Chapter 5 - Classical Period Flashcards
sonata form
a form often found in the first and last movements of sonatas, symphonies, and string quartets, consisting of three parts–exposition, development, and recapitulation.
exposition
first section of a sonata form movement, in which the themes and key areas of the movement are introduced; the section normally modulates from the home key to a different key
development
the middle section of a sonata-form movement in which the themes and key areas introduced in the exposition are developed
recapitulation
third and final section of a sonata-form movement, in which the themes of the exposition return, now in the home key of the movement
coda
optional final section of a movement that reasserts the home key of the movement and provides a sense of conclusion
minuet and trio form
form based on the minuet dance that consists of a Minuet (A), then a contrasting Trio (B), followed by a return to the minuet (A)
theme and variations form
the presentation of a theme and then variations upon it. The theme may be illustrated as A, with any number of variations following it - A’, A’’, A’’’, A’’’’, etc.
da capo
an instruction - commonly found at the end of the B section or Trio of a Minuet and Trio, to return to the “head” or first section, generally resulting in an A-B-A form
scherzo
form that prominently replaced the minuet in symphonies and string quartets of the nineteenth century; like the minuet, scherzos have a triple feel, although they tend to be somewhat faster in tempo than the minuet
rondo
instrumental form consisting of the alternation of a refrain “A” with contrasting sections (“B,” “C,” “D,” etc.). Rondos are often the final movements of string quartets, classical symphonies, concerti, and sonatas (instrumental solos)
opera buffa
comic style of opera made famous by Mozart
cadenza
section of a concerto in which the soloist plays alone without the orchestra in an improvisatory style
string quartet
performing ensemble consisting of two violinists, one violist, and one cellist.
It is generally in four movements
symphony
multi-movement composition for orchestra, often in four movements
Joseph Haydn (1732-1809)