chapter 10: documentary Flashcards

1
Q

what are the different types of documentary film making

A

expository, observational, participatory, reflexive

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2
Q

expository

A

emphasizes verbal commentary and argumentative logic, often uses voice of god narrator, overly didactic

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3
Q

observational

A

avoids commentary, emphasizes a direct engagement with the everyday life of subjects as observed by an unobtrusive camera, lack of history or context

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4
Q

participatory

A

emphasizes the interaction between filmmaker and subject, filming takes place by means of interviews or other forms of even more direct involvement•drawbacks: excessive faith in witnesses; naive history

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5
Q

ethical dimensions

A

1) the image’s likeness to historical world
2) representing the interests of others
3) construction of argument that tries to win consent or influence popular opinion

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6
Q

reflexive

A

calls attention to the assumptions and conventions that govern documentary filmmaking, increases our awareness of the constructedness of the film’s representation of reality, drawbacks: too abstract; can lose sight of issues

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7
Q

direct cinema

A

records an ongoing event as it happens with minimal interference

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8
Q

categorical form

A

when a film is designed to convey categorized information, often begins by identifying its subject, develops in simple ways

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9
Q

rhetorical form

A

when the film makes an argument that will convince the spectator of something

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10
Q

what four levels does categorical form operate on

A

referential, explicit, implicit, symptomatic

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11
Q

what four basic attributes define rhetorical form

A

it addresses the viewer openly, matter of opinion not scientific fact, emphasis on opinion, attempts to persuade the viewer into making a choice

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12
Q

types of rhetorical arguments

A

arguments from the source, subject-centered arguments, viewer centered arguments,

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13
Q

arguments from the source

A

arguments rely on what are taken to be reliable sources of information

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14
Q

subject-centered arguments

A

appeals to beliefs common at the time in a given culture, relies on the evidence to support the film’s argument

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15
Q

viewer-centered arguments

A

taps into the emotions of the viewer

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