Chapter 14: Coming back
Chapter 13: The wash
Chapter 12: About sending letters
Chapter 12: About sending letters
Chapter 11: The Mine
Chapter 10: The giant in the cloak
Chapter 9: Bala, the child of Hope
Chapter 8: Norm’s responsibility
epic
a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants
A long narrative poem in elevated style presenting characters of high position in adventures forming an organic whole through their relation to a central heroic figure and through their development of episodes important to the history of a nation or race.
— Harmon & Holman (1999)[12]
An attempt to delineate ten main characteristics of an epic:[12]
Begins in medias res (“in the thick of things”).
The setting is vast, covering many nations, the world or the universe.
Begins with an invocation to a muse (epic invocation).
Begins with a statement of the theme.
Includes the use of epithets.
Contains long lists, called an epic catalogue.
Features long and formal speeches.
Shows divine intervention in human affairs.
Features heroes that embody the values of the civilization.
Often features the tragic hero’s descent into the underworld or hell.
The hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat him in his journey and returns home significantly transformed by his journey. The epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by the society the epic originates from. Many epic heroes are recurring characters in the legends of their native cultures.
Chapter 7: Something about the Phantom Family
Chapter 6: Knowing Fish
Chapter 5: Mozzie Fishman
Chapter 4: Number One House
Chapter 3: Elias Smith comes… and goes
Chapter 2: Angel Day
Chapter 1: From Time Immemorial
narrative chronology, topography… time and space?
Rather than having a linear plot with chapters that are linked chronologically, Carpentaria advances through a series of stories about the different characters and significant events. This episodic structure (=allows the audience to keep watching or reading, even if they have missed an episode) is characteristic of oral traditions in which themes tend to be more important than the plot and the episodes are very often interchangeable. It is also reminiscent of how memory works, with one thought leading to another with the links between them clear only to the person whose thoughts they are.