Chapter 19 Rhythm Flashcards

1
Q

Stress

A

An emphasis or accent placed on a syllable is speech. Clear pronunciation or polysyllabic words almost always friends on correct placement of their stress. (For instance, DE- sert and de- SERT are two different words and parts of speech, depending on this.) This is the basic principle of most English- language meter.

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2
Q

Accent

A

An emphasis or stress placed on a syllable in speech. Clear pronunciation of polysyllabic words almost always depends on correct placement of their accents (e. g., DE- sert and de- SERT are two different words and parts of speech, depending on this). This or speech stress is the basis of most meters in English.

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3
Q

Meter

A

A recurrent, regular, rhythmic latter in verse. When stresses recur at fixed intervals, the result is this. Traditionally, this has been the basic organizational device of world poetry. There are many exciting types of these, each identified by the different patterns of recurring sounds. In English most common meters involve the arrangement of stressed and unstressed syllables.

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4
Q

Iambic Meter

A

A verse meter consisting of a specific recurring number of iambic feet per line.

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5
Q

Slack Syllables

A

A unstressed syllable of a line of verse.

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6
Q

Accentual Meter

A

A meter that uses a consistent number of strong speech stresses per line. The number of unstressed syllables may vary, as long as the accented syllables do not. Much pious at poetry, such as rap and nursery rhymes, is written in this.

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7
Q

Cesura/ Caesura

A

A pause within a line of verse. Traditionally, they appear near the middle of a line, but their placement may be varied to create expressive rhythmic effects. It will usually occurs at a mark of pronunciation, but there can be one of there even if no punctuation is present.

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8
Q

End- Stopped Line

A

A line of verse that ends in a full pause, usually indicated by a mark of punctuation.

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9
Q

Run- On Line

A

A line of verse that does not end in punctuation, but carries on grammatically to the next line. Such lines are read aloud with a slight pause at the end. This is also called enjambment.

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10
Q

Prosody

A

The study of metrical structures in poetry.

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11
Q

Scansion

A

A practice used to describe ethnic patterns in a poem by separating the metrical feet, counting the syllables, marking the accents, and indicated the pauses. It can be very useful in analyzing the sound of a poem and how it should be read aloud.

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12
Q

Foot

A

The unit of measurement in metrical poetry. Different meters are identified by the pattern and order of stressed and unstressed syllables in their food, usually containing two or three syllables, with one syllable accented.

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13
Q

Iambic

A

A line made up primarily of iambs.

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14
Q

Iambs

A

A metrical foot in verse in which on unaccented syllable is followed by an accented one, as in “ca- ress” or “a cat” (U /). This is the most common meter used in English poetry.

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15
Q

Anapestic

A

A line made up primarily of anapests.

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16
Q

Anapests

A

A metrical foot in verse in which two unstressed syllables are followed by a stressed syllable, as in “on a boat” or “in a slump” (U U /).

17
Q

Trochaic

A

A line made up primarily of trochees.

18
Q

Trochees

A

A metrical foot in which a stressed syllable is followed by an unstressed syllable (/ U) as in the words sum- met and char- us. This is often associated with songs, chants, and magic spells in English.

19
Q

Dactylic

A

A line made up primarily of dactyls.

20
Q

Dactyls

A

A metrical foot of verse in which one stressed syllable is followed by two unstressed syllables (bar- ter- y or par- a- mour). This is less common to English than it was to Classical Greek and Latin Verse. Longfellow’s Evangeline is the most famous English- language long example (/ U U).

21
Q

Rising Meter

A

A meter whose movement rises from an unstressed syllable (or syllables) to a stressed syllable (for- get, De- troit). Iambic and anapests are examples of this.

22
Q

Falling Meter

A

Trochaic and dactylic meters are examples of this because their first syllable is accented, followed by one or more unaccented syllables. A foot of this falls in its level of stress, as in the words co- medy or aw- ful.

23
Q

Monosyllabic Foot

A

A foot, or unit of meter, that contains only one syllable (/).

24
Q

Spondee

A

A metrical foot of verse containing to stressed syllables (/ /) often substituted into a meter to create extra emphasis (- -).

25
Q

Iambic Pentameter

A

The most common meter in English verse- five iambic feet per line. Many fixed forms, such as the sonnet and heroic couplets, are written in iambic pentameter. Unrhymed iambic pentameter is called black verse.

26
Q

Monometer

A

One foot

27
Q

Dimeter

A

Two feet

28
Q

Trimeter

A

Three feet

29
Q

Tetrameter

A

Four feet

30
Q

Pentameter

A

Five feet

31
Q

Hexameter

A

Six feet

32
Q

Heptameter

A

Seven feet

33
Q

Octameter

A

Eight Feet

34
Q

Rhythm

A

The pattern of stresses and pauses in a poem. A fixed and recurring rhythm in a poem is called meter.