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MUS 110 Music Appreciation > Chapter 68: Underscoring Meaning: Williams and Music for Film > Flashcards

Chapter 68: Underscoring Meaning: Williams and Music for Film Flashcards

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Study These Flashcards

MUS 110 Music Appreciation (50 decks)

Chapter 1: Melody: Music Line

Chapter 2: Rhythm and Meter: Musical Time

Chapter 3: Harmony: Musical Space

Chapter 4: The Organization of Musical Sounds

Chapter 5: Musical Texture

Chapter 6: Musical Form

Chapter 7: Musical Expression: Tempo and Dynamics

Chapter 8: Text and Music

Chapter 9: Voices and Instrument Families

Chapter 10: Western Musical Instruments

Chapter 11: Musical Ensembles

Chapter 12: Style and Function of Music in Society

Chapter 13: Putting Music Into Words

Chapter 14: Voice and Worship: Tradition and Individuality in Medieval Chant

Chapter 17: Singing in Friendship: The Renaissance Madrigal

Chapter 18: Remember Me: Personalizing the Motet in the Renaissance

Chapter 23: Musical Sermons: Bach and the Lutheran Cantata

Chapter 24: Textures of Worship: Handel and the English Oratorio

Chapter 27: Sounding Spring: Vivaldi and the Baroque Concerto

Chapter 29: Musical Conversations: Haydn and Classical Chamber Music

Chapter 30: The Ultimate Instrument: Haydn and the Symphony

Chapter 31: Expanding the Conversation: Mozart, Chamber Music, and Larger Forms

Chapter 32: Conversation with a Leader: The Classical Concerto

Chapter 33: Personalizing the Conversation: Beethoven and the Classical Sonata

Chapter 34: Disrupting the Conversation: Beethoven and the Symphony in Transition

Chapter 35: Making it Real: Mozart and Classical Opera

Chapter 36: Mourning a Hero: Mozart and the Requiem

Chapter 37: Musical Reading: Schubert, Schumann, and the Early Romantic Lied

Chapter 39: Dancing at the Keyboard: Chopin and Romantic Piano Music

Chapter 43: Absolutely Classic: Brahms and the Nineteenth-Century Symphony

Chapter 45: Total Art: Wagner and German Romantic Opera

Chapter 47: Exotic Allure: Puccini and the Italian Verismo Tradition

Chapter 49: Mythical Impressions: Program Music at the End of the Nineteenth Century

Chapter 50: Jubilees and Jubilation: The African American Spiritual Tradition

Chapter 51: A Good Beat: American Vernacular Music at the Close of the Nineteenth Century

Chapter 52: Anything Goes: Schoenberg and Musical Expressionism

Chapter 53: Calculated Shock: Stravinsky and Modernist Multimedia

Chapter 55: War is Hell: Berg and Expressionist Opera

Chapter 56: American Intersections: Jazz and Blues Traditions

Chapter 57: Modern America: Still and Musical Modernism in the United States

Chapter 58: Modern Experiments: Gershwin and "Cultivated Jazz"

Chapter 59: Sounds American: Ives, Copland, and Musical Nationalism

Chapter 62: New Sound Palettes: Mid-Twentieth Century American Experimentalists

Chapter 63: Staged Sentiment: American Music Theater

Chapter 64: Less is More: Reich and Minimalist Music

Chapter 66: Returning with Interest: Bowie, Blass, and Postmodern Elaboration

Chapter 67: Neo-Romantic Evocations: Higdon and Program Music Into the Twenty-First Century

Chapter 68: Underscoring Meaning: Williams and Music for Film

Chapter 70: Reality Shows: Adams and Contemporary Opera

Chapter 22: Performing Grief: Purcell and Early Opera

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