano score - Aboriginal people mourning loss of connection
  • “Good tucker, this”
    • Camera pushes in to a close up - “our food”
  • “I’m free now! Lots of fish. I have my own supermarket. And this is my country! I can dance with it”
    • Dances
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12
Q

Negative experiences out bush

A
  • Rain comes and puts out warm vibrant fire - symbolic of Charlie’s mood and health - foreshadowing of health deterioration
  • Cave scene
    • Surreal soundscape - camera pans over rock paintings - sounds of his ancestors
      • Eerie and slightly disconcerting for Charlie
        • Disconnection from culture and impact of past
  • Charlie sleeping under log
    • Camouflage - nature protecting him
  • Ribs exposed contracting in fits of coughing - unhealthy due to white influence
    • Emaciated body on display - not wearing shirt - Rolph deHeer
  • Looking at photo again
    • Non-diegetic sound scape of piano returns - sounds of memory also return
  • “Mother country is a long way..too far”
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13
Q

Charlie with doctor in community after being out bush

A
  • “I thought I told you to look after yourself Charlie”
  • “It’s off to Darwin for you now my friend”
    • Sinister feeling as if he won’t return - faceless voice
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14
Q

In hospital

A
  • “Do you mind if I call you Charlie? I have difficulty pronouncing foreign names.
  • “Now I’m a foreigner?” - in Yolngu
  • “Found in the bush”
  • “I was born in the bush, they didn’t find me in the bush.”
  • “I see you still have your sense of humour”
  • “I want a doctor”
  • Crying when with Albert - causes him to give up - only very minimal humour after this point
  • Only sound of respirator - mechanical heart beat - not truly alive
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15
Q

Long grassers

A
  • Faith banned from buying alcohol - NT intervention
  • “What a mess..they should just shoot us like in the old days” - Faith
  • Pete and old Lulu visit
    • “She’s wrong skin for you”
    • “And that’s poison you’re drinking; it rots your brain”
    • “He didn’t go straight way; he went any which way”
  • Repetitive montage of descending into alcoholism accompanied by the piano music
  • Nod head to black woman on the street
  • Charlie pushes Faith - toxic relationship
  • Runner pushing past Faith and Charlie emphasises disrespect
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16
Q

Police come to long grasser’s camp

A
  • “This is our land you bastards!”
  • “Where’s your home?”
  • Hits cop car
  • “You treacherous fuck! Come on, I trusted ya”
  • “You fucking turn on me you useless black bastard”
17
Q

Luke Arrests Charlie

A
  • “I should have hunted you down that day Charlie…but I did nothing and that is a big mistake by me”
  • “You know you can’t just sit on the grass and call it the old ways”
  • “No they haven’t. You’re still trying to change our culture to your bastard culture”
18
Q

Court scene

A
  • Tie - hamburgers and fries - constricting vices of “white man junk food”
  • Suit - guise
  • Judge is higher (like Luke and Erol were) with camera pointing up at him but level with Charlie
  • “My country is my home”
  • Judge is unseen as he gives sentences reflecting the faceless bureaucracy that controls the lives of the indigenous people.
  • When the camera does pan to him he is clearly frustrated by Charlie speaking in his language
  • “I was living in my home, nice and peacefully, then the police came to throw me out.”
  • Looking down barrel of camera - challenges audience - asking them am I a criminal
19
Q

Charlie meets parole officer

A
  • “What about going back to your community? You can live your own way”
  • “Nah, whitefellas locked me up for being aboriginal. I might have to live white fellas way now”
  • “The police are known drinkers”
20
Q

Deciding to go home

A
  • “I want to go home now…back to my own country…where my place is”
    • Bird song/ bush soundscape is overlaid on the shot of Charlie behind bars suggesting committing to the decision takes him home
21
Q

Back at Ramingining store

A
  • “The food in prison is better than this. Ahh, doesn’t matter”
22
Q

Pete and Old Lulu

A
  • Bobby has been sent to Darwin - nothing has changed - cyclical - piano music shows how Charlie is moved
  • Charlie decides to dance only after having heard the news
    • He is the change and breaking the cycle
    • “Okay, I’ll teach them. I’d like to do it. Me”
23
Q

Title

A
  • The fact that his non-indigenous name is used insinuates it is not truly his country and illustrates how native title like his name has been tainted by colonisation and anglo-influence
24
Q

Looking at photo of dancing at opening of opera house

A
  • Contemplative/ nostalgic piano score - audience is othered as we cannot see the image
  • Dogs barking and glasses that he needs to see picture - already influence of colonisation
  • Charlie looks towards camera and we here clapping stocks - entered into his memories briefly
25
Q

Throws cigarettes in fire

A
  • Caught between two worlds
  • Rejecting ‘vices’ as they cause harm
26
Q

Drinking in front of no liqure sign

A
  • Shows defiance and resilience
27
Q

Albert is taken to Darwin

A
  • Tear rolls down Charlie’s face - no humour - shows the devastation of this event as it cannot be masked as usual
28
Q

On plane to Darwin

A
  • Depressed expression - dull half closed eyes
  • Soundscape from cave returns then fades entirely - symbolic of being turn from country
29
Q

Prison

A
  • Shaving Charlie’s hair
    • Stripping of identity as an aboriginal elder
    • Looks at and challenges audience - looks down given up
  • Montage emphasises solitude, isolation and loneliness
    • The mundanity is depressing - repetitive and monotonous
  • Shots of Charlie through fence highlights entrapment
  • Soundscape
    • Harsh abrasive sounds of lights
    • Deep ominous hum of dryers
  • Food better than in community
  • Pete representative of an indigenous person navigating life in a society controlled by white bureaucracy
    • Doing his best to deal with the constraints of the system
30
Q

First scene back in Ramingining

A
  • Charlie sitting outside humpy throwing cigarettes in fire with hair fully grown back
    • Nothing has changed - cyclical structure
31
Q

Teaching children to dance

A
  • Tells story of dancing for the queen - dance will make society that looks down on them respect them
  • Becomes a role model
  • Passing on pride in their culture
  • Camera is more free flowing - reflects Charlies free state of mind and liberty that comes from connection to community and culture
    • Blazing fire represent Charlie’s happiness, pride and feeling of community/ respect
32
Q

Credit run

A
  • Gazing towards the horizon - hope
  • Blazing fire is symbolic of Charlie’s renewed sense of purpose
  • Peaceful community soundscape