Chapter Two: Disccusion Questions Flashcards

1
Q

What historic event in 1192 marked the significant transformation of South Asian society, religion, and art?

A

The Battle of Tarain

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2
Q

What does the name of Delhi’s first mosque, Quwwat al- Islam, mean? How does the significance of the Qtub Minar’s status as the “tallest extant minaret in the world” contribute to its use and symbolism? How tall is it? What do the inscriptions in Arabic and Persian proclaim?

A
  • Quwwat al- Islam (might of Islam)
  • Victory of Islam
  • 238 foot
  • Inscriptions in Arabic & Persian proclaim- the minerat casts a shadow of Allah over the conquered Hindu city
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3
Q

What architectural features of the Alai Darvaza illustrate the entrance pavilion as a blend of both Hindu and Islamic architecture? How else does Quwwat al- Islam utilize other Hindu elements?

A

• It combines Islamic pointed arches, decorative grills over the windows, and a hemispherical dome with a crowning finial that recalls the motifs at the top of many Hindu temple towers

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4
Q

While Muslim sultans controlled northern India, Hindu rulers controlled central and southern India. The “most powerful” Hindu kingdom of the era was the Vijayanagar Empire founded in 1336 by King Harihara. From where does the name of the empire originate? What contributed to success of Vijayanagar, under who did it flourish as a center for culture and learning?

A
  • The name of the empire originated from the name Vijavanagara “City of Victory” on the Tungabhadra River
  • Under its greatest King, Krishnadervaraya, who was also a renowed poet, the Vijayanagar Kingdom was a magnet for the learned and cultured from all corners of India.
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5
Q

Where is the Lotus Mahal? What does the Lotus Mahal, built in the15th or early 16th century, have in common with the Alai Darvaza? What architectural elements are clearly of the Dravida southern style? What are Islamic?

A
  • Lotuc Mahal is located in Vijavanagara, India
  • Architectrual elements of Dravida: tall pyramid vimanas (towers) over the garbha griha, the inner sanctuary
  • The windows of the upper level as well as the arches of the ground-floor piers have the distinctive multilobed contours of Islamic architecture
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6
Q

How did rule of India become unified under the Mughal Empire, 1526 - 1857? What is the origin of the term Mughal and how does it differ from the Mughals’ identification of its lineage?

A
  • Babur defeated the last of the Ghorid sultans of northern India at the Battle of Panipate
  • A western term, means “descended from the Mongols” although the Mughals considered themselves descendants of Timur
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7
Q

What is the Hamzanama? By whom was it commissioned, where were the artists who worked on it trained, how many paintings did it contain, and how long did it take to complete?

A
  • Hamzanama: the story of Hamza, Muhammad’s uncle
  • It had 1400 large paintings on cloth
  • It took 15 years to complete
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8
Q

What is the Akbarnama? What is the significance of the miniature, Akbar and the Elephant Hawai, ca 1590, both artistically and politically? What artistic elements did the designer, Basawan, incorporate to induce drama? With whom did Basawan collaborate? Why is it significant that we know their names?

A

• Akbarnama: History of Akhar
• “Akbar and the Elephant Hawai” significance:
artistically-
politicially: and allerogy of Akhar’s ability to govern- that is, to take charge of an unruly state.
• Artistic elements:
• Basawan collaborated with Chatar Muni
• It is significate that we know their names because they were the 1st noted artist to be credited for their work

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9
Q

Who was Bichitr and how does the composition Jahangir Preferring a Sufi Shaykh to Kings, ca. 1615 – 1618, demonstrate the significance of English trade in the Mughal court? What does the miniature-within-the-miniature painting signify? What is the personal relationship of the Sufi to Jahangir?

A
  • Bichitr- Akbar’s son & successor

* The miniature-wintin-a-miniature signifies Bichitr bowing deeply before the emperor

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10
Q

What is the origin of the tomb in India? Who is entombed in the Taj Mahal at Agra? How does the plan differ from traditional Iranian garden pavilions? What impression does the architect intend to make and how do the reflecting pools contribute to that impression? How was the balance of horizontality and verticality achieved? What do the excerpts from the Koran inscribed on the gateway to the gardens and walls of the mausoleum indicate about the interpretation of the site’s design? Where is the most revered place of burial according to Islamic tradition?

A
  • The origin of the tomb in India:
  • Entombed in the Taj Mahal: Mumataz Mahal & Shah Jahan
  • Traditional Iranian pavilion difference: the building stands at one end rather than in the center of the formal garden
  • Architect intentions: shadowy voids with light-reflecting marble walls that seem paper thin creates an impression of translucency
  • Balance of horizontally & vertically by strictly applying an all-encompassing system of proportions
  • Inscribed on the gateway to the gardens and the walls of the mausoleum are carefully selected experts from the Koran that confirm the historian’s interpretation of the tomb’s symbolism
  • Most revered place of burial according to Islamic tradition: beneath the Throne of God
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11
Q

Where are the Hindu Rajput kingdoms and how do they relate to the Moghul Empire? How does Rajput painting compare to Mughal and Persian painting? What is the most popular subject of Rajput paintings? What is bhakti and how did the Gita Govinda by the poet Jayadeva inspire artists to depict it? What stylistic elements identify the Pahari School? What does lightening symbolize?

A
  • Hindu Rajput Kingdoms location: northwestern India (persent-day Rajasthan) & relation to Moghal Empire:
  • Rajput painting compre to Mughal & Persian painting: its formate & material
  • Bhakti: love as a model of devotion & the Gita Govinda: related to the story of Krishna & Radha
  • Lightening symbolize: sexual excitement
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12
Q

Under the Nayak Dynasty, 1529 -1736, in the far south of India some of the largest temple complexes in India were constructed. What are the gopuras at the Great Temple of Madurai? What are their architectural elements? How is the vibrancy of the stuccosculptures maintained? What other Hindu architectural elements are part of the Madurai Nayak temple complex? How are they used today?

A
  • The gopuras at the Great Temple of Maduria: gateway towers
  • Architectural elements: decorated from top to bottom with painted sculptures
  • Stuccosculptures maintained: Reconscration of the temple occurs at 12 year intervals (receive a new coat of paint)
  • Other Hindu architectural elements of the Madurai Nayak temple complex: mandapas
  • Yearly festivals
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13
Q

When was the East India Company chartered, by whom was it chartered, and for what purpose? How did the East India Company’s trading activity lead to its rule of India? How did its replacement lead to Queen Victoria assuming rule of all India?

A
  • East India Company charted: December 31 1599 by Queen Elizabeth I to compete with the Portuguese and Dutch in the lucrative trade with South Asia
  • Parliament abolished the company and replaced its governor-general with viceroy of the crown, which lead to Queen Victoria to assume the title of Empress of India.
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14
Q

What contribution did British rule bring to India? What is the symbolic meaning of the Victoria Terminus, begun in 1878? How does the allegorical statue of Progress present an ironical counterpoint to the architectural design of Frederick W. Stevens?

A
  • British rule in India: Industrial Revolution & railroads
  • Symbolic meaning of the Victoria Terminus: named after the new empress of India and is a European transplant to the subcontinent & colonial rule
  • The design looks backwards, not forwards
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15
Q

How is Western influence demonstrated in Maharaja Jaswant Singh of Marwar, ca. 1880? What elements and symbols of traditional Indian miniature painting remain?

A
  • Western influence demonstrated in “Maharaja Jaswant Singh of Marwar”: sitter sits in an ordinary chair, arm resting on simple table with bouquet of flowers and a book “pses as an ordinary British gentlemen in his sitting room”
  • Symbols of traditional Indian miniature remain: same scale & materials “opaque watercolor on paper”
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16
Q

The Khmer of Angkor lost one of its Thai outposts in the mid 13th century leading to the Thai kingdoms supplanting it in influence over Southeast Asia. Thai, Vietnamese, and Burmese expansions lead to major cultural, political and religious transformations with most of Indonesia transitioning from mostly Theravada Buddhism in the 13th century to Muslimism by the 16th century.
Dating from the1292 construction of King Ramkhamhaeng’s four-sided stele bearing the first inscription written in Thai language, the Sukhothai period, is considered “the golden age “ of Thai Art. Sukhothai’s most important Buddhist monastery is Wat Mahathat. What unique attributes does the Walking Buddha, 14th century Sukhothai, display? How does Thai body from differ from the Gupta Classic Style? What purpose did Thai artists have by using this body form? Why is bronze considered the best medium for this statue? Which lakshimas are present that tell the viewer this is Buddha?

A
  • Unique attributes of “Walking Buddha”: body form
  • Thai body form differ from Gupta Classic style: broad shoulders, small waist, right arm hangs loose without muscle or joints, like an elephant trunk
  • Thai artists intention for the body form: suggest a supernatural being & express the Buddha’s beauty & perfection
  • Bronze is considered the best material for this statue: the Sukhosthai artists handled bronze best, to show the Buddha’s body as elastic
  • Lakshimas: mudra “fear not” flame on top of head, sharp nose & round face
17
Q

What is the Emerald Buddha in Bangkok, 15th century, actually made of? What act of nature revealed its underlying material? How does the material contribute to the identity of Buddha and how does possession of the Emerald Buddha enhance the authority of the Thai king? What responsibility does the Thai king have in the care of the Buddha? What special power does it give its possessor?

A
  • “Emerald Buddha” made of jade
  • A lightning bold caused some of the plaster to flake off, disclosing its gemlike nature
  • Possession of the “Emerald Buddha” brings the rains
  • The Thai King dresses the “Emerald Buddha” at different times of the year in a monk’s robe/king’s robe
  • Power: religious and secular authority
18
Q

The Schwedagon Pagoda in Rangoon, Myanmar has one of the largest stupas in the world. For what materials is it known? Why did the laypeople of Myanmar contribute these materials?

A
  • Material Known for: gold & silver

* Lapeople of Myanmar contribute these materials as a gift to produce merit

19
Q

Vietnam has both Indian and Chinese art and cultural influences. The earliest Vietnamese ceramics date to the Han period, 206 BCE – 220 CE. With Vietnam regaining independence from China after a thousand years of control, ceramists developed higher levels of quality and creativity. What elements of the Dish with two Minah Birds, 16th century, reflect the Chinese heritage and Vietnamese departures?

A

• Elements of the “Dish with two Birds” reflect Chinese heritage & Vietnamese departures: blue & white ceramic produced in China & how the spontaneity, power & playfulness of Vietnamese painting contrast with the formality of Chinese wares

20
Q

What is the “one of the fundamental quandaries” facing contemporary Southeast Asian artists today? How did Meera Mukherjee resolve this question? Where did she receive her formal training? From what region and tribe of India did she master the traditional lost wax method of bronze casting? Why is Ashoka at Kalinga, 1972, considered Mukherjee’s greatest work? What political statement was she making by referring to Asoka’s conversion to Buddhism?

A
  • How to identify themselves and situate their work between local & international, traditional & modern & non-Western & Western cultures
  • Meera Mukherjee: bridged these two poles by rejected what she learned in favor of the techniques long employed by traditional sculptors of the Bastar tribe in central India
  • Meera Mukherhee’s formal traing: Germany
  • Learned Lost wax method from: Bastar tribe in central India
  • Greates work because: it assembled from 26 cast-bronze sections, the towering statute combines the intricate surface textures of traditional Bastar work with the swelling abstract forms of 20th century European sculpture
  • Political statement: pacifist protest against political violence of the late 20th-century India.