Chapter 21 Flashcards

1
Q

What is atonality?

A

the absence of a tonal centre

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2
Q

What did Schoenberg suggest calling atonal music?

A

pantonal

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3
Q

What is expressionism?

A

A broad artistic movement of the time that sought to give voice (expression) to the unconscious, to manifest humanity’s deepest and often darkest emotions.

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4
Q

How is expressionism linked to primitivism?

A

they both attempt to strip away civilized behavior and reveal the darkest recesses of human emotion.

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5
Q

What is the quintessential act of expressionism?

A

the scream, an utterance that is not a word, a product of civilization but rather an intense, spontaneous reaction to something that has caused pain or fear.

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6
Q

What style of singing was called for throughout Schoenberg’s “Pierrot lunaire”?

A

Sprechstimme

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7
Q

What is sprechstimme?

A

“speach voice”
Neither speech nor song, but a means of declamation somewhere between the two.
Vocalist must articulate specified pitches and rhythms

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8
Q

What was the most successful atonal work of the early 20th century?

A

Berg’s opera, “Wozzeck”

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9
Q

How was Berg’s Wozzeck structured according to act?

A

Act I: 5 character pieces (exposition)
Act II: Symphony in 5 movements (development)
Act III: Six inventions (catastrophe or denouement)

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10
Q

What is the technique of serial composition?

A

It’s based on the premise that an established unit of music - most often a row, or series, of 12 different pitches - can be varied repeatedly in such a way to prvide the structural basis for an entire work

a constant presence of a row in one guise or another

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11
Q

What is dodecaphony?

A

another name for twelve-tone serial composition.

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12
Q

What is twelve-tone serialism?

A

it uses as its basic unit a row of 12 different pitches drawn from the 12 pitches of the chromatic octave.

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13
Q

what were the three principal functions of the 12 tone row?

A
  1. to avoid creating the impression of a principal note which might suggest a “tonic” key area
  2. to unify the composition motivically
  3. to “emancipate” the dissonance, that is, to eradicate any distinction between consonance and dissonance.
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14
Q

What are the four basic forms any given row can be transposed to start on any of the 12 chromatic pitches in the diatonic scale?

A
  • prime (P) is the basic form of the row
  • Inversion (I) is the row played upside down: a rise of a major third in the prime form of the row becomes a fall of a major third; a fall of a minor second in the prime form becomes a rise of a minor second and so on\
  • Retrograde (R) is the row played backwards
  • Retrograde Inversion (RI) is the inverted form of the row’s retrograde.
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15
Q

How is the pitch class on which each form of the row begins on is designated?

A

it is designated by a number.

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16
Q

Who was in the “second viennese school”?

A

Schoenberg, Webern, and Berg

17
Q

Who was the “first viennese school?”

A

Haydn, Mozart and Beethoven