Chapter 3 Flashcards
1
Q
- A representation is ________.
A
a simplification or interpretation of the thing it describes or refers to
2
Q
- In C. S. Peirce’s categorization of signs, a symbol ________.
A
bears no direct resemblance to what it signifies
3
Q
- The literal or most obvious interpretation of a sign is _______.
A
denotative meaning
4
Q
- If you are watching a television show and realize you are understanding the meaning of the show due to your knowledge of similar shows in the same genre, this is an example of which of the following?
A
Intertextuality
5
Q
- The fact that any given sign can have many meanings illustrates the ________.
A
indeterminacy of representation
6
Q
- In semiotics, a sign is comprised of ________.
A
a signifier
a signified
Both a and b correct
7
Q
- As a social model of communication, the encoding/decoding model draws attention to the fact that communication is given form by ________.
A
social factors
8
Q
- The issue of agency/structure is also a key question for trying to understand and explain ________.
A
how media systems operate
9
Q
- Literary criticism’s roots reach back to when ________.
A
written records first emerged
10
Q
- Vladimir Propp’s work focused on which of the following areas related to media content?
A
Narrative structure
11
Q
- For post-structuralists, “meaning” is made in the act of ________.
A
decoding
12
Q
- Discourse analysis focuses on ________.
A
how language positions us in the social world
13
Q
- All of the following are examples of the “filters” identified by Herman and Chomsky that impact news media except ________.
A
indeterminacy of representation
14
Q
- In the 1930s, soap operas were designed to socialize a home-confined, female audience with disposable income into ________.
A
the art of consuming
15
Q
- The key attraction of reality TV to producers and television networks is ________.
A
its low cost