Chapter 1 Flashcards

1
Q

Production

A

The actual shooting of a film after preproduction and before postproduction

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2
Q

Credits

A

A list of all the personnel involved in making a film production, including cast, crew, and executives

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3
Q

Executive Producer

A

A producer who finances or facilitates a film deal and who usually has little creative or technical involvement

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4
Q

Above-the-line expenses

A

A film’s initial costs of contracting the major personnel (directors and stars) as well administrative and organizational expenses in setting up a film production

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5
Q

Agent

A

An individual who represents actors, directors, writers, and other major personnel employed by a film production by contracting and negotiating with writers, casting directors, and producers

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6
Q

Art Director

A

The individual responsible for supervising the conception and construction of the physical environment in which the actors appear, including sets, locations, props, and costumes

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7
Q

Auteur

A

French term for “author”; the individual credited with the creative vision defining a film; implies a director who unique style is apparent across their body of work

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8
Q

Below-the-line expenses

A

The technical and material costs (costumes, sets, transportation, and so on) involved in the actual making of the film

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9
Q

Casting Director

A

The individual responsible for identifying and selecting which actors would work best in particular roles

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10
Q

Costume Designer

A

An individual who plans and prepares how actors will be dressed for parts

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11
Q

Director

A

The chief creative presence or the primary manager in film production, responsible for overseeing virtually all the work of making a movie

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12
Q

Film Shoot

A

The weeks of months of actual shooting, on set or on location

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13
Q

Line Producer

A

The individual in charge of the daily business of tracking costs and maintaining the production schedule of a film

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14
Q

Narrative

A

A story with a particular plot and point of view told by a narrator or conveyed by a narration all point of view

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15
Q

Location Scout

A

Individual who determines and secures places that provide the most suitable environment for shooting different movie scenes

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16
Q

Preproduction

A

The phase when a film project is in development, involving preparing the script, financing the project, casting, hiring crew, and securing locations

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17
Q

Producer

A

The person who oversees each step of a film project, especially the financial aspects, from development to postproduction and a distribution deal

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18
Q

Postproduction

A

The period in the filmmaking process that occurs after principal photography has been completed; usually consists of editing, sound, and visual-effects work

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19
Q

Production Values

A

An evaluative term about the quality of the film images and sounds that reflects the investment expenses

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20
Q

Production Designer

A

The person in charge of the film’s overall look

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21
Q

Principal Photography

A

The majority of footage filmed for a project during the shoot

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22
Q

Package-unit approach

A

An approach in film production established in the mid-1950s whereby the agent, producer, and casting director assembled a script, stars, and other major personnel as a key first step in a major production

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23
Q

Screenwriter

A

A writer of a film’s screenplay; also called scriptwriter. The screenwriter may begin with an original treatment and develop the plot structure and dialogue over the span of several versions

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24
Q

Screenplay

A

The text from which a movie is made, including dialogue and information about action, settings, shots, and transitions; developed from a treatment; also known as a script

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25
Q

Script Doctor

A

An uncredited individual called in to do rewrites on a screenplay

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26
Q

Set Decorator

A

The member of the art department who places props and furnishing on set

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27
Q

Studio System

A

The industrial practices of the large production companies responsible for filmmaking in Hollywood or others. During the Hollywood studio era from 1920s-1950s, five major studios were MGM, Paramount, RKO, 20th Century Fox, and Warner Bros.

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28
Q

Treatment

A

A short prose description of the action of a film and major characters written before the screenplay or script

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29
Q

Unit Production Manager

A

A member of a film’s production team responsible for reporting and managing the details of receipts and purchases

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30
Q

Take

A

A single filmed version of a scene during production or a single shot onscreen

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31
Q

Ancillary Market

A

A venue other than a theatrical release in which a film can make money, such as foreign sales, airlines, DVD, or on demand

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32
Q

Block Booking

A

A practice in which movie theatres had to exhibit whatever a studio/distributor packaged with its more popular and desirable movies; declared unfair business practice in 1948

33
Q

Camera Operator

A

A member of the film crew in charge of physically manipulating the camera, overseen by the cinematographer

34
Q

Cinematographer

A

The member of the film crew who selects the cameras, film stock, lighting, and lenses to be used as well as the camera setup or position; also known as director of photography

35
Q

Computer-generated Imagery (CGI)

A

Still or animated images created through digital computer technology. First introduced in the 1970s, CGI was used to create feature-length films by the mid 90s and is widely used for visual effects

36
Q

Dailies

A

The footage shot on a single day of filming

37
Q

Distribution

A

The means through which a distributor delivers movies to theatres, video stores, TV & internet networks, and other venues

38
Q

Distributor

A

A company or agency that acquires the rights to a movie from the filmmakers or producers and makes the movie available to audiences by renting, selling, or licensing it to theatres or other exhibition outlets

39
Q

Editing

A

The process of selecting and joining film footage and shots into a finished film with a distinctive style and rhythm. Individual responsible for this is the editor.

40
Q

Exclusive Release

A

A movie that premieres in restricted locations initially

41
Q

Feature Film

A

Running typically 90-120 minutes in length, a narrative film that is the primary attraction for audiences

42
Q

Grip

A

A crew member who installs lighting and dollies

43
Q

Green-screen Technology

A

A technique for creating visual effects in which actors, objects, or figures are filmed in front of a green screen and later superimposed onto a computer-generated or filmed background

44
Q

First-run Theater

A

A theatre that shows recently released movies

45
Q

Limited Release

A

The practice of initially distributing a film only to major cities and expanding distribution according to its success or failures

46
Q

Motion-capture Technology

A

A visual-effects technology used to incorporate an actor’s movements into those of a computer-generated character

47
Q

Production Sound Mixer

A

The sound engineer on the production set

48
Q

Premiere

A

A red carpet event celebrating the opening night of a film

49
Q

Piracy

A

The unauthorized duplication and circulation of copyrighted material

50
Q

Platforming

A

The distribution strategy of releasing a film in gradually widening markets to build its reputation through reviews and word of mouth

51
Q

Selects

A

The director’s chosen takes to use in editing a scene

52
Q

Sound Editing

A

Combining music, dialogue, and effects tracks to interact with the image track; performed by sound editor

53
Q

Sound Mixing

A

The process by which all the elements of the soundtrack, including music, effects, and dialogue, are combined and adjusted to their final levels

54
Q

Saturation Booking

A

The distribution strategy of releasing a film simultaneously in as many locations as possible, widely implemented with the advent of the blockbuster in the 70s

55
Q

Special Effects

A

Techniques that enhance a film’s realism or surpass realism with spectacle. They may be prepared in preproduction (building futuristic sets), generated in production (camera filters or setups), on set (pyrotechnics), or added in postproduction

56
Q

Wide Release

A

The premiere of a movie at many locations simultaneously

57
Q

Visual Effects (VFX)

A

Special effects created in postproduction through digital imaging

58
Q

Video on Demand (VOD)

A

The distribution of films through cable or online services that allow consumers to purchase and view movies on computers and home video screens

59
Q

Viral Marketing

A

The process of advertising that relies on existing social networks to spread a marketing message by word of mouth, electronic messaging, or other means

60
Q

Theatrical Release Window

A

The period of time before a film’s availability on home video, video on demand, or TV platforms, during which it plays in movie theatres

61
Q

Tie-ins

A

Ancillary products (T-shirts, CD’s, toys, etc.) made available at stores and restaurants that advertise and promote the movie

62
Q

Trailer

A

A form of promotional advertising that previews edited images and scenes from a film in theatres before the main feature film or on a television commercial or website

63
Q

Reception

A

The process through which an individual viewers or groups make sense of a film

64
Q

Marketing

A

The process of identifying an audience and bringing a product such as a movie to its attention for consumption

65
Q

Media Convergence

A

The process by which formerly distinct media (cinema, TV, internet) and viewing platforms (TV, computers, cellphones) become interdependent

66
Q

Movies Palaces

A

Lavish movie theatres built between 1920s-40s with ornate architecture and sumptuous seating for thousands

67
Q

Multiplex

A

A movie theatre complex with multiple screens. Initially found in suburbs and connected to malls, they are not common in cities.

68
Q

Nickelodeons

A

Storefront theatres and arcade spaces where short films were shown continuously for 5c admission to audiences passing in and out. Prominent until rise of the feature film in 1910s

69
Q

A Picture

A

A feature film with a large budget and prestigious source material or actors that has been historically promoted as a main attraction receiving top billing in a double feature

70
Q

Blaxploitation

A

A genre of low-budget films made in the early 1970s targeting urban, African American audiences and featuring streetwise African American protagonists. Several black directors made a creative mark in a genre that was primarily intended to make money for its producers

71
Q

Blockbuster

A

A big-budget film, intended for wide release, whose large investment in stars, special effects, and advertising attracts large audiences and big profits

72
Q

B Picture

A

A low-budget, non-prestigious movie that usually played on the bottom half of a double bill. B pictures were often produced by the smaller studios referred to as Hollywood’s Poverty Row.

73
Q

Art Film

A

A film produced primarily for aesthetic rather than commercial or entertainment purposes, whose intellectual or formal challenges are often attributed to the vision of the auteur

74
Q

Day-and-date Release

A

A simultaneous release strategy across different media and venues, such as a theatrical release and a DVD release

75
Q

Exhibition

A

The part of the film industry that shows films to a paying public, usually in theatres.

76
Q

Exhibitor

A

The owner of individual theatres or chains who make decisions about programming and local promotion

77
Q

Italian Neorealism

A

A film movement that began in Italy during WWII and lasted until approx. 1952, depicting everyday social realities using location shooting and amateur actors, in opposition to glossy studio formulas.

78
Q

Promotion

A

The aspect of the movie industry through which audiences are exposed to and encouraged to see a particular film. Promotion includes advertisements, trailers, publicity appearances, and product tie-ins.

79
Q

Star System

A

The practice of a studio system or a national film industry of promoting films and organizing audience expectation through the casting and cultivation of distinctive and well-known performers