Chapter 12 - Music and Speech Perception Flashcards

1
Q

How fast can we understand speech rates in our native language?

A

Up to 50 discrete sound units per second

- even though speech in general can only be processed at 12 units per second

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2
Q

What is the goal of speech perception?

A

to develop a meaningful representation of what a speaker

intended to say

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3
Q

What are phonetics?

A

How each speech sound is

produced

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4
Q

What are phonemes?

A

How specific sounds distinguish words in a language

- Smallest unit of language that, if changed, would change the meaning of the word

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5
Q

How many phonemes are there in English?

A

About 40

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6
Q

What two types of sounds can the vocal tract produce?

A
  • consonants

- vowels

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7
Q

Describe the process of speech production?

A
  1. Respiration (lungs)
  2. Phonation (vocal chords)
    ‣ Vibration of the vocal chords
  3. Articulation (vocal tract)
    ‣ Movement of the articulators (lips, tongue body and tip,
    jaw)
    ‣ Closing - Consonants
    ‣ Opening - Vowels
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8
Q

Why do humans have the largest vocal range in the animal kingdom?

A

Because the larynx is located much lower in the vocal tract, allowing us to produce more sounds due to the flexibility of vocal chords but makes us more vulnerable to choking

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9
Q

What are formants?

A
A resonance of the vocal tract
‣ Formants are specified by their
frequency and are denoted by
integers that increase with
relative frequency
‣ The first and second formants
are most important for sound
categorization
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10
Q

What is the fundamental frequency?

A

the lowest frequency produced by the oscillation of the whole of an object, as distinct from the harmonics of higher frequency.

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11
Q

What is a harmonic?

A

an overtone accompanying a fundamental tone at a fixed interval, produced by vibration of a string, column of air, etc., in an exact fraction of its length.

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12
Q

What is vowel creation dependent on?

A

Depends largely on the position
and height of the tongue
- Rounding of the lips also affect
vowel production

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13
Q

What is a spectrogram?

A

In sound analysis, a three dimensional display that plots time on the horizontal axis, frequency on the vertical
and amplitude on a colour (or grayscale)
- sounds that may sound similar sometimes have different spectral representations

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14
Q

How are consonants classified?

A
1. Voicing - Vibration of vocal cords that
follows the onset of airflow
a) Voiced consonants
‣ Vibrating vocal cords
‣ ‘b’, ‘m’, ‘z’, ‘l’, ‘r’
b) Voiceless consonants
‣ Non-vibrating vocal cords
‣ ‘p’, ’s’, ‘ch’
2. Manner - Nature of restriction of airflow in the vocal
tract
a) Stops
‣ Completely obstructed
b) Fricatives
‣ Partially Obstructed
c) Laterals
‣ Light obstruction
d) Affricates
‣ First blocked than allowed to sneak through
e) Nasals
‣ Blocked, at first, from going through the mouth, but
allowed to go through the nasal passage
3. ‣ Place - Place at which airflow is restricted
a) Labial (bilabial)
‣ At the lips
b) Alveolar
‣ At the ridge behind the teeth
c) Palatal
‣ Against the hard palate
d) Velar
‣ Against the velum (the soft palate)
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15
Q

What is coarticulation?

A

one sound bleeds into the next (a restriction of language because we can’t move our tongues, jaws and vocal chords past a certain point)
- we often finish a word in the same mouth position that we started the word in

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16
Q

What happens in normal speech, as opposed to an idealized speech pattern?

A

Movements of the articulators typically produce sounds
relevant to three phonemes simultaneously
‣ The end of one, the middle other, and the beginning
of a third
‣ This changes the frequency of the formants that
make up a particular phoneme

17
Q

Is there a regular signal in natural speech?

A
No
‣ The theoretically expected components
are often missing or distorted
‣ Because of coarticulation, no
correspondence between acoustic
properties and perception of speech
‣ We have a lack of invariants in an 
- we have to encode things like formants because those give us phenomes
18
Q

How can we get past the problem of coarticulation?

A

Using a global approach to speech recognition where the relationship between the parts are compared

19
Q

Are there specialized neural mechanisms that are responsible for speech recognition and processing?

A

Yes;
Broca’s Area: speech production
Wernike’s Area: speech comprehension

20
Q

What is the phonemic boundary?

A

the point at which our perception of one phoneme changes from one sound to another
- consonants show this categorical perception but not vowels

21
Q

What is the McGurk effect?

A

takes visual input and puts it against the audio input and the result is the midpoint between the two

22
Q

Is categorical perception of speech unique to humans?

A

No; for example, dogs have a specific brain region that encodes dog barking sounds
- dogs can learn human speech

23
Q

How do the formant and phoneme rules change?

A

Depending on what language you are learning

24
Q

What is phonemic restoration?

A

A kind of perceptual completion in which listeners seem to perceive obscured or missing speech sounds
- based on previous experience and is therefore a top-down information processing event

25
Q

What does the location of the fundamental frequency on the cochlea depict?

A

perception of pitch

26
Q

How is music simpler than human speech?

A

Because it combines different frequencies across the harmonic spectrum
- fundamental frequency must be present for our perception to figure out that specific sound

27
Q

What are semitones?

A

The 12 proportionally equivalent intervals between the
notes in an octave (C - C# - D - D# - E - F - F# - G - G#
- A - A# - B)

28
Q

What is tone height?

A

Notes separated by an octave are more
perceptually similar than separated by
another scale

29
Q

What is tone chroma?

A

Semitone intervals are perceptually
equivalent - same perceived difference
in pitch

30
Q

What are tonal superpositions?

A

two tones played together

31
Q

What is consonance?

A

Quality exhibited by a combination of tones that
sound pleasant
- notes that are derivatives of each other
- reinforce the response of the other on the basilar membrane

32
Q

What is dissonance?

A

Quality exhibited by a combination of tons that
sound unpleasant
- interfere with each other on the basilar membrane