Chapter 8 Flashcards
The understanding of Pop musicin the Philippines has continued to transform as _____ that has evolved through time.
social factors, new technologies, media transmission, and ideas of nationhood
as defined, is produced for a broad audience, generated by essential music sectors, and disseminated by various media companies.
Pop music,
may be a description of music that has been widely distributed or highly patronized by the masses.
“Popular”
on the other hand is used as a genre whose various styles have evolved from the 1950s rock and roll music and is considered an industry product.
“Pop”
atypeofmusic,usuallyplayedonelectronicinstruments, that ispopularwith manypeoplebecause itconsistsofshortsongswith astrongbeatandsimpletunesthat areeasytoremember.
Pop music or pop
is called as such not because it necessarily emanates from the populace but more because of its great accessibility to the public.
pop music
Songs that attain _______title regularly occupy the hit charts through the combined reach of media and marketing strategies of record makers.
“pop hit”
It is necessary to coordinate elements such as song arrangement, artist image, music and lyrical hooks, media presence, a fan base, and promotions to name a few, to achieve the mass popularity of an artist and a record
pop hit
Pop music in the Philippines was heavily influenced by ________ style of pop music.
American
Until 1973, pop music in the Philippines only meant ____________
Western pop music.
In the early years of American colonial rule, popular music in the Philippines consisted of the
kundiman, danza, balitaw, and other traditional forms
(the moving pictures) and radio opened the floodgates to American popular music.
Vaudeville
1920__________“Filipino Jazz Queen” – “Balut”
Katy de la Cruz
Pedro Barnachea “Magandang Juaning revived by Yoyoy Villame as “Mag-Exercise Tayo”
Foxtrot –
Fred Panopio “O Ang Bababe
Rock and Roll –
“Elvis Presley of the Philippines”
Eddi Mesa -
“Doris Day of the Philippines”
Anita Valenzuela -
“Perry Como of the Philippines”
Diomedes Maturan -
“Timi Yuro of the Philippines”
Nora Aunor -
The _________became a driver of Pinoy pop iconology from 1955-1964 as it integrated with radio, television, film, advertising and record industries to harness a pop culture scene.
“Tawag ng Tanghalan”
Singing in the English language and recording_____adaptations of Amedican hits became the fad across all media
“plakado”
experimentation with hard rock and their song “Himig Natin”, which used plaintive Filipino lyrics, may be considered as the first Pinoy rock piece.
Joey “Pepe” Smith and the Juan de la Cruz Band’s
Soon came the Hot Dog with a slowed down, melodious beat, and a hit title in Taglish,
“Pers Lab”;
The desire of Filipino pop musicians to produce music they could call their own and which they hoped would find support among the youth first found expression in
Joey “Pepe” Smith….
Denis and Rene Garcia (Hot Dog) pioneered what became labeled as
Manila Sound;
requires all radio stations to play at least one Filipino composition every hour.
BMC (Broadcasting Media Council) –
aided the movement of boosting the pop music among the Filipino people
Metro Manila Pop Song Festival
Freddie Aguilar’s ________went international and became a global hit.
“Anak”
continue to write songs in their native language, and the very rhythm of the language may well be transforming their music and creating sounds that are original, modern, and distinctly Filipino.
Filipino musicians
